Author: David Arrigoni
Publisher: Lulu.com
ISBN: 1304233995
Category : Art
Languages : en
Pages : 50
Book Description
Arrigoni Art Studio features 31 paintings by David Michael Arrigoni, covering a period from 1956 to 2013. David works in oil and acrylic paints, creating clever paintings that inspire the imagination. David refers to each painting as, "A studied project to stimulate the imagination- realism with a slight twist. The subject in each painting is obvious, but I use 'artistic freedom' to deviate from the visual facts." David uses 21st Century tools and equipment to create his archival digital reproductions on canvas.
Arrigoni Art Studio
Ecstasies
Author: Carlo Ginzburg
Publisher: University of Chicago Press
ISBN: 0226839443
Category : History
Languages : en
Pages : 372
Book Description
Weaving early accounts of witchcraft—trial records, ecclesiastical tracts, folklore, and popular iconography—into new and startling patterns, Carlo Ginzburg presents in Ecstasies compelling evidence of a hidden shamanistic culture that flourished across Europe and in England for thousands of years.
Publisher: University of Chicago Press
ISBN: 0226839443
Category : History
Languages : en
Pages : 372
Book Description
Weaving early accounts of witchcraft—trial records, ecclesiastical tracts, folklore, and popular iconography—into new and startling patterns, Carlo Ginzburg presents in Ecstasies compelling evidence of a hidden shamanistic culture that flourished across Europe and in England for thousands of years.
Catalogue of Copyright Entries ...
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 444
Book Description
Color Mixing in Acrylic
Author: David Lloyd Glover
Publisher: Walter Foster
ISBN: 1600583881
Category : Art
Languages : en
Pages : 66
Book Description
Color Mixing inAcrylic features a range of techniques and valuable instruction for working with and mixing color in this classic medium.
Publisher: Walter Foster
ISBN: 1600583881
Category : Art
Languages : en
Pages : 66
Book Description
Color Mixing inAcrylic features a range of techniques and valuable instruction for working with and mixing color in this classic medium.
Index to Art Periodicals
Author: Art Institute of Chicago. Ryerson Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 916
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 916
Book Description
Catalog of Copyright Entries
Photoshop Studio with Bert Monroy
Author: Bert Monroy
Publisher: Peachpit Press
ISBN: 0132103974
Category : Computers
Languages : en
Pages : 304
Book Description
One of the most talented digital artists working in the medium shares his secrets for creating stunning art using Adobe Photoshop. A master class for the experienced Photoshop artist, this beautifully illustrated guide not only shows how to construct digital images, but also the painstaking refinement process required to create truly magnificent work. With the culmination of years of experimentation, Bert Monroy demonstrates step-by-step the essential techniques you’ll need to build awe-inspiring photorealistic paintings. Learn how to: • Effectively use the Brushes palette and other Photoshop tools • Master alpha channels, layers, selections, filters, masks, and clipping paths • Use highlights and shadows effectively to set the mood and add dimension • Understand perspective and create eye-catching compositions • Organize your workflow, take photographs, and collect reference materials to produce an accurate rendering of the subject Download bonus chapters at: www.peachpit.com/digitalpainting
Publisher: Peachpit Press
ISBN: 0132103974
Category : Computers
Languages : en
Pages : 304
Book Description
One of the most talented digital artists working in the medium shares his secrets for creating stunning art using Adobe Photoshop. A master class for the experienced Photoshop artist, this beautifully illustrated guide not only shows how to construct digital images, but also the painstaking refinement process required to create truly magnificent work. With the culmination of years of experimentation, Bert Monroy demonstrates step-by-step the essential techniques you’ll need to build awe-inspiring photorealistic paintings. Learn how to: • Effectively use the Brushes palette and other Photoshop tools • Master alpha channels, layers, selections, filters, masks, and clipping paths • Use highlights and shadows effectively to set the mood and add dimension • Understand perspective and create eye-catching compositions • Organize your workflow, take photographs, and collect reference materials to produce an accurate rendering of the subject Download bonus chapters at: www.peachpit.com/digitalpainting
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 872
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 872
Book Description
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1316
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1316
Book Description
The Lab Book
Author: Darren Wershler
Publisher: U of Minnesota Press
ISBN: 1452966397
Category : Social Science
Languages : en
Pages : 322
Book Description
An important new approach to the study of laboratories, presenting a practical method for understanding labs in all walks of life From the “Big Science” of Bell Laboratories to the esoteric world of séance chambers to university media labs to neighborhood makerspaces, places we call “labs” are everywhere—but how exactly do we account for the wide variety of ways that they produce knowledge? More than imitations of science and engineering labs, many contemporary labs are hybrid forms that require a new methodological and theoretical toolkit to describe. The Lab Book investigates these vital, creative spaces, presenting readers with the concept of the “hybrid lab” and offering an extended—and rare—critical investigation of how labs have proliferated throughout culture. Organized by interpretive categories such as space, infrastructure, and imaginaries, The Lab Book uses both historical and contemporary examples to show how laboratories have become fundamentally connected to changes in the contemporary university. Its wide reach includes institutions like the MIT Media Lab, the Tuskegee Institute’s Jesup Wagon, ACTLab, and the Media Archaeological Fundus. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques. Providing rich historical breadth and depth, The Lab Book brings into focus a critical, but often misunderstood, aspect of the contemporary arts and humanities.
Publisher: U of Minnesota Press
ISBN: 1452966397
Category : Social Science
Languages : en
Pages : 322
Book Description
An important new approach to the study of laboratories, presenting a practical method for understanding labs in all walks of life From the “Big Science” of Bell Laboratories to the esoteric world of séance chambers to university media labs to neighborhood makerspaces, places we call “labs” are everywhere—but how exactly do we account for the wide variety of ways that they produce knowledge? More than imitations of science and engineering labs, many contemporary labs are hybrid forms that require a new methodological and theoretical toolkit to describe. The Lab Book investigates these vital, creative spaces, presenting readers with the concept of the “hybrid lab” and offering an extended—and rare—critical investigation of how labs have proliferated throughout culture. Organized by interpretive categories such as space, infrastructure, and imaginaries, The Lab Book uses both historical and contemporary examples to show how laboratories have become fundamentally connected to changes in the contemporary university. Its wide reach includes institutions like the MIT Media Lab, the Tuskegee Institute’s Jesup Wagon, ACTLab, and the Media Archaeological Fundus. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques. Providing rich historical breadth and depth, The Lab Book brings into focus a critical, but often misunderstood, aspect of the contemporary arts and humanities.