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Author: Lynette M. F. Bosch Publisher: Penn State Press ISBN: 9780271043814 Category : History Languages : en Pages : 354
Book Description
Using patronage as a filter, Bosch relates the style, content, and function of these lavish manuscripts to the many-sided ritual life of the Cathedral and, beyond that, to its social and political role in efforts to forge Spanish identity in the midst of the Reconquista." "This book will appeal to art historians, Hispanists, and all those interested in Renaissance history and culture."--BOOK JACKET.
Author: Lynette M. F. Bosch Publisher: Penn State Press ISBN: 9780271043814 Category : History Languages : en Pages : 354
Book Description
Using patronage as a filter, Bosch relates the style, content, and function of these lavish manuscripts to the many-sided ritual life of the Cathedral and, beyond that, to its social and political role in efforts to forge Spanish identity in the midst of the Reconquista." "This book will appeal to art historians, Hispanists, and all those interested in Renaissance history and culture."--BOOK JACKET.
Author: Jonathan Brown Publisher: Yale University Press ISBN: 9780300064742 Category : Art Languages : en Pages : 326
Book Description
El Greco, Ribera, Velázquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period. Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and explores Spain's contact with artistic centers in Italy and the Netherlands. He discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. Brown also examines the collections of foreign paintings that Spanish noblemen and prelates assembled and how these collections affected the production of art and the social status of the Spanish artist. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistic impulses it received from abroad to fit the needs of its own society.
Author: Margarita Diaz-Andreu Publisher: Routledge ISBN: 1317799062 Category : Social Science Languages : en Pages : 334
Book Description
For many archaeologists, Iberia is the last great unknown region in Europe. Although it occupies a crucial position between South-Western Europe and North Africa, academic attention has traditionally been focused on areas like Greece or Italy. However Iberia has an equally rich cultural heritage and archaeological tradition. This ground-breaking volume presents a sample of the ways in which archaeologists have applied theoretical frameworks to the interpretation of archaeological evidence, offering new insights into the archaeology of both Iberia and Europe from prehistoric time through to the tenth century. The contributors to this book are leading archaeologists drawn from both countries. They offer innovative and challenging models for the Paleolithic, Neolithic, Copper Age, Bronze Age, Iron Age, Roman, Early Medieval and Islamic periods. A diverse range of subjects are covered including urban transformation, the Iron Age peoples of Spain, observations on historiography and the origins of the Arab domains of Al-Andalus. It is essential reading for advanced undergraduates and those researching the archaeology of the Iberian Peninsula.
Author: Kelley Helmstutler Di Dio Publisher: Routledge ISBN: 1317058607 Category : Art Languages : en Pages : 481
Book Description
In the past decade, there has been a surge of Anglophone scholarship regarding Spain in the sixteenth and seventeenth centuries, which has led to a reframing of the discourses around Spanish culture of this period. Despite this new interest-in which painting, in particular, has been singled out for treatment-a comprehensive study of sculpture collections and the status of sculpture in Spain has yet to be produced. Sculpture Collections in Early Modern Spain is the first book to assess the phenomenon of sculpture collecting and in doing so, it alters the previously held notion that Spanish society placed little value in this art form. Di Dio and Coppel reveal that, due to the problems and expense of their transport from Italy, sculptures were in fact status symbols in the culture. Thus they were an important component of the collections formed by the royal family, cultivated noble collectors, humanists, and artists who had pretensions of high status. This book is especially useful to specialists for its discussion of the typologies of collections and objects, and of the mechanics of state gifts, transport, and collection display in this period. An appendix presents extensive archival documentation, most of which has never before been published. The authors have uncovered hundreds of new documents about sculpture in Spain; and new documentary evidence allows them to propose several new identifications and attributions. Firmly grounded in extensive archival research, Sculpture Collections in Early Modern Spain redefines the socio-political and art historical importance of sculpture in early modern Spain. Most importantly, it entirely transforms our knowledge regarding the presence of sculpture in a wide range of Spanish collections of the period, which until now has been erroneously characterized as close to non-existent.
Author: Publisher: BRILL ISBN: 9004253157 Category : History Languages : en Pages : 254
Book Description
The years between the accession of the house of Bourbon to the Spanish throne in 1700 and the coronation of Carlos III in 1759 have often been bundled up, and dismissed, together with the later years of Habsburg rule. Growing out of the first Anglophone academic workshop to focus exclusively on Early Bourbon Spanish America, this collective volume gives prominence to the first half of the eighteenth century as a distinct historical period. Discussing from different methodological and geographical perspectives the ways in which the Bourbon succession, international competition over access to Spanish American resources, and war affected the Indies, the contributors examine some of the key changes experienced in Spanish America at the local, provincial and imperial level.
Author: Jonathan Brown Publisher: Princeton University Press ISBN: 0691241929 Category : Art Languages : en Pages : 214
Book Description
Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu. A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velázquez, Zurbarán's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdés Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed.
Author: Jerrilynn Denise Dodds Publisher: Penn State University Press ISBN: 9780271006710 Category : Architecture Languages : en Pages : 272
Book Description
In analyzing the early medieval architecture of Christian and Islamic Spain, Jerrilynn Dodds explores the principles of artistic response to social and cultural tension, offering an account of that unique artistic experience that set Spain apart from the rest of Europe and established a visual identity born of the confrontation of cultures that perceived one another as alien. Architecture and Ideology in Early Medieval Spain covers the Spanish medieval experience from the Visigothic oligarchy to the year 1000, addressing a variety of cases of cultural interchange. It examines the embattled reactive stance of Hispano-Romans to their Visigothic rulers and the Asturian search for a new language of forms to support a political position dissociated from the struggles of a peninsula caught in the grip of a foreign and infidel rule. Dodds then examines the symbolic meaning of the Mozarabic churches of the tenth century and their reflection of the Mozarabs' threatened cultural identity. The final chapter focuses on two cases of artistic interchange between Islamic and Christian builders with a view toward understanding the dynamics of such interchange between conflicting cultures. Dodds concludes with a short account of the beginning of Romanesque architecture in Spain and an analysis of some of the ways in which artistic expression can reveal the subconscious of a culture.
Author: Nikolaos M. Panagiotakes Publisher: Routledge ISBN: 1351941356 Category : History Languages : en Pages : 168
Book Description
Exploring all the available sources, this study, which until now was only available in Greek, presents us with an account of El Greco's life up to the time he left Crete for Italy in 1567 at the age of twenty-six, already an accomplished professional painter. Nikolaos Panagiotakes provides a thorough assessment of earlier research on Crete of the 16th century then goes on to present new conclusions on the life of El Greco deriving from the author's firsthand reading of Venetian archive material, including questions relating to his birthplace, family, name, religious affiliation, and apprenticeship as a painter. The evidence indicates that El Greco was an established professional 'master painter' earlier than had previously been thought and also that he had a family before leaving Crete, thus perhaps explaining why he did not later marry Jerónima de las Cuevas, with whom he had a son in Toledo. This work marks a valuable contribution to El Greco scholarship, particularly in its thoroughly substantiated assessment of the evidence regarding the formative years in the life of El Greco, one of the greatest of all European artists.
Author: Lynette M. F. Bosch
Author: Lynette M. F. Bosch
Author: Jonathan Brown
Author: Margarita Diaz-Andreu
Author: Kelley Helmstutler Di Dio
Author: Robert Rattray Tatlock
Author: 
Author: Jonathan Brown
Author: Chandler Rathfon Post
Author: Jerrilynn Denise Dodds
Author: Nikolaos M. Panagiotakes