Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 12
Book Description
Arrest de la cour de Parlement de Provence, qui condamne l'exemplaire d'un imprimé contenant deux mémoires, le premier ayant pour titre : Premier mémoire présenté au Roi par M. le président d'Eguilles ; le second ayant pour titre : Second mémoire présenté au roi par M. le president d'Eguilles, à être lacéré & brûlé... Du 17 mai 1763
François Hotman: Antitribonian
Author:
Publisher: BRILL
ISBN: 9004472029
Category : History
Languages : en
Pages : 253
Book Description
Written c. 1567 (though unpublished until 1603), this is the work of an extraordinary scholar, a radical and polemicist, rival of many of the leading intellectual and political figures of his day. According to François Hotman’s distinguished biographer Donald Kelley the Antitribonian ‘is, or should be, a landmark in the history of social and historical thought’. It is also a landmark in the history of legal thought. The present edition is the first to evaluate Hotman’s text in the context of the history of Roman law from the time of the sixth-century Byzantine Emperor Justinian I to the Germany of the Enlightenment.
Publisher: BRILL
ISBN: 9004472029
Category : History
Languages : en
Pages : 253
Book Description
Written c. 1567 (though unpublished until 1603), this is the work of an extraordinary scholar, a radical and polemicist, rival of many of the leading intellectual and political figures of his day. According to François Hotman’s distinguished biographer Donald Kelley the Antitribonian ‘is, or should be, a landmark in the history of social and historical thought’. It is also a landmark in the history of legal thought. The present edition is the first to evaluate Hotman’s text in the context of the history of Roman law from the time of the sixth-century Byzantine Emperor Justinian I to the Germany of the Enlightenment.
Arrest de la cour de Parlement de Provence, qui condamne l'exemplaire d'un imprimé contenant deux Mémoires
Author: France. Parlement (Aix-en-Provence)
Publisher:
ISBN:
Category : Prohibited books
Languages : fr
Pages : 12
Book Description
Publisher:
ISBN:
Category : Prohibited books
Languages : fr
Pages : 12
Book Description
Arrest de la cour de Parlement de Provence qui condamme l'exemplaire d'un imprimé contenanc deux mémoires, le premier ayant pour titre : Premier Mémoire présenté au Roi par M. le Président d'Eguilles; le second ayant pour titre : Second Mémoire présenté au Roi par M. le Président d'Eguilles, à être laceré et brûle par l'Executeur de la haute justice. Du 17 May 1763
Author: Francia. Parlement de Provence
Publisher:
ISBN:
Category :
Languages : fr
Pages : 34
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 34
Book Description
Arrest de la cour de parlement de Provence qui condamne un imprimé contenant deux mémoires (par M. d'Eguille et M. de Montvallon)... du 17 mai 1763
Author: France. Parlement de Provence
Publisher:
ISBN:
Category :
Languages : fr
Pages : 15
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 15
Book Description
Heterodoxy, Spinozism, and Free Thought in Early-Eighteenth-Century Europe
Author: Silvia Berti
Publisher: Springer Science & Business Media
ISBN: 9401587353
Category : Philosophy
Languages : en
Pages : 542
Book Description
'the oldest biography of Spinoza', La Vie de Mr. Spinosa, which in the manuscript copies is often followed by L'Esprit de M. Spinosa. Margaret Jacob, in her Radical Enlightenment, contended that the Traite was written by a radical group of Freemasons in The Hague in the early eighteenth century. Silvia Berti has offered evidence it was written by Jan Vroesen. Various discussions in the early eighteenth century consider many possi ble authors from the Renaissance onwards to whom the work might be attributed. The Trois imposteurs has attracted quite a bit of recent attention as one of the most significant irreligious clandestine writings available in the Enlightenment, which is most important for understanding the develop ment of religious scepticism, radical deism, and even atheism in the seventeenth and eighteenth centuries. Scholars for the last couple of decades have been trying to assess when the work was actually written or compiled and by whom. In view of the widespread distribution of manu scripts of the work all over Europe, they have also been seeking to find out who was influenced by the work, and what it represented for its time. Hitherto unknown manuscripts are being turned up in public and private libraries all over Europe and the United States.
Publisher: Springer Science & Business Media
ISBN: 9401587353
Category : Philosophy
Languages : en
Pages : 542
Book Description
'the oldest biography of Spinoza', La Vie de Mr. Spinosa, which in the manuscript copies is often followed by L'Esprit de M. Spinosa. Margaret Jacob, in her Radical Enlightenment, contended that the Traite was written by a radical group of Freemasons in The Hague in the early eighteenth century. Silvia Berti has offered evidence it was written by Jan Vroesen. Various discussions in the early eighteenth century consider many possi ble authors from the Renaissance onwards to whom the work might be attributed. The Trois imposteurs has attracted quite a bit of recent attention as one of the most significant irreligious clandestine writings available in the Enlightenment, which is most important for understanding the develop ment of religious scepticism, radical deism, and even atheism in the seventeenth and eighteenth centuries. Scholars for the last couple of decades have been trying to assess when the work was actually written or compiled and by whom. In view of the widespread distribution of manu scripts of the work all over Europe, they have also been seeking to find out who was influenced by the work, and what it represented for its time. Hitherto unknown manuscripts are being turned up in public and private libraries all over Europe and the United States.
Correspondence
Arrest de la Cour de Parlement de Provence, qui ordonne la suppression d'un imprimé, contenant un Mémoire & une lettre écrite à M. de Malesherbes, Ministre & Secrétaire d'Etat, au sujet de la démolition & reconstruction de l'Echafaut, & que l'imprimeur sera mandé ez pieds de la Cour pour être enquis sur le fait dont il s'agit
Graphic History
Author: Philip Benedict
Publisher: Librairie Droz
ISBN: 9782600004404
Category : Art
Languages : en
Pages : 454
Book Description
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.
Publisher: Librairie Droz
ISBN: 9782600004404
Category : Art
Languages : en
Pages : 454
Book Description
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.
The Judgment of Palaemon
Author: Philip Ford
Publisher: BRILL
ISBN: 9004245391
Category : History
Languages : en
Pages : 287
Book Description
In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.
Publisher: BRILL
ISBN: 9004245391
Category : History
Languages : en
Pages : 287
Book Description
In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.