Arcangelo Corelli fra mito e realtà storica PDF Download

Author: Gregory Richard Barnett
Publisher:
ISBN:
Category :
Languages : en
Pages : 346

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Author: Guido Olivieri
Publisher: Cambridge University Press
ISBN: 100927368X
Category : Music
Languages : en
Pages : 297

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A compelling new study of instrumental music in early modern Naples and of the string virtuosi who disseminated it through Europe.

Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465

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Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.

Author: Louise K. Stein
Publisher: Oxford University Press
ISBN: 0197681840
Category : Biography & Autobiography
Languages : en
Pages : 793

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In this book, author Louise K. Stein analyzes early modern opera as appreciated and produced by Gaspar de Haro y Guzmán (1629-87), Marqués de Heliche and del Carpio and a distinguished patron of the arts in Madrid, Rome, and Naples. It also reveals his lasting legacy in the Americas during a crucial period for the growth and development of opera and the history of singing.

Author: Luca Della Libera
Publisher: Taylor & Francis
ISBN: 1000589552
Category : Music
Languages : en
Pages : 248

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This book offers an account of the sacred music written by Alessandro Scarlatti (1660-1725) in Rome, a city where the composer lived and worked for many years throughout his career. Using archival research, Luca Della Libera provides an overview of Scarlatti’s life and activities in Rome, addresses his connections with the institutions and patrons of the city, and analyses his Roman repertoire in comparison to the sacred music of other contemporary composers, demonstrating its unique characteristics. An appendix includes transcriptions of the archival sources connected with Scarlatti’s activity in Rome. The first major publication in English to address the sacred music repertoire of one of the major composers of the Italian Baroque, this book offers new insights into Scarlatti’s work and a valuable resource for researchers in musicology and early modern studies.

Author: Gregory Barnett
Publisher:
ISBN:
Category :
Languages : en
Pages : 327

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Author: Mary Hollingsworth
Publisher: BRILL
ISBN: 9004415440
Category : Religion
Languages : en
Pages : 723

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The first comprehensive overview of its subject in any language. Its thirty-five essays explain who cardinals were, what they did in Rome and beyond, for the Church and for wider society.

Author: Markus Friedrich
Publisher: Princeton University Press
ISBN: 0691180121
Category : History
Languages : en
Pages : 872

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"Since its founding by Ignatius of Loyola in 1540, the Society of Jesus ("The Jesuits") has been intimately involved in the unfolding of the modern world. The young Jesuit order played a crucial role in the Counter Reformation, especially in Poland, southern Germany, and several other parts of Europe. The Jesuits were also participants in the establishment and spread of European empires, engaging in missionary activity in east and south Asia in the 16th and 17th centuries, and becoming central to the spreading of Christianity in the New World. At the same time, Jesuits often tangled with the Roman curia and the Pope, leading to the suppression of the Jesuits in 1773. After the subsequent restoration of the order in 1814, the Jesuits continued to be leaders in Catholic education and theology. In 2013 Jorge Bergoglio became the first Jesuit Pope, taking the name Pope Francis I. In this book, Markus Friedrich presents the first comprehensive account of the Jesuits from a non-Catholic perspective. Drawing on his expertise as a historian of the early modern world, Friedrich situates the Jesuit order within the wider perspective of European history. In particular, he places the Jesuits in the context of social, cultural, and imperial history, showing that the Jesuits were not monolithic but rather were very sensitive to local context and that the order's core texts, especially Ignatius's Spiritual Exercises, were templates to engage with, rather than instructions manuals to be followed slavishly"--

Author: Michael Talbot
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657941
Category : Music
Languages : en
Pages : 462

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The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 and many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.

Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 1139828177
Category : Music
Languages : en
Pages : 343

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Book Description
Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.