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Author: AhmetA. Ersoy Publisher: Routledge ISBN: 1351576011 Category : Art Languages : en Pages : 334
Book Description
While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its translocal, cross-disciplinary scope, Ersoy?s work explores the creative ways in which the Ottoman authors straddled the art-historical mainstream and their new, self-orientalizing aesthetics of locality. The study reveals how Orientalism was embraced by its very objects, the self-styled ?Orientals? of the modern world, as a marker of authenticity, and a strategically located aesthetic tool to project universally recognizable images of cultural difference. Rejecting the lesser, subsidiary status ascribed to non-western Orientalisms, Ersoy?s work contributes to recent, post-Saidian directions in the study of cultural representation that resituate the field of Orientalism beyond its polaristic core, recognizing its cross-cultural potential as a polyvalent discourse.
Author: AhmetA. Ersoy Publisher: Routledge ISBN: 1351576011 Category : Art Languages : en Pages : 334
Book Description
While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its translocal, cross-disciplinary scope, Ersoy?s work explores the creative ways in which the Ottoman authors straddled the art-historical mainstream and their new, self-orientalizing aesthetics of locality. The study reveals how Orientalism was embraced by its very objects, the self-styled ?Orientals? of the modern world, as a marker of authenticity, and a strategically located aesthetic tool to project universally recognizable images of cultural difference. Rejecting the lesser, subsidiary status ascribed to non-western Orientalisms, Ersoy?s work contributes to recent, post-Saidian directions in the study of cultural representation that resituate the field of Orientalism beyond its polaristic core, recognizing its cross-cultural potential as a polyvalent discourse.
Author: John Freely Publisher: WIT Press ISBN: 1845645065 Category : Architecture Languages : en Pages : 465
Book Description
This text is focused on the history of the extant buildings in the Republic of Turkey. The book begins with a brief history of the Ottoman Empire and develops by outlining the mains features of Ottoman architecture and discusses the biography of the great Ottoman architect Sinan.
Author: Ünver Rüstem Publisher: Princeton University Press ISBN: 0691190542 Category : Art Languages : en Pages : 336
Book Description
A new approach to late Ottoman visual culture and its place in the world With its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque—the first English-language book on the topic—Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire’s capital. Rüstem reclaims the label “Ottoman Baroque” as a productive framework for exploring the connectedness of Istanbul’s eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style’s cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans’ entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire’s power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom. Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.
Author: Selen Bahriye Morkoç Publisher: ISBN: Category : Architecture Languages : en Pages : 470
Book Description
It is widely accepted that documents on Ottoman architects are rare and that little is known about the architectural practice in the Ottoman world. A group of texts that have appeared between sixteenth and eighteenth centuries, however, form an exception to this general assumption. While these texts have been cited and referred to in diverse previous studies on Ottoman architecture, they have not been the topic of a major interpretative approach before. A Study of Ottoman Narratives on Architecture: Text, Context and Hermeneutics is the first interpretive and comparative research monograph to feature these texts as its main theme. This is the first translation of these works that contextualizes and interprets their importance in English. The first text is a group of five documents that date back to the sixteenth century. They comprise memoirs and building lists written in prose and verse which belonged to prominent Ottoman architect Sinan. The second text was written under the influence of the first group of documents and is in a similar format. It comprises a memoir dedicated to Sedefkar Mehmed Ağa, who worked as the chief imperial architect in the seventeenth century, and also provides information on architectural terms and makes comparisons between architecture and music. The third text is different from the first two: it is a monograph about the Selimiye Mosque written in prose in the eighteenth century by Dayezade Mustafa, who was a complete outsider to architecture. While the three texts have quite different historical and thematic contexts their point in common is their rendering of architecture through narratives. From a hermeneutical perspective, the book compares narratives of the texts with contemporary historiography on Ottoman architecture. History and Ideas Series, No.
Author: Godfrey Goodwin Publisher: Al Saqi ISBN: 9780863561726 Category : Architecture Languages : en Pages : 132
Book Description
"Goodwin shows the importance of the architect's long years in the army and his experience with bridges, seige-works, fortifications, and the behaviour of stone and masonry before he was appointed Royal Architect in 1538. Goodwin bases his analysis on a detailed comparative study of certain of Sinan's buildings, the supreme example being the imaginative leap represetned by the mosque of Selim II at Edirne, second capital of the Ottoman empire. The text is illustrated by photographs, plans and elevations of many of Sinan's works ranging from the grandiose Sü̈lyeymaniye complex in Instanbul to the experimental Kiliç Ali Pasha mosque. Of outstanding interest are the plates by the 19th century German architect Gurlitt, many of which show features before later restoration".--BOOKJACKET.
Author: Esra Akcan Publisher: Duke University Press ISBN: 0822353083 Category : Architecture Languages : en Pages : 410
Book Description
Esra Akcan describes the introduction of modern architecture into Turkey after the Kemalist political elite took power in 1923 and invited German architects to redesign the new capital of Ankara.
Author: Zeynep Çelik Publisher: ISBN: Category : Architecture Languages : en Pages : 396
Book Description
Examines the cities of Algeria and Tunisia under French colonial rule and those of the Ottoman Arab provinces, providing a nuanced look at cross-cultural exchanges.
Author: M. Şükrü Hanioğlu Publisher: Princeton University Press ISBN: 0691146179 Category : History Languages : en Pages : 260
Book Description
At the turn of the 19th century, the Ottoman Empire straddled three continents and encompassed extraordinary ethnic and cultural diversity among the millions of people living within its borders. This text provides a concise history of the late empire between 1789 and 1918, turbulent years marked by incredible social change.
Author: Alyson Wharton-Durgaryan Publisher: Bloomsbury Publishing ISBN: 0857738135 Category : Architecture Languages : en Pages : 616
Book Description
The Balyan family were a dynasty of architects, builders and property owners who acted as the official architects to the Ottoman Sultans throughout the 18th and 19th centuries. Originally Armenian, the family is responsible for some of the most famous Ottoman buildings in existence, many of which are regarded as masterpieces of their period – including the Dolmabahçe Palace (built between 1843 and 1856), parts of the Topkap? Palace, the Ç?ra?an Palace and the Ortaköy Mosque. Forging a unique style based around European contemporary architecture but with distinctive Ottoman flourishes, the family is an integral part of Ottoman history. As Alyson Wharton's beautifully illustrated book reveals, the Balyan's own history, of falling in and out of favour with increasingly autocratic Sultans, serves as a record of courtly power in the Ottoman era and is uniquely intertwined with the history of Istanbul itself.
Author: AhmetA. Ersoy
Author: AhmetA. Ersoy
Author: John Freely
Author: Ünver Rüstem
Author: Selen Bahriye Morkoç
Author: Godfrey Goodwin
Author: Esra Akcan
Author: Emine Fetvacı
Author: Zeynep Çelik
Author: M. Şükrü Hanioğlu
Author: Alyson Wharton-Durgaryan