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Author: Hyam Plutzik Publisher: Wesleyan University Press ISBN: 0819571687 Category : Poetry Languages : en Pages : 86
Book Description
Apples from Shinar was Hyam Plutzik's second complete collection. Originally published in 1959 as a part of Wesleyan University Press's newly minted poetry series, the collection includes "The Shepherd"—a section of the book-length poem "Horatio," which earned Plutzik a finalist position for the Pulitzer Prize. "The love and the words and the simplicity," that mark Plutzik's poetry, writes Philip Booth, "are all here [in Apples from Shinar], and the poems come peacefully, and wonderfully, alive." With a previously unpublished foreword by Hyam Plutzik and a new afterword by David Scott Kastan, this edition marks the centenary of Plutzik's birth and will introduce a new generation of readers to the work of one of the best mid-century American poets.
Author: Hyam Plutzik Publisher: Wesleyan University Press ISBN: 0819571687 Category : Poetry Languages : en Pages : 86
Book Description
Apples from Shinar was Hyam Plutzik's second complete collection. Originally published in 1959 as a part of Wesleyan University Press's newly minted poetry series, the collection includes "The Shepherd"—a section of the book-length poem "Horatio," which earned Plutzik a finalist position for the Pulitzer Prize. "The love and the words and the simplicity," that mark Plutzik's poetry, writes Philip Booth, "are all here [in Apples from Shinar], and the poems come peacefully, and wonderfully, alive." With a previously unpublished foreword by Hyam Plutzik and a new afterword by David Scott Kastan, this edition marks the centenary of Plutzik's birth and will introduce a new generation of readers to the work of one of the best mid-century American poets.
Author: Edward Brunner Publisher: University of Illinois Press ISBN: 9780252072178 Category : History Languages : en Pages : 330
Book Description
Mainstream American poetry of the 1950s has long been dismissed as deliberately indifferent to its cultural circumstances. In this penetrating study, Edward Brunner breaks the placid surface of the hollow decade to reveal a poetry sharply responsive to issues of its time. Cold War Poetry considers the fifties poem as part of a dual cultural project: as proof of the competency of the newly professionalized poet and as a user-friendly way of initiating a newly educated, upwardly mobile postwar audience into high culture. Brunner revisits Richard Wilbur, Randall Jarrell, and other acknowledged leaders of the period as well as neglected writers such as Rosalie Moore, V. R. Lang, Katherine Hoskins, Melvin B. Tolson, and Hyam Plutzik. He also examines the one-sided authority of the (male-dominated) book review process, the ostracizing of female and minority poets, poetic fads such as the ubiquitous sestina, and the power of the classroom anthology to establish criteria for reading. Attributing the gradual change in poetic style during the 1950s to the slow collapse of the authority of the state, Brunner shows how a secretive, anxious poetics developed in the shadow of a disabled government. He recontextualizes the much-maligned domestic verse of the 1950s, reading its shift toward the private sphere and the recurrent image of the child as a reflection of the powerlessness of the post-nuclear citizen. Through a close examination of poetry written about the Bomb, he delineates how poets registered their growing sense of cosmic disorder in coded language, resorting to subterfuge to continue their critique in the face of sanctions levied against those who questioned government policies. Brilliantly decoding the politics embedded in the poetry of an ostensibly apolitical time, Cold War Poetry provides a powerful rereading of a pivotal decade.
Author: R. Barbara Gitenstein Publisher: State University of New York Press ISBN: 1438404158 Category : History Languages : en Pages : 156
Book Description
Focusing on the rich context of esoteric Jerish literature, this collection presents in-depth analyses of Jewish-American poetry. Gitenstein defines Jewish messianism and the literary genre of the apocalyptic, describes historical movements and kabbalistic theories, and analyzes their influence as part of the post-Holocaust consciousness. Represented are works by such poets as Irving Feldman, Jack Hirschman, John Hollander, David Meltzer, and Jerome Rothenberg. Gitenstein recounts the lives of such spectacular eccentrics and holy men as the Abraham Abulafia (thirteenth century), Isaac Luria (sixteenth century), Shabbatai Zevi (seventeenth century), and Jacob Frank (eighteenth century) and identifies their theories as part of the history of the literary apocalyptic genre—the literature of exile, the literature of catastrophe.
