Author: William Richard Lethaby Publisher: Courier Corporation ISBN: 0486435199 Category : Architecture Languages : en Pages : 290
Book Description
First published in 1892, this classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. 30 black-and-white illustrations.
Author: Charles Rennie Mackintosh Publisher: Rutgers University Press ISBN: 9780813534459 Category : Architecture Languages : en Pages : 218
Book Description
Of the many practitioners of art nouveau in Great Britain, Charles Rennie Mackintosh (1868-1928) has outlasted them all. His work bridged the more ornate style of the later nineteenth century and the forms of international modernism that followed. Like Frank Lloyd Wright, with whom he is frequently compared, he is known for so thoroughly integrating art and decoration that the two became inseparable. His work has been honored by a major exhibition at the Metropolitan Museum of Art, and his designs have proliferated to such an extent that they can be found reproduced in posters, prints, jewelry, and even new buildings. His most important project was the Glasgow School of Art, which still functions as a highly prestigious art school. This glorious building is visited each year by thousands of tourists from around the world. Built over a dozen years, beginning in 1897, the Glasgow School of Art is Mackintosh's greatest and most influential legacy. This completely redesigned and heavily illustrated edition of Mackintosh's Masterwork has been greatly expanded and contains newly discovered material about both the early life of the architect and the formative years in which his plans for the School of Art were executed.
Author: Jason Ananda Josephson Storm Publisher: University of Chicago Press ISBN: 022640336X Category : History Languages : en Pages : 428
Book Description
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
Author: Alan Balfour Publisher: John Wiley & Sons ISBN: 1118275101 Category : Architecture Languages : en Pages : 345
Book Description
A highly original architectural history of Solomon’s Temple and Islam’s Dome of the Rock that doubles as a social and cultural history of the region The most extensive study of the interrelated history of two monuments, Solomon’s Temple and The Dome of the Rock, drawing on an exhaustive review of all the visual and textual evidence Relayed as a gripping narrative, allowing readers to re-enter and experience the emotions and the visceral reality of the major events in its history Integrates illustration with the text to offer a highly detailed and accurate portrait of the major structures and figures involved in the history of the temple Opens up a fascinating line of questioning into the conventional interpretation of events, particularly Christ’s actions in the Temple Reproduces rarely seen detailed drawings of the subterranean passages beneath Temple Mount as part of the British survey in the 19th century
Author: S. Elizabeth Publisher: Frances Lincoln ISBN: 0711254168 Category : Art Languages : en Pages : 243
Book Description
A visual feast of eclectic artwork informed and inspired by spiritual beliefs, magical techniques, mythology and otherworldly experiences. Mystical beliefs and practices have existed for millennia, but why do we still chase the esoteric? From the beginning of human creativity itself, image-makers have been drawn to these unknown spheres and have created curious artworks that transcend time and place – but what is it that attracts artists to these magical realms? From theosophy and kabbalah, to the zodiac and alchemy; spiritualism and ceremonial magic, to the elements and sacred geometry – The Art of the Occult introduces major occult themes and showcases the artists who have been influenced and led by them. Discover the symbolic and mythical images of the Pre-Raphaelites; the automatic drawing of Hilma af Klint and Madge Gill; Leonora Carrington's surrealist interpretation of myth, alchemy and kabbalah; and much more. Featuring prominent, marginalised and little-known artists, The Art of the Occult crosses mystical spheres in a bid to inspire and delight. Divided into thematic chapters (The Cosmos, Higher Beings, Practitioners), the book acts as an entertaining introduction to the art of mysticism – with essays examining each practice and over 175 artworks to discover. The art of the occult has always existed in the margins but inspired the masses, and this book will spark curiosity in all fans of magic, mysticism and the mysterious.
Author: Cate Bramble Publisher: Routledge ISBN: 1136429506 Category : Architecture Languages : en Pages : 218
Book Description
Cate Bramble has devoted her career to highlighting the differences between 'feng shui-lite' as a fashionable pursuit in contrast to the original intentions of the Chinese masters. Here she presents the authentic principles in a technical, no-nonsense pocket book specifically for architects. As clients become more demanding and the competition for projects heats up, the architect is well advised to have many strings to their bow. This practical guide includes line illustrations that present the principles of feng shui, the Chinese art or practice in which a structure or site is chosen or configured so as to harmonize with the spiritual forces that inhabit it, and their application in architecture through planning principles, services, building elements and materials, in an accessible, easy reference format. The feng shui-savvy architect can also benefit from feng shui's ability to match structures and land, and the peculiar capacity of authentic feng shui to forecast development-related concerns including cost overruns, quality issues - even worker injuries and trade disputes! The author explains feng shui from archaeological sources and evidence of practice in the east, contrasting it with what passes for feng shui in the west. She analyses the practice in terms of such concepts as western systems theory, viewshed, space syntax and the 'pattern landscape' theory of urban planning. For the first time, the Sustainable implications of feng shui design are explained with reference to the latest developments in behavioural and cognitve sciences, evolutionary biology and other western viewpoints.
Author: W. R. Lethaby Publisher: BookRix ISBN: 3736819463 Category : Architecture Languages : en Pages : 388
Book Description
This classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. This delightful book describes the symbolism of real-world architecture, as well as architecture described in fiction, myth and folklore. Lethaby believed that architecture reflected the macrocosm. He speculated that many of the seemingly ornamental details of classical buildings actually represented aspects of the land, the sea and the sky. This is one of those books like the Golden Bough or the White Goddess (albeit shorter and a less challenging read) that will turn you on to the mythopoetic side of reality, no matter whether you agree with its conclusions.
Author: William Richard Lethaby
Author: Charles Rennie Mackintosh
Author: W. R. Lethaby
Author: Jason Ananda Josephson Storm
Author: Alan Balfour
Author: S. Elizabeth
Author: Cate Bramble
Author: Zahra Newby
Author: W. R. Lethaby
Author: James Steele