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Author: Evan Spring Publisher: Scarecrow Press ISBN: 0810869195 Category : Music Languages : en Pages : 232
Book Description
The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and unpublished photographs. This 14th issue contains four intriguing articles that to some degree contravene accepted precepts of jazz orthodoxy. John Howland traces the connection between Duke Ellington's extended works and the "symphonic jazz" model of the 1920s as exemplified by Paul Whiteman and his chief arranger, Ferde Grof . Horace J. Maxile Jr. takes an unfashionably broad perspective of Charles Mingus's "Ecclusiastics," applying recent developments in cultural theory as well as the formal tools of traditional music theory. Brian Priestley's exploration of the ties between Charlie Parker and popular music challenges the canonical depiction of Parker as a lone revolutionary genius, instead underscoring the saxophonist's ties to the popular music of his time. Finally, John Wriggle presents an extensive examination of the life and work of arranger Chappie Willet, an unsung hero of the Swing Era. The book reviews cover a cross-section of the burgeoning jazz literature, and Vincent Pelote has again compiled a list of books received at the Institute of Jazz Studies.
Author: Evan Spring Publisher: Scarecrow Press ISBN: 0810869195 Category : Music Languages : en Pages : 232
Book Description
The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and unpublished photographs. This 14th issue contains four intriguing articles that to some degree contravene accepted precepts of jazz orthodoxy. John Howland traces the connection between Duke Ellington's extended works and the "symphonic jazz" model of the 1920s as exemplified by Paul Whiteman and his chief arranger, Ferde Grof . Horace J. Maxile Jr. takes an unfashionably broad perspective of Charles Mingus's "Ecclusiastics," applying recent developments in cultural theory as well as the formal tools of traditional music theory. Brian Priestley's exploration of the ties between Charlie Parker and popular music challenges the canonical depiction of Parker as a lone revolutionary genius, instead underscoring the saxophonist's ties to the popular music of his time. Finally, John Wriggle presents an extensive examination of the life and work of arranger Chappie Willet, an unsung hero of the Swing Era. The book reviews cover a cross-section of the burgeoning jazz literature, and Vincent Pelote has again compiled a list of books received at the Institute of Jazz Studies.
Author: Evan Spring Publisher: Scarecrow Press ISBN: 0810869209 Category : Music Languages : en Pages : 232
Book Description
The Annual Review of Jazz Studies provides a forum for the ever-expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and previously unpublished photographs.
Author: Edward Berger Publisher: Scarecrow Press ISBN: 9780810850057 Category : Music Languages : en Pages : 270
Book Description
This twelfth volume of the Annual Review celebrates the fiftieth anniversary of the Institute of Jazz Studies and features articles covering subjects which have not been engaged in past issues of the Review. Gil Evans, Django Reinhardt, Lucky Thompson, and Paul Bley each receive much deserved critical attention in this issue. This issue also includes a photo gallery illustrating some of the prominant locations and people of the Institute's history, both in New York and at its present home at Rutgers in Newark, New Jersey.
Author: Edward Berger Publisher: Scarecrow Press ISBN: 9780810845350 Category : Music Languages : en Pages : 314
Book Description
Continuing the rich tradition, this latest Annual is particularly impressive. The articles in this volume present important technical analyses of four major figures: Booker Little, Charlie Christian, Herbie Hancock, and Miles Davis.
Author: Edward Berger Publisher: Scarecrow Press ISBN: 9780810859456 Category : Music Languages : en Pages : 256
Book Description
This 13th issue of the ARJS includes an extensive study of the saxophonist Sonny Red, an analysis of a composition by Steve Swallow, a new perspective on John Coltrane's compositional approach, and an examination of Miles Davis's classic 'Walkin', ' plus book reviews and a continuing bibliography of scholarly articles about jazz in non-jazz journals
Author: Edward Berger Publisher: Scarecrow Press ISBN: 9780810824782 Category : Jazz Languages : en Pages : 286
Book Description
Articles: DIETRICH, Kurt- Joe "Tricky" Nanton": Duke Ellington's master of the plunger trombone; WIEDEMANN, Erik - Duke Ellington: the composer; WIEDEMANN, Erik - Duke in Denmark: a discographical excursus; CARNER, Gary - The agony and the agony: James Lincoln Collier's jazz writing; PELOTE, Vincent - An annotated bibliography of British Periodicals (1930-1940); HAYWOOD, Mark S - The harmonic role of melody in vertical and horizontal jazz; BERGER, Edward - George Duvivier: arranger and composer; DEMSEY, David - Chromatic third relations in the music of John Coltrane; A Joe Wilder photo gallery. Book reviews.
Author: Publisher: Scarecrow Press ISBN: Category : Music Languages : en Pages : 308
Book Description
Provides articles on Ornette Coleman, Thelonius Monk, Billie Holliday, and Fats Waller and explores the distinctions between jazz and the underpinnings of European musical forms.
Author: Elizabeth West Marvin Publisher: University Rochester Press ISBN: 9781580460965 Category : Biography & Autobiography Languages : en Pages : 468
Book Description
Presents various interdisciplinary articles to bridge the gulf between classical and popular music.
Author: Brian Kane Publisher: Oxford University Press ISBN: 0190600500 Category : Music Languages : en Pages : 321
Book Description
When we talk about a jazz "standard" we usually mean one of the many songs that jazz musicians repeatedly play. But unlike classical musical works, standards are always being transformed in performance. They are rearranged and improvised, which raises the question: what gives a standard its identity? Hearing Double answers that question. Filled with case studies and music analysis, this book will draw your attention to unheard aspects of jazz performance as well as unrecognized philosophical, social, and cultural dimensions of the jazz repertoire.
Author: Evan Spring
Author: Evan Spring
Author: Evan Spring
Author: Edward Berger
Author: Edward Berger
Author: Edward Berger
Author: Edward Berger
Author: Edward Berger
Author: 
Author: Elizabeth West Marvin
Author: Brian Kane