Author: Hayden Carruth Publisher: Bantam ISBN: 0553262637 Category : Poetry Languages : en Pages : 770
Book Description
“What an achievement, these sixty years of poetry! In whatever terms we Americans regard the rest of our recent history, the score of things done well and done ill, this much at least we have done superlatively.”—Hayden Carruth This famous anthology includes the works of more than 130 major American poets of the modern period—Robert Frost, Paul Goodman, Carl Sandburg, T.S. Eliot, Ezra Pound, Allen Ginsberg, and Gwendolyn Brooks among them—along with short biographies of each. “Not only the best on its period, I think, but is even perhaps safe from the competition of rivals.”—Robert Lowell
Author: Michael Collier Publisher: Wesleyan University Press ISBN: 081957094X Category : Poetry Languages : en Pages : 319
Book Description
Since issuing its first volumes in 1959, the Wesleyan poetry program has challenged the reigning aesthetic of the time and profoundly influenced the development of American poetry. One of the country's oldest programs, its greatest achievement has been the publication of early works by yet undiscovered poetry who have since become major awarded Pulitzer and Bollingen prizes, National Book Awards, and many other honors. At a time when other programs are being phased out, Wesleyan takes this opportunity to celebrate its distinguished history and reaffirm its commitment to poetry with publication of The Wesleyan Tradition. Drawing from some 250 volumes, editor Michael Collier documents the wide-ranging impact of these works. In his introduction, he describes the literary and cultural context of American poetics in more recent decades, tracing the evolution of the Deep Image and Confessional movements of the 50s and 60s, and exploring the emergence of the "prose lyric" style. Although the success of the Wesleyan program has inspired its share of imitators, no other program has had such a fundamental impact. Works by the eighty-six poets included her both document and celebrate that contribution.
Author: Dave Herr Publisher: Christian Faith Publishing, Inc. ISBN: Category : Religion Languages : en Pages : 363
Book Description
Maybe some people study prophecy for the thrill of the sensational, like adrenaline addicts chasing the next sky-dive rush. Certainly, promises given hundreds or thousands of years before their fulfillments are remarkable. However, sensationalism is not the intended purpose. And some people may think that prophecy is an ancillary, nonessential part of theology. But the premise of this book is that God-given prophecy has a far more profound purpose than sensationalism and plays an essential, inseparable part in the gospel message. Now if faith in Christ is all that is necessary for salvation, why is prophecy essential? The angel messenger who gave the Revelation to John answered that question. The angel told John, "These are the true sayings of God." Then John fell at the feet of the angel to worship him. The angel responded, "See you do it not, for I am your fellow servant and of your brethren who have the testimony of Jesus. Worship God, for the testimony of Jesus is the spirit of prophecy" (Rev. 19:10). The angel explained that all prophecy connects to Jesus. Intrinsic to Jesus is prophecy, as is all scripture. That which predicts or speaks of His divine and human nature, His life and miracles, His death and resurrection, and His earthly and heavenly kingdom are all interconnected--they are all a part of His story, His testimony, His person. Therefore, Christ is the unspoken basis for this specific blessing given to readers of the Revelation: "Blessed are they that read and hear the words of this prophecy and keep those things which are written in it, for the time is at hand" (Rev. 1:3). Though there is rich reward in every book of the Bible, no other gives the aforementioned promise of blessing.
Author: James Merrill Publisher: Knopf ISBN: 110187550X Category : Literary Collections Languages : en Pages : 745
Book Description
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • The selected correspondence of the brilliant poet, one of the twentieth century's last great letter writers. "I don't keep a journal, not after the first week," James Merrill asserted in a letter while on a trip around the world. "Letters have got to bear all the burden." A vivacious correspondent, whether abroad, where avid curiosity and fond memory frequently took him, or at home, he wrote eagerly and often, to family and lifelong friends, American and Greek lovers, confidants in literature and art about everything that mattered—aesthetics, opera and painting, housekeeping and cooking, the comedy of social life, the mysteries of the Ouija board and the spirit world, and psychological and moral dilemmas—in funny, dashing, unrevised missives, composed to entertain himself as well as his recipients. On a personal nemesis: "the ambivalence I live with. It worries me less and less. It becomes the very stuff of my art"; on a lunch for Wallace Stevens given by Blanche Knopf: "It had been decided by one and all that nothing but small talk would be allowed"; on romance in his late fifties: "I must stop acting like an orphan gobbling cookies in fear of the plate's being taken away"; on great books: "they burn us like radium, with their decisiveness, their terrible understanding of what happens." Merrill's daily chronicle of love and loss is unfettered, self-critical, full of good gossip, and attuned to the wicked irony, the poignant detail—a natural extension of the great poet's voice.
Author: Hyam Plutzik
Author: Hyam Plutzik
Author: Hyam Plutzik
Author: Edward Brunner
Author: R. Barbara Gitenstein
Author: Hayden Carruth
Author: 
Author: 
Author: Michael Collier
Author: Dave Herr
Author: James Merrill