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Author: John Marston Publisher: Manchester University Press ISBN: 9780719071973 Category : Literary Collections Languages : en Pages : 194
Book Description
Antonio and Mellida was the first play by John Marston performed by the newly-revived Paul's Company in 1599. Marston sought to display a variety of talents--comic, tragic, satiric and historical--advertising his own dramatic skills and the prowess of the choristers of Paul's. The play is based on incidents in the reigns of Sforza, Francesco, Galeazzo and Lodovico, who were Dukes of Milan in the late fifteenth and early sixteenth centuries. Marston displays a detailed knowledge of the dramatic works of Shakespeare, Seneca, Kyd and Nashe as well as the prose of Sidney, Erasmus, Montaigne, Florio and others. This edition includes a comprehensive introduction, an analysis of staging, and full commentary. The text is based on a collation of all known copies of the 1602 Quarto and is presented in a thoroughly modernized format.
Author: John Marston Publisher: Manchester University Press ISBN: 9780719071973 Category : Literary Collections Languages : en Pages : 194
Book Description
Antonio and Mellida was the first play by John Marston performed by the newly-revived Paul's Company in 1599. Marston sought to display a variety of talents--comic, tragic, satiric and historical--advertising his own dramatic skills and the prowess of the choristers of Paul's. The play is based on incidents in the reigns of Sforza, Francesco, Galeazzo and Lodovico, who were Dukes of Milan in the late fifteenth and early sixteenth centuries. Marston displays a detailed knowledge of the dramatic works of Shakespeare, Seneca, Kyd and Nashe as well as the prose of Sidney, Erasmus, Montaigne, Florio and others. This edition includes a comprehensive introduction, an analysis of staging, and full commentary. The text is based on a collation of all known copies of the 1602 Quarto and is presented in a thoroughly modernized format.
Author: John Marston Publisher: Legare Street Press ISBN: 9781018578347 Category : Languages : en Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Marston Publisher: Manchester University Press ISBN: 9780719057038 Category : Drama Languages : en Pages : 196
Book Description
This edition seeks to evaluate Antonio's Revenge not merely as a literary text but as a drama for a particular company, in a specific theatre. The scholarly introduction explores the high degree of originality in Marston's dramatic techniques and establishes him as a leading innovator in both the language and the dramaturgy of his day. Ostensibly the second part of Antonio and Mellida, a satiric romance published in 1599, Antonio's Revenge differs in both theme and linguistic style. Reavley Gair offers an insightful analysis of the play's relationship with Shakespeare's Hamlet --written at about the same time--and a new interpretation of the relations between dramatic companies at the Globe and the Paul's Theatre.
Author: John Marston Publisher: A&C Black ISBN: 1408149184 Category : Drama Languages : en Pages : 156
Book Description
A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy. This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.
Author: Macdonald Pearman Jackson Publisher: Cambridge University Press ISBN: 9780521217460 Category : Literary Collections Languages : en Pages : 580
Book Description
This edition brings five of Marston's most interesting plays together in a readable and helpful form. They are collected with modern spelling, full commentaries, textual notes and introductions, in texts newly edited from the original quartos. A survey of criticism of Marston is included. The edition of Sophonisba (a play highly praised by T. S. Eliot) is the first modernised text to appear in one hundred years. Another textual innovation is the relegation to an appendix of Webster's obtrusive additions to The Malcontent. Marston's plays have enjoyed popular revivals in English theatres over the last decade, and the authors' commentary is designed to alert readers to theatrical effects. The playwright's language is elucidated here far more fully than in any other collection.
Author: George L. Geckle Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838621578 Category : Drama Languages : en Pages : 238
Book Description
A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays.
Author: Marguerite A. Tassi Publisher: Susquehanna University Press ISBN: 9781575910857 Category : Art Languages : en Pages : 278
Book Description
In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making.
Author: John Marston
Author: John Marston
Author: John Marston
Author: John Marston
Author: John Marston
Author: John Marston
Author: Macdonald Pearman Jackson
Author: George L. Geckle
Author: Marguerite A. Tassi
Author: John Marston
Author: John William Cunliffe