Archives of the Chinese Art Society of America PDF Download

Author: Chinese Art Society of America
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284

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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870992260
Category : Bronze age
Languages : en
Pages : 408

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Book Description
Describes the Chinese Bronze Age, including the development of the Chinese state, writing, religion and architecture.

Author: 國立故宮博物院
Publisher: Metropolitan Museum of Art
ISBN: 0810964945
Category : Art
Languages : en
Pages : 666

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Book Description
A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR

Author: William Watson
Publisher: Yale University Press
ISBN: 9780300073935
Category : Art
Languages : en
Pages : 306

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Book Description
This beautiful book is the second in a major three-volume series that will survey China's immense wealth of art, architecture, and artefacts from prehistoric times to the twentieth century. It covers the most prolific and broad-ranging period of Chinese art history, from the Song Dynasty with its spectacular landscape paintings to the Ming Dynasty with its lovely pottery. William Watson considers architecture, painting, sculpture, and the decorative arts in equal balance. He follows styles and motifs as they are developed in each medium from one province to another and discusses materials and techniques as well as the iconography and function of every art form. He also explores relationships between one medium and another, tracing, for example, the influence of Buddhist iconography on sculptural traditions and on the architecture of temples and towers and showing how ceramic ornament affected the development of ornament in other media.

Author: Kamer Aga-Oglu
Publisher: U OF M MUSEUM ANTHRO ARCHAEOLOGY
ISBN: 0932206743
Category : Social Science
Languages : en
Pages : 80

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Book Description

Author: 王成志
Publisher:
ISBN: 9780231161404
Category : Archival resources
Languages : en
Pages : 0

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Book Description
Presented in both English and Chinese, this volume covers personal papers, correspondences, memoirs, diaries, photographs, moving images, and other materials held at academic and research institutions across the United States and Canada

Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 9780520218772
Category : Art
Languages : en
Pages : 356

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Book Description
Sullivan has thoroughly revised this classic history of Chinese art which covers the period from Neolithic times to the 1990s. 224 photos. 164 color illustrations. 14 maps.

Author: Arthur F. Wright
Publisher: Stanford University Press
ISBN: 9780804708913
Category : History
Languages : en
Pages : 390

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Book Description
A Stanford University Press classic.

Author: Lara Jaishree Netting
Publisher: Hong Kong University Press
ISBN: 9888139185
Category : Art
Languages : en
Pages : 313

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Book Description
After serving as a missionary and then foreign advisor to Qing officials from 1887 to 1911, John Ferguson became a leading dealer of Chinese art, providing the Metropolitan Museum of Art, the Cleveland Museum of Art, and other museums with their inaugural collections of paintings and bronzes. In multiple publications dating to the 1920s and 1930s, Ferguson made the controversial claim that China’s autochthonous culture was the basis of Chinese art. His two Chinese language reference works, still in use today, were produced with essential help from Chinese scholars. Emulating these “men of culture” with whom he lived and worked in Peking, Ferguson gathered paintings, bronzes, rubbings, and other artifacts. In 1934, he donated this group of over one thousand objects to Nanjing University, the school he had helped to found as a young missionary. This work offers a significant contribution to the history of Chinese art collection. John Ferguson learned from and worked with Qing dynasty collectors and scholars, and then Republican-era dealers and archeologists, while simultaneously supplying the objects he had come to know as Chinese art to American museums and individuals. He is an ideal subject to help us see the interconnections between increased Western interest in Chinese art and archeology in the modern era, and cultural change taking place in China.

Author: Yanqiu Zheng
Publisher: University of Michigan Press
ISBN: 0472904477
Category : History
Languages : en
Pages : 268

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Book Description
In Search of Admiration and Respect examines the institutionalization of Chinese cultural diplomacy in the period between high imperialism and the international ascendance of the People's Republic of China. During these years, Chinese intellectuals and officials tried to promote the idea of China's cultural refinement in an effort to combat negative perceptions of the nation. Yanqiu Zheng argues that, unlike similar projects by more established powers, Chinese cultural diplomacy in this era was not carried out solely by a functional government agency; rather, limited resources forced an uneasy collaboration between the New York-based China Institute and the Chinese Nationalist government. In Search of Admiration and Respect uses the Chinese case to underscore what Zheng calls "infrastructure of persuasion," in which American philanthropy, museums, exhibitions, and show business had disproportionate power in setting the agenda of unequal intercultural encounters. This volume also provides historical insights into China's ongoing quest for international recognition. Drawing upon diverse archival sources, Zheng expands the contours of cultural diplomacy beyond established powers and sheds light on the limited agency of peripheral nations in their self-representation.