Author: H. PhillipsPublisher:
ISBN:
Category :
Languages : en
Pages : 31
Book Description
A Catalogue of an Important and Valuable Collection of Etchings by Rembrandt, Collected with Great Judgment by Mons. A. P. F. Robert-Dumesnil, of Paris, and by Him Consigned to this Country for Sale; ... Which Will be Sold by Auction
Author: H. PhillipsA Catalogue of an Important and Valuable Collection of Etchings by Rembrandt, Collected with Great Judgment by Mons. A. P. F. Robert-Dumesnil, of Paris, and by Him Consigned to this Country for Sale; ... Which Will be Sold by Auction, by Mr. Phillips ... on Tuesday, the 12th of April, 1836, and Two Following Days ...
Author: H. PhillipsThe First Proofs of the Universal Catalogue of Books on Art
Author: ohne AutorPublisher: BoD – Books on Demand
ISBN: 3846048305
Category : Art
Languages : en
Pages : 1034
Book Description
Reprint of the original, first published in 1870.
First Proofs of the Universal Catalogue of Books on Art
Author: National Art Library (Great Britain)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
The Private Collection of Edgar Degas
Author: Julie A. SteinerPublisher: Metropolitan Museum of Art
ISBN: 0870998374
Category : Art
Languages : en
Pages : 154
Book Description
"The art collection assembled by Edgar Degas was remarkable not only for its quality, size, and depth but also for its revelation of Degas's artistic affinities. He acquired great numbers of works by the nineteenth-century French masters Ingres, Delacroix, and Daumier; he bought (or bartered his own pictures for) art by many of his contemporaries, particularly Manet, Cezanne, Gauguin, and Cassatt; and he acquired works by a wide range of other artists, from eminent to little known. The extent of Degas's holdings was not recognized until after his death, when the collection came up for auction in Paris in 1918 and, in what was called the sale of the century, was widely dispersed." "Extensive research has made it possible to "reassemble" that collection in book form. This summary catalogue contains information on the more than five thousand works owned by Degas. For each work catalogued the entry includes, to the extent possible: a description with medium and dimensions; provenance information about Degas's acquisition and ownership of the work; information pertaining to the sale of the work in 1918 (or its disposal earlier), including the purchaser, purchase price, and other data; the current location; selected references; and an illustration. In a concordance, collection sale lot numbers are listed with their corresponding summary catalogue numbers." "This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
How to Find Out About the Arts
Author: Neville CarrickPublisher: Elsevier
ISBN: 1483138828
Category : Reference
Languages : en
Pages : 177
Book Description
How to Find Out About the Arts: A Guide to Sources of Information discusses the main sources of information, printed or otherwise, in the field of the arts. The book begins by describing where information on art careers can be found. Separate chapters then discuss how information on art can be traced in libraries by means of the catalogue and classification scheme; and turning to bibliographies when information on a particular aspect of art cannot be traced by these means. Subsequent chapters deal with sources such as encyclopedias and dictionaries, general indexes to reproductions and portraits, works on iconography, periodicals, directories, yearbooks, and sales records. This book aims to serve some of the needs of the student of art, the experienced artist, and indeed all of those with an intelligent interest in the arts. In particular, it should help those in libraries, colleges, and other educational institutions whose task it is to guide others to the right sources.
Art Information and the Internet
Author: Lois Swan JonesPublisher: Routledge
ISBN: 1135933383
Category : Social Science
Languages : en
Pages : 298
Book Description
In the first book of its kind, art information expert Lois Swan Jones discusses how to locate visual and textual information on the Internet and how to evaluate and supplement that information with material from other formats--print sources, CD-ROMS, documentary videos, and microfiche sets--to produce excellent research results. The book is divided into three sections: Basic Information Formats; Types of Websites and How to Find Them; and How to Use Web Information. Jones discusses the strengths and limitations of Websites; scholarly and basic information resources are noted; and search strategies for finding pertinent Websites are included. Art Information and the Internet also discusses research methodology for studying art-historical styles, artists working in various media, individual works of art, and non-Western cultures--as well as art education, writing about art, problems of copyright, and issues concerning the buying and selling of art. This title will be periodically updated.
A catalogue of the subscription library, at Kingston upon Hull [signed J.C.]. A catalogue, containing the works admitted since 1836
![A catalogue of the subscription library, at Kingston upon Hull [signed J.C.]. A catalogue, containing the works admitted since 1836 PDF](https://books.google.com/books/content/images/frontcover/NA0IAAAAQAAJ?fife=w80-h100)
Author: Joseph Clarke (of Hull.)Publisher:
ISBN:
Category :
Languages : en
Pages : 598
Book Description
"Prints in Translation, 1450?750 "
Author: EdwardH. WoukPublisher: Routledge
ISBN: 1351553216
Category : Art
Languages : en
Pages : 297
Book Description
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.
European Post-medieval Tapestries and Related Hangings in the Metropolitan Museum of Art
Author: Edith Appleton StandenPublisher: Metropolitan Museum of Art
ISBN: 0870994069
Category : Tapestry
Languages : en
Pages : 426
Book Description
Tapestry making flourished in the major centers of western Europe from the fourteenth through the nineteenth centuries. Thousands of tapestries were woven as special commissions for church, crown, and nobility. This publication is a comprehensive catalogue of the Museum's collection of tapestries and allied works made after the Middle Ages.-- Metropolitan Museum of Art website.