Architectural Painting in Delft PDF Download

Author: Walter A. Liedtke
Publisher:
ISBN:
Category : Architecture in art
Languages : en
Pages : 308

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Author: Sheila D. Muller
Publisher: Routledge
ISBN: 1135495742
Category : Social Science
Languages : en
Pages : 664

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Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.

Author: Rijksmuseum (Netherlands)
Publisher: Yale University Press
ISBN: 0300212879
Category : Art
Languages : en
Pages : 357

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Book Description
Discusses the Asian luxury goods that were imported into the Netherlands during the 17th century and demonstrates the overwhelming impact these works of art had on Dutch life and art during the Golden Age

Author: John Michael Montias
Publisher:
ISBN:
Category : Art, Dutch
Languages : en
Pages : 424

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Author: Anita Jansen
Publisher: W Books
ISBN: 9789462583283
Category : Genre painting, Dutch
Languages : en
Pages : 0

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Book Description
* After Vermeer, Pieter de Hooch is widely considered to be the most celebrated Delft master of the 17th century. This book accompanies the first retrospective exhibition in the Netherlands at the Museum Prinsenhof, Delft from 11 October 2019 to 16 February 2020This stunning catalogue accompanies a retrospective exhibition in the Netherlands of the famous 17th-century painter Pieter de Hooch (1629- after 1684). The exhibition, Pieter de Hooch in Delft - From the Shadow of Vermeer is the first retrospective of the artist's work in his own country, and will be presented at the Museum Prinsenhof Delft from 11 October 2019 to 16 February 2020. After Vermeer, Pieter de Hooch is widely considered to be the most celebrated Delft master of the 17th century. The paintings De Hooch produced in Delft (ca. 1652-1660) will be at the heart of the exhibition: his most beautiful courtyards and interiors will return to the city where they were painted almost 400 years ago. Approximately 30 works will be coming to Delft on loan from leading museums in Europe and the United States and includes many famous paintings.

Author: M. Eekhout
Publisher: IOS Press
ISBN: 161499546X
Category : Architecture
Languages : en
Pages : 84

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The Prototype Laboratory initiated and maintained by the Chair of Product Development at the Faculty of Architecture, TU Delft, has set an example in architectural education for hands-on ‘learning-by-making’ for students. According to the authors of this book, in the current curriculums time spent on practical work is not rewarded and students are educated in an abstract concept of architecture, not getting a proper feeling for materialization. A semester of designing, engineering, producing and building a prototype with their own hands after their own design often gives students a boost in their education. The Delft Prototype laboratory was the base of around 1,000 students, now professionals. Some architect’s offices make prototypes regularly as their designs are quite experimental and require more insight for the designing architect, before the realization of his building. Prototypes of technical components are often developed parallel to the building process. The Prototype Laboratory at the Faculty of Architecture was supervised for almost 18 years by Peter van Swieten. He describes his experiences in this book, in collaboration with the initiator, professor Mick Eekhout. Marcel Bilow took over the Bucky Lab, as it is called, from 2012 onwards.

Author: Axel Rüger
Publisher: National Gallery Publications Limited
ISBN: 9780300091892
Category : Art
Languages : en
Pages : 72

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Book Description
During the first seventy years of the seventeenth century the Dutch town of Delft emerged as one of the most important artistic centers in the Netherlands. Although famous as the birthplace of the painter Johannes Vermeer, Delft was also home to an extended community of masters that included among many others Pieter de Hooch and Carel Fabritius. In this introduction to the key Delft artists, Axel Rüger places Vermeer’s masterpieces within their historical and artistic context. This book, accompanying a major loan exhibition at the National Gallery, London, reveals how artistic and cultural developments of the early seventeenth century paved the way for the flowering of art in the city, culminating in the master works of the 1650s and 1660s. Investigating the artistic production of the city genre by genre, the author builds a picture of the so-called Delft School and its influences. Although painting from this time is probably best known for Vermeer’s serene scenes of everyday life, his contemporaries chose many different subjects. From Vermeer's world-famous masterpieces to the less familiar works of the period, all these refined paintings reflect a powerful sensibility to the visual aspects of the world as their makers perceived it.

Author: Gabrielle Townsend
Publisher: Peter Lang
ISBN: 9783039111244
Category : Art
Languages : en
Pages : 240

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Book Description
This study of Marcel Proust's creative imagination examines an aspect of the novel that has hitherto been largely overlooked: the author's dependence on secondary visual sources. Gabrielle Townsend argues that reproductions play a key role in the work's complex, multi-layered structure.

Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109

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Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.

Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238

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Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.