Author: Italian Institute (London, England)
Publisher: Ed. di Storia e Letteratura
ISBN:
Category :
Languages : en
Pages : 248
Book Description
Art and Ideas in Eighteenth-Century Italy. Lectures given at the Italian Institute 1957-1958
Art and Ideas in Eighteenth-century Italy; Lectures Given at the Italian Institute, 1957-1958 [by] Harold Acton [and Others].
Author: Italian Institute, London
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 244
Book Description
Art and Ideas in Eighteenth-century Italy
Art and Ideas in Eighteenth Century Italy
Art and Ideas in Eighteenth-century Italy
Author: Italian Institute (London, England)
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 0
Book Description
Art and Ideas in Eighteenth-century Italy
Author: Harold Acton
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 244
Book Description
Art and Ideas in Eighteenth-century Italy
Author: Harold Acton
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 244
Book Description
Art and Ideas in 18th Century Italy
Opera and Sovereignty
Author: Martha Feldman
Publisher: University of Chicago Press
ISBN: 0226044548
Category : Music
Languages : en
Pages : 574
Book Description
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.
Publisher: University of Chicago Press
ISBN: 0226044548
Category : Music
Languages : en
Pages : 574
Book Description
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.
Isaiah Berlin and the Enlightenment
Author: Laurence Brockliss
Publisher: Oxford University Press
ISBN: 0191086533
Category : Philosophy
Languages : en
Pages : 273
Book Description
Isaiah Berlin (1909-97) was recognized as Britain's most distinguished historian of ideas. Many of his essays discussed thinkers of what this book calls the 'long Enlightenment' (from Vico in the eighteenth century to Marx and Mill in the nineteenth, with Machiavelli as a precursor). Yet he is particularly associated with the concept of the 'Counter-Enlightenment', comprising those thinkers (Herder, Hamann, and even Kant) who in Berlin's view reacted against the Enlightenment's naïve rationalism, scientism and progressivism, its assumption that human beings were basically homogeneous and could be rendered happy by the remorseless application of scientific reason. Berlin's 'Counter-Enlightenment' has received critical attention, but no-one has yet analysed the understanding of the Enlightenment on which it rests. Isaiah Berlin and the Enlightenment explores the development of Berlin's conception of the Enlightenment, noting its curious narrowness, its ambivalence, and its indebtedness to a specific German intellectual tradition. Contributors to the book examine his comments on individual writers, showing how they were inflected by his questionable assumptions, and arguing that some of the writers he assigned to the 'Counter-Enlightenment' have closer affinities to the Enlightenment than he recognized. By locating Berlin in the history of Enlightenment studies, this book also makes a contribution to defining the historical place of his work and to evaluating his intellectual legacy.
Publisher: Oxford University Press
ISBN: 0191086533
Category : Philosophy
Languages : en
Pages : 273
Book Description
Isaiah Berlin (1909-97) was recognized as Britain's most distinguished historian of ideas. Many of his essays discussed thinkers of what this book calls the 'long Enlightenment' (from Vico in the eighteenth century to Marx and Mill in the nineteenth, with Machiavelli as a precursor). Yet he is particularly associated with the concept of the 'Counter-Enlightenment', comprising those thinkers (Herder, Hamann, and even Kant) who in Berlin's view reacted against the Enlightenment's naïve rationalism, scientism and progressivism, its assumption that human beings were basically homogeneous and could be rendered happy by the remorseless application of scientific reason. Berlin's 'Counter-Enlightenment' has received critical attention, but no-one has yet analysed the understanding of the Enlightenment on which it rests. Isaiah Berlin and the Enlightenment explores the development of Berlin's conception of the Enlightenment, noting its curious narrowness, its ambivalence, and its indebtedness to a specific German intellectual tradition. Contributors to the book examine his comments on individual writers, showing how they were inflected by his questionable assumptions, and arguing that some of the writers he assigned to the 'Counter-Enlightenment' have closer affinities to the Enlightenment than he recognized. By locating Berlin in the history of Enlightenment studies, this book also makes a contribution to defining the historical place of his work and to evaluating his intellectual legacy.