Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 179
Book Description
ART AND COMMERCE-AMERICAN PRINTS OF THE NINETEENTH CENTURY.
Author: Art & Commerce
Author: Art & Commerce
Author: Museum of Fine Arts, BostonPublisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 190
Book Description
Art and Commerce
Author: Prints and Printmakers of New York State, 1825-1940
Author: David TathamPublisher: Syracuse University Press
ISBN: 9780815602040
Category : Art
Languages : en
Pages : 304
Book Description
For well over a century, New York has been a microcosm of the art and craft of American printmaking. Until 1825, printmaking in America was almost entirely an artisan's craft. Then, with the arrival of lithography, the realization arose that printmaking could also be a fine art. The essays published in this collection contribute to the body of scholarship by identifying important but hitherto insufficiently studied aspects of the graphic arts and treating them authoritatively. Their subjects concern prints in New York State, whose great metropolitan city was, after 1825, the acknowledged center of nearly everything important in the graphic arts in the U.S. The history of American prints from 1825 on is enormously rich, yet until the 1970s it was the least studied and understood aspect of the history of art in North America. It is a history more deeply rooted in popular culture and more closely tied, for a long time, to the world of commerce than the other arts. The usually small-scale, sometimes ephemeral, and often highly subtle (or highly unsubtle) nature of prints makes it easy to overlook them. The collection of essays included here were originally presented at the Twelfth Annual North American Print Conference, held in 1981 in Syracuse, New York. Locally organized, these conferences have been held during the last decade throughout the U.S. and Canada to further the study of the history of the pictorial graphic arts in North America. Contributors include several leading historians of the graphic arts of nineteenth-century America. Their chapters bring to life and flesh out figures who were previously little more than names, establish facts that correct long-held erroneous assumptions, introduce many prints of exceptional interest that have remained out of the public view for generations, and provide a rich, new context for many familiar images.
American Etchings of the Nineteenth Century
Author: Francine TylerViews and Viewmakers of Urban America
Author: John William RepsPublisher: University of Missouri Press
ISBN: 0826204163
Category : Canada
Languages : en
Pages : 594
Book Description
Union list catalog of the lithographic views of cities and towns made during the 19th century.
Thomas Moran
Author: REV Nancy K Anderson, Acpe SupervisorPublisher: Yale University Press
ISBN: 0300073259
Category : Art
Languages : en
Pages : 412
Book Description
Describes an exhibit at the National Gallery, the Gilcrease Museum, Tulsa, and the Seattle Art Museum
The American Art-Union
Author: Kimberly A. OrcuttPublisher: Fordham Univ Press
ISBN: 1531507018
Category : Art
Languages : en
Pages : 291
Book Description
The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works. For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade. Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.
Young America
Author: Claire PerryPublisher: Yale University Press
ISBN: 9780300106206
Category : Art
Languages : en
Pages : 258
Book Description
A delightful look at how nineteenth-century American artists portrayed children and childhood