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Author: Nichos Nunez Publisher: Routledge ISBN: 1135304947 Category : Performing Arts Languages : en Pages : 169
Book Description
First published in 1997. ‘Anthropocosmic Theater is a name which covers a deep theatrical proposition which gives back to dramatic space its participatory capacity. The research, design and production of participatory theatre offers the spectator a cultural dynamic which, with five minutes of instruction, trains him and sustains him so that he can have his own experience because at this stage of evolution we cannot ignore the fact that the vitality and internal spell of any artist manifestation is no longer the heritage of any particular group or clan, but rests beneath the skin of any human being. The participatory dynamics contained in this book are the fruit of fifteen years wok at the UNAM's Taller de Investigacion Teatral’- Nicolas Nunez. This text traces Nunez's research with Grotowski and Strasberg, at the Old Vic in London and in Nahuatlan and Tibetan theatre, to arrive at his design for a unique participatory theatre form. A textbook for students of theatre in Mexico, this volume provides a practical guide to Nunez's ritual/theatrical 'actions' as well as supplying a philosophical context for a work which has resounding implication for theatre in contemporary life.
Author: Nichos Nunez Publisher: Routledge ISBN: 1135304947 Category : Performing Arts Languages : en Pages : 169
Book Description
First published in 1997. ‘Anthropocosmic Theater is a name which covers a deep theatrical proposition which gives back to dramatic space its participatory capacity. The research, design and production of participatory theatre offers the spectator a cultural dynamic which, with five minutes of instruction, trains him and sustains him so that he can have his own experience because at this stage of evolution we cannot ignore the fact that the vitality and internal spell of any artist manifestation is no longer the heritage of any particular group or clan, but rests beneath the skin of any human being. The participatory dynamics contained in this book are the fruit of fifteen years wok at the UNAM's Taller de Investigacion Teatral’- Nicolas Nunez. This text traces Nunez's research with Grotowski and Strasberg, at the Old Vic in London and in Nahuatlan and Tibetan theatre, to arrive at his design for a unique participatory theatre form. A textbook for students of theatre in Mexico, this volume provides a practical guide to Nunez's ritual/theatrical 'actions' as well as supplying a philosophical context for a work which has resounding implication for theatre in contemporary life.
Author: James C. Hogan Publisher: Psychology Press ISBN: 9783718657100 Category : Drama Languages : en Pages : 534
Book Description
"Classical scholar James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He draws on a vast range of scholarship and criticism to give modern readers the most accurate picture possible of what ancient audiences saw and understood in the spectacle of Greek tragedy. Hogan places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law, athletic contests, relations with neighboring states, beliefs about the underworld, demons, omens, and divination, and countless other details of Hellenic life. He clarifies terms that might puzzle modern readers, such as place names and mythological references, and gives special attention to textual and linguistic issues: controversial questions of interpretation; difficult or significant Greek words; use of style, rhetoric, and commonplaces in Greek poetry; and Aeschylus's place in the poetic tradition of Homer, Hesiod, and the elegiac poets. Practical information on staging and production is also included, as the author has kept in mind the need of modern readers to visualize the drama in order to understand the text. Though little is known about Greek choreography and music, Hogan stresses their central role and provides notes on entrances and exits, the use of extras, costuming, tableaux, masks, the use of a stage, the interaction of chorus and actors, tone, gesture, style of acting, and spectacle."--Back cover
Author: Douglas A. Vakoch Publisher: Springer Science & Business Media ISBN: 1461496195 Category : Psychology Languages : en Pages : 275
Book Description
This book seeks to confront an apparent contradiction: that while we are constantly attending to environmental issues, we seem to be woefully out of touch with nature. The goal of Ecopsychology, Phenomenology and the Environment is to foster an enhanced awareness of nature that can lead us to new ways of relating to the environment, ultimately yielding more sustainable patterns of living. This volume is different from other books in the rapidly growing field of ecopsychology in its emphasis on phenomenological approaches, building on the work of phenomenological psychologists such as Maurice Merleau-Ponty. This focus on phenomenological methodologies for articulating our direct experience of nature serves as a critical complement to the usual methodologies of environmental and conservation psychologists, who have emphasized quantitative research. Moreover, Ecopsychology, Phenomenology and the Environment is distinctive insofar as chapters by phenomenologically-sophisticated ecopsychologists are complemented by chapters written by phenomenological researchers of environmental issues with backgrounds in philosophy and geology, providing a breadth and depth of perspective not found in other works written exclusively by psychologists.
