Antony Gormley: Horizon Field Hamburg PDF Download

Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 179

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Author: Antony Gormley
Publisher: Snoeck Publishing Company
ISBN: 9783864420122
Category : Installations (Art)
Languages : de
Pages : 0

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Der britische Künstler Antony Gormley hat eigens für die große Deichtorhalle zur Documenta-Zeit eine neue, große, spektakuläre In­stallation, das »Horizon Field Hamburg« entwickelt. Der Be­sucher betritt die Nordhalle der Deichtorhallen und sieht sich mit einem 2.500 qm großen und bis zu 19 m hohen, fast leeren Raum ­konfrontiert. In diesem leeren Raum lädt eine weite, schwarze, spiegelnde, schwebende Ebene ­siebeneinhalb Meter über dem Erdboden zu neuen Erfahrungen ein. »Horizon Field Hamburg« orientiert und verbindet die Wahrnehmung des ­Gehens, Fühlens, ­Hörens und ­Sehens neu. Diese ­persönliche beziehungsweise ­kollektive Erfahrung vermittelt sich durch Vibration, Sound und ­Widerspiegelung. Das Projekt kann insgesamt als ein waagerecht im Raum aufgespanntes Gemälde aufgefasst werden, auf dem die ­Besucher zu Figuren auf einem frei schwebenden und definierten Grund werden. Ausstellung: Deichtorhallen Hamburg, 27/4-9/9/2012

Author: Antony Gormley
Publisher: University of Chicago Press
ISBN: 022647254X
Category : Art
Languages : en
Pages : 241

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One of the most exciting sculptors of our time, Antony Gormley is the creator of breathtaking public installations. Even casual fans will recognize Event Horizon, a collection of thirty-one life-size casts of the artist’s body that have been installed atop buildings in places like London’s South Bank and New York’s Madison Square, and Field, formed by tens of thousands of standing clay figurines overflowing across a room’s floor. Projects like these demonstrate Gormley’s ongoing interest in exploring the human form and its relationships with the rest of the material world, and in Antony Gormley on Sculpture, he shares valuable insight into his work and the history of sculpture itself. Combining commentary on his own works with discussions of other artists and the Eastern religious traditions that have inspired him, Gormley offers wisdom on topics such as the body in space, how to approach an environment when conceiving an installation, bringing mindfulness and internal balance to sculpture, and much more. Lavishly illustrated, this book will be of interest to not only art lovers, curators, and critics, but also artists and art students. Dynamic and thought-provoking, Antony Gormley on Sculpture is essential reading for anyone fascinated by sculpture and its long and complex history as a medium.

Author: Lim Qinyi
Publisher: National Gallery Singapore
ISBN: 9811899959
Category : Art
Languages : en
Pages : 100

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This catalogue for Antony Gormley’s largest-ever showing in Singapore features stunning full-colour plates of the installations at National Gallery Singapore, including the fifth Ng Teng Fong Roof Garden Commission, Horizon Field Singapore. This publication also contains an interview with the artist by Eugene Tan, an essay by exhibition curators Qinyi Lim and Russell Storer, and an essay by cultural critic Ackbar Abbas, which continues his investigation into the situatedness of Gormley’s practice.

Author: Ladislav Kesner
Publisher: Pierot s.r.o
ISBN: 8073534851
Category : Art
Languages : en
Pages : 137

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Author: Antony Gormley
Publisher:
ISBN:
Category : Art
Languages : un
Pages : 188

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"Horizon Field" besteht aus 100 lebensgrossen, eisernen Abgu ssen eines menschlichen Ko rpers verteilt u ber ein Gebiet von 150 Quadratkilometern. Die Figuren repra sentieren einen Ort, wo ein Mensch irgendwann gewesen ist oder sein ko nnte. Das Werk wird den Naturgewalten, dem Wechsel der Jahreszeiten und Lichtverha ltnisse unterworfen sein und somit immer wieder neue Wahrnehmungen und Eindru cke ermo glichen. Grosszu gige Aufnahmen der Installation und eine Dokumentation der Planung begleiten die Essays. Kunsthaus Bregenz, August 2010 - April 2012.

Author: Wojciech Malecki
Publisher: Rodopi
ISBN: 9401210810
Category : Philosophy
Languages : en
Pages : 230

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This is the first collection in English devoted exclusively to pragmatist aesthetics. Its main aim is to employ the resources of that rich and exciting tradition in studying artistic phenomena such as film, sculpture, bio-art, poetry, the novel, cuisine, and various body arts. But it also attempts to provide a wider background for such studies by sketching the history of pragmatist reflection on the aesthetic and by discussing some of the main positions that this history has produced: the aesthetic conceptions of C.S. Peirce, William James, John Dewey, Joseph Margolis, Richard Shusterman (somaesthetics in particular), and others.

Author: Jan Fabre
Publisher:
ISBN:
Category : Installations (Art)
Languages : en
Pages : 168

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Text by Philippe Van Cauteren, Yuko Hasegawa.

Author: Schlaich Bergermann Partner
Publisher: Birkhäuser
ISBN: 3035615020
Category : Architecture
Languages : en
Pages : 352

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The firm schlaich bergermann partner has been designing and building ambitious civil engineering projects around the world for more than thirty years. Its portfolio ranges from long-span support structures and bridges to high-rises, special-use buildings and leading-edge solar power stations. The wellspring of the firm’s innovative work lies in its unique planning culture. Beneath the Surface showcases this culture through sketches, drawings, photographs and texts from a wide selection of projects realized by schlaich bergermann partner. This impressive, richly illustrated volume brings into relief the firm’s philosophy and the methods of its interdisciplinary engineers as they work together on equal footing with architects.

Author: Jason Beard
Publisher: Other Criteria
ISBN: 9781904212393
Category : Art
Languages : en
Pages : 0

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According to Sigmund Freud, young children are, by nature, "polymorphously perverse” and while their infantile sexuality is swiftly suppressed it is retained in their unconscious adult minds. Tim Noble and Sue Webster’s new publication documents in beautiful detail their critically acclaimed site-specific project at the Freud Museum, which was nominated for the prestigious South Bank Prize in 2007. This includes one of their characteristic self-portrait shadow sculptures 'Black Narcissus’, a plethora of silicone rubber casts of Webster’s fingers and Noble’s member in various states of arousal which was installed in Freud’s study. There is also detailed documentation and analysis of their complex kinetic sculpture 'Scarlett’ that was appropriately sited in the bedroom of Freud’s daughter, Anna, the founder of child psychology. Created from modified children’s toys and machine parts, 'Scarlett’ utilises the actual workbench from the artists’ studio, which they have used extensively over the past decade. Triggered by sensors the individual elements of this hybrid machine sculpture become animated to produce a dream-like cornucopia of repressed sexual and sadomasochistic fantasies and transgressions. The publication also provides a fascinating insight into Freud’s theories and how they relate to art practice with critical essays from the distinguished American art historian Linda Nochlin and James Putnam who curated the original exhibition.