Author: Whitney Museum of American Art
Publisher: Hassell Street Press
ISBN: 9781014120205
Category :
Languages : en
Pages : 28
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings [1948]
Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings
American Modern: Hopper to O'Keeffe
Author: Esther Adler
Publisher: The Museum of Modern Art
ISBN: 087070852X
Category : Art
Languages : en
Pages : 145
Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Publisher: The Museum of Modern Art
ISBN: 087070852X
Category : Art
Languages : en
Pages : 145
Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Art for a New Understanding
Author: Mindy N. Besaw
Publisher: University of Arkansas Press
ISBN: 1682260801
Category : Art
Languages : en
Pages : 225
Book Description
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
Publisher: University of Arkansas Press
ISBN: 1682260801
Category : Art
Languages : en
Pages : 225
Book Description
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
Whitney Biennial 2022
Author: David Breslin
Publisher: Whitney Museum of American Art
ISBN: 9780300263893
Category :
Languages : en
Pages : 264
Book Description
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
Publisher: Whitney Museum of American Art
ISBN: 9780300263893
Category :
Languages : en
Pages : 264
Book Description
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
The Artistic Journey of Yasuo Kuniyoshi
Author: Tom M. Wolf
Publisher: Giles
ISBN: 9781907804632
Category : Art
Languages : en
Pages : 0
Book Description
A welcome introduction to this complex artist's entire career, featuring seventy of his best works from public and private collections.
Publisher: Giles
ISBN: 9781907804632
Category : Art
Languages : en
Pages : 0
Book Description
A welcome introduction to this complex artist's entire career, featuring seventy of his best works from public and private collections.
Sturtevant
Author: Peter Eleey
Publisher:
ISBN: 9780870709494
Category : Art
Languages : en
Pages : 0
Book Description
Known for her early repetitions of the work of her contemporaries including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol Sturtevant turned the visual logic of Pop art back on itself, using Duchamps model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as the one artist who cant be copied her chameleon-like embrace of other artists art is also what has allowed her to be largely overlooked in the history of postwar American art. As a woman making versions of the work of better-known male artists, she has passed almost unnoticed through the hierarchies of mid-century modernism and postmodernism, at once absent from these histories while nevertheless articulating their structures. Despite a rising reputation in Europe, Sturtevant is still largely unknown in her home country. Published to accompany the first retrospective of her work in a US museum since 1973, at The Museum of Modern Art, this publication considers Sturtevant as a uniquely American artist, with political concerns inflected specifically by her upbringing and adult life in the US. Featuring previously unpublished drawings and sketches from the artists archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artists practice while situating it more concretely within American culture.
Publisher:
ISBN: 9780870709494
Category : Art
Languages : en
Pages : 0
Book Description
Known for her early repetitions of the work of her contemporaries including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol Sturtevant turned the visual logic of Pop art back on itself, using Duchamps model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as the one artist who cant be copied her chameleon-like embrace of other artists art is also what has allowed her to be largely overlooked in the history of postwar American art. As a woman making versions of the work of better-known male artists, she has passed almost unnoticed through the hierarchies of mid-century modernism and postmodernism, at once absent from these histories while nevertheless articulating their structures. Despite a rising reputation in Europe, Sturtevant is still largely unknown in her home country. Published to accompany the first retrospective of her work in a US museum since 1973, at The Museum of Modern Art, this publication considers Sturtevant as a uniquely American artist, with political concerns inflected specifically by her upbringing and adult life in the US. Featuring previously unpublished drawings and sketches from the artists archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artists practice while situating it more concretely within American culture.
Nina Chanel Abney
Author: Natalie Y. Moore
Publisher: Duke University Press
ISBN: 9780938989417
Category : African American painters
Languages : en
Pages : 0
Book Description
This fully illustrated catalogue accompanies the Nasher Museum of Art at Duke University's exhibition Nina Chanel Abney: Royal Flush.
Publisher: Duke University Press
ISBN: 9780938989417
Category : African American painters
Languages : en
Pages : 0
Book Description
This fully illustrated catalogue accompanies the Nasher Museum of Art at Duke University's exhibition Nina Chanel Abney: Royal Flush.
Linda Besemer
Author: Kristina Newhouse
Publisher:
ISBN: 9780936270630
Category :
Languages : en
Pages :
Book Description
Linda Besemer: StrokeRollFoldSheetSlabGlitch is published on the occasion of the exhibition of the same name, organized by the Carolyn Campagna Kleefeld Contemporary Art Museum, College of the Arts, California State University, Long Beach. February 12-June 25, 2022. The publication includes a foreword by Museum director Paul Baker Prindle, with essays by art historian Lex Morgan Lancaster and Museum curator Kristina Newhouse.StrokeRollFoldSheetSlabGlitch is the first monographic survey of artworks by Los Angeles-based artist Linda Besemer. This exhibition emphasizes Besemer's ongoing commitment to exploring alterity through conscious "othering" of abstraction and reflects on the artist's search for new meaning in painting over the past thirty-five years. Featuring 23 colorful artworks produced between 1993-2021, the museum showcases key moments in Besemer's career, taking visitors on a journey as she transitions from traditional gestural abstraction and culminating with the most recent "glitch" series.
Publisher:
ISBN: 9780936270630
Category :
Languages : en
Pages :
Book Description
Linda Besemer: StrokeRollFoldSheetSlabGlitch is published on the occasion of the exhibition of the same name, organized by the Carolyn Campagna Kleefeld Contemporary Art Museum, College of the Arts, California State University, Long Beach. February 12-June 25, 2022. The publication includes a foreword by Museum director Paul Baker Prindle, with essays by art historian Lex Morgan Lancaster and Museum curator Kristina Newhouse.StrokeRollFoldSheetSlabGlitch is the first monographic survey of artworks by Los Angeles-based artist Linda Besemer. This exhibition emphasizes Besemer's ongoing commitment to exploring alterity through conscious "othering" of abstraction and reflects on the artist's search for new meaning in painting over the past thirty-five years. Featuring 23 colorful artworks produced between 1993-2021, the museum showcases key moments in Besemer's career, taking visitors on a journey as she transitions from traditional gestural abstraction and culminating with the most recent "glitch" series.
The Sculpture of Richard Hunt
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : African American sculptors
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : African American sculptors
Languages : en
Pages : 28
Book Description