Author: Irving Brown (Consulting Bibliographer) Publisher: Routledge ISBN: 1136119000 Category : Performing Arts Languages : en Pages : 546
Book Description
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Author: Sam Mickey Publisher: Rowman & Littlefield ISBN: 1783481382 Category : Philosophy Languages : en Pages : 270
Book Description
On the Verge of a Planetary Civilization presents a philosophical contribution to integral ecology—an emerging approach to the field that crosses disciplinary boundaries of the humanities and sciences. In this original book, Sam Mickey argues for the transdisciplinary significance of philosophical concepts that facilitate understandings of and responses to the boundaries involved in ecological issues. Mickey demonstrates how much the provocative French philosopher Gilles Deleuze contributes to the development of such concepts, situating his work in dialogue with that of his colleagues Felix Guattari and Jacques Derrida, and with theorists who are adapting his concepts in contemporary contexts such as Isabelle Stengers, Catherine Keller, and the speculative realist movement of object-oriented ontology. The book focuses on the overlapping existential, social and environmental aspects of the ecological problems pervading our increasingly interconnected planet. It explores the boundaries between self and other, humans and nonhumans, sciences and humanities, monism and pluralism, sacred and secular, fact and fiction, the beginning and end of the world, and much more.
Author: Eilon Morris Publisher: Bloomsbury Publishing ISBN: 1472589874 Category : Drama Languages : en Pages : 297
Book Description
Rhythm is often referred to as one of the key elements of performance and acting, being of central importance to both performance making and training. Yet what is meant by this term and how it is approached and applied in this context are subjects seldom discussed in detail. Addressing these, Rhythm in Acting and Performance explores the meanings, mechanisms and metaphors associated with rhythm in this field, offering an overview and analysis of the ways rhythm has been, and is embodied and understood by performers, directors, educators, playwrights, designers and scholars. From the rhythmic movements and speech of actors in ancient Greece, to Stanislavski's use of Tempo-rhythm as a tool for building a character and tapping emotions, continuing through to the use of rhythm and musicality in contemporary approaches to actor training and dramaturgy, this subject finds resonance across a broad range of performance domains. In these settings, rhythm has often been identified as an effective tool for developing the coordination and conscious awareness of individual performers, ensembles and their immediate relationship to an audience. This text examines the principles and techniques underlying these processes, focusing on key approaches adopted and developed within European and American performance practices over the last century. Interviews and case studies of individual practitioners, offer insight into the ways rhythm is approached and utilised within this field. Each of these sections includes practical examples as well as analytical reflections, offering a basis for comparing both the common threads and the broad differences that can be found here. Unpacking this often mystified and neglected subject, this book offers students and practitioners a wealth of informative and useful insights to aid and inspire further creative and academic explorations of rhythm within this field.
Author: Anthony Frost Publisher: Bloomsbury Publishing ISBN: 1137348127 Category : Performing Arts Languages : en Pages : 320
Book Description
Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.
Author: Peter Billingham Publisher: Routledge ISBN: 1136465502 Category : Drama Languages : en Pages : 181
Book Description
Theatres of Conscience offers an invaluable and essential insight into four touring British theatre companies whose work and contributions to post-war British theatre have largely gone unnoticed. Combining a rigorous scholarly evaluation of their work and their broadly ideological and ethical contribution to wider post-war developments in British theatre. Peter Billingham offers the reader a unique insight into four companies which, motivated by enthusiasm, principles and creative innovation, sought to take the theatre of conscience to theatre-less communities in wartime Britain and during the following decade. Contemporaries of - amongst others - Joan Littlewood's Theatre Workshop, the Pilgrim Players, the Adelphi Players, the Compass Players and the Century Theatre represent a significant but rather overlooked phase in the development of twentieth-century British theatre.
Author: Dan Urian Publisher: Routledge ISBN: 113440378X Category : Performing Arts Languages : en Pages : 194
Book Description
What is Israeli theatre? Is it only a Hebrew theatre staged in Israel? Are performances by Arab Israelis working in an Arabic theatre framework not part of the repertoire of Israeli theatre? Do they perhaps belong to the Palestinian theatre? What are the "borders" of Palestinian theatre? Are not theatrical works created in East Jerusalem by Arab Israeli playwrights and actors, and staged on occasion before Jewish Israeli audiences, part of a dialogue between Palestinian and Israeli cultures? Does "theatre" only include works staged under that title? These and other similarly absorbing questions arise in Dan Urian's wide-ranging and detailed study of the image of the Arab in Israeli drama and theatre. By the use of extensive examples to show how theatre, politics and personal perceptions intertwine, the author presents us with a model which can be used as a basis for the further discussion and study of similar social and artistic phenomena in other cultures in relation to their theatre and drama.
Author: Dan Urian Publisher: Routledge ISBN: 113442597X Category : Performing Arts Languages : en Pages : 240
Book Description
Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthodox Judaism by secular individuals.
Author: Nichos Nunez
Author: Nichos Nunez
Author: James C. Hogan
Author: Douglas A. Vakoch
Author: Irving Brown (Consulting Bibliographer)
Author: Sam Mickey
Author: Eilon Morris
Author: Anthony Frost
Author: Peter Billingham
Author: Dan Urian
Author: Dan Urian