Art and Society & Other Papers in Historical Materialism PDF Download

Author: Georgiĭ Valentinovich Plekhanov
Publisher: New York : Oriole Editions
ISBN:
Category : Art
Languages : en
Pages : 200

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Author: Gen Doy
Publisher: Berg 3pl
ISBN:
Category : Art
Languages : en
Pages : 296

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Book Description
Item discusses Marxist art history in relation to the social history of art.

Author: Andrew Hemingway
Publisher: BRILL
ISBN: 9004269010
Category : Art
Languages : en
Pages : 515

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Book Description
In this collection of classic and newly-published essays, Andrew Hemingway exposes the voices of competing class interest in British aesthetics and art theory in the Romantic period and provides fresh insights into landscape paintings by Constable, Turner and others.

Author: Dave Beech
Publisher: BRILL
ISBN: 9004288155
Category : Philosophy
Languages : en
Pages : 402

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Book Description
Art and Value is the first comprehensive analysis of art's political economy throughout classical, neoclassical and Marxist economics. It provides a critical-historical survey of the theories of art's economic exceptionalism, of art as a merit good, and of the theories of art's commodification, the culture industry and real subsumption. Key debates on the economics of art, from the high prices artworks fetch at auction, to the controversies over public subsidy of the arts, the 'cost disease' of artistic production, and neoliberal and post-Marxist theories of art's incorporation into capitalism, are examined in detail. Subjecting mainstream and Marxist theories of art's economics to an exacting critique, the book concludes with a new Marxist theory of art's economic exceptionalism.

Author: Robert Slifkin
Publisher: Bloomsbury Publishing USA
ISBN: 1501341588
Category : Art
Languages : en
Pages : 209

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Book Description
The Present Prospects of Social Art History represents a major reconsideration of how art historians analyze works of art and the role that historical factors, both those at the moment when the work was created and when the historian addresses the objects at hand, play in informing their interpretations. Featuring the work of some of the discipline's leading scholars, the volume contains a collection of essays that consider the advantages, limitations, and specific challenges of seeing works of art primarily through a historical perspective. The assembled texts, along with an introduction by the co-editors, demonstrate an array of possible methodological approaches that acknowledge the crucial role of history in the creation, reception, and exhibition of works of art.

Author: Adrian Rifkin
Publisher: BRILL
ISBN: 9004326227
Category : Art
Languages : en
Pages : 554

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Book Description
From the travails of art critical language in the late eighteenth century to the upheaval of the Paris Commune of 1871, from neo-classical art criticism to the Paris Commune of 1871, from Bizet's Carmen and Edith Piaf's song to the culture of gay cruising, these essays map a work outside discipline.

Author: John Davis
Publisher: John Wiley & Sons
ISBN: 1118542495
Category : Art
Languages : en
Pages : 663

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Book Description
A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship

Author: Tijen Tunalı
Publisher: Routledge
ISBN: 9780367650094
Category : Art
Languages : en
Pages : 0

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Book Description
This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular. Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord, T.J. Clark and many others are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history. The book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies, and the sociology of art.

Author: Andrew Edgar
Publisher: Routledge
ISBN: 113482338X
Category : Reference
Languages : en
Pages : 371

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Book Description
This work presents a survey of over 350 of the key terms encountered in cultural theory today, each entry providing explanations for students in a wide range of disciplines. These include literature, cultural studies, sociology and philosophy.

Author: Andrew Edgar
Publisher: Routledge
ISBN: 1134149077
Category : History
Languages : en
Pages : 458

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Book Description
Now in its second edition, Cultural Theory: The Key Concepts is an up-to-date and comprehensive survey of over 350 of the key terms central to cultural theory today. This second edition includes new entries on: colonialism cybercultur globalisation terrorism visual studies. Providing clear and succinct introductions to a wide range of subjects, from feminism to postmodernism, Cultural Theory: The Key Concepts continues to be an essential resource for students of literature, sociology, philosophy and media and anyone wrestling with contemporary cultural theory.