Annales - Laboratoire de recherche des musées de France PDF Download

Author: Laboratoire de recherche des musées de France
Publisher:
ISBN:
Category : Art and science
Languages : fr
Pages : 374

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Author: John Mills
Publisher: Routledge
ISBN: 1136000011
Category : Antiques & Collectibles
Languages : en
Pages : 223

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Book Description
'The Organic Chemistry of Museum Objects' makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections. The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres and skin products, as well as that of the relatively minor components incorporated as paint, media, varnishes, adhesives and dyes. This expanded second edition, now in paperback, follows the structure of the first, though it has been extensively updated. In addition to chapters on basic organic chemistry, analytical methods, analytical findings and fundamental aspects of deterioration, the subject matter is grouped as far as possible by broad chemical class - oils and fats, waxes, bitumens, carbohydrates, proteins, natural resins, dyestuffs and synthetic polymers. This is an essential purchase for all practising and student conservators, restorers, museum scientists, curators and organic chemists.

Author: Stephen G Rees-Jones
Publisher: Elsevier
ISBN: 0080570763
Category : Business & Economics
Languages : en
Pages : 178

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Book Description
The Organic Chemistry of Museum Objects provides an account of the composition, chemistry, and analysis of the organic materials which enter into the structures of objects in museum collections. This book is not intended to duplicate the information available in existing handbooks on the materials and techniques of art and conservation but rather to convey the state of knowledge of the chemical composition of such materials and so provide a framework for a general understanding of their properties. The book begins with a review of basic organic chemistry, covering hydrocarbons and compounds with functional groups. It then describes spectrometry and separation methods. This is followed by discussions of the chemistry and composition of oils and fats, natural waxes, bituminous materials, carbohydrates, proteins, and natural resins and lacquers. Subsequent chapters deal with synthetic materials, i.e., high molecular weight polymers of a wholly synthetic nature; and natural and synthetic dyestuffs. Also discussed are the deterioration and other changes in organic materials resulting from both free radical and ionic reactions; and the application of analytical methods to identify the organic materials of actual museum objects. This book is intended for both chemists and nonchemists.

Author: Madeleine Hours
Publisher:
ISBN: 9782711804375
Category :
Languages : fr
Pages : 16

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Author: International Centre for the Study of the Preservation and the Restoration of Cultural Property. Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 542

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Author: Laboratoire de recherche des musées de France
Publisher:
ISBN:
Category : Art museums
Languages : fr
Pages : 88

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Author: Jean S. Wellington
Publisher: Bloomsbury Publishing USA
ISBN: 0313072558
Category : Literary Criticism
Languages : en
Pages : 704

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Book Description
Trying to identify abbreviated titles of journals and standard bibliographic works is a major difficulty facing researchers and librarians in the field of Classical Studies. This revised edition has been greatly expanded, with nearly twice the abbreviations (17,000) and bibliographic entries (12,400) as the first edition. Also, the Greek and Cyrillic abbreviations have increased by seven and four fold respectively. Abbreviations for internet sites are now included, as are those for associations in the broad area of Classical Studies. There are also more entries for Eastern European and regional archaeological publications. This revised volume is divided into two parts. Part One consists of an alphabetical listing of bibliographic abbreviations found in the scholarship of classical studies and related disciplines. Meanwhile, Part Two is an alphabetically arranged bibliographic descriptions for the works published in classical studies and related disciplines. Special efforts were made to increase the coverage in peripheral areas, making this new edition a useful reference tool for scholars in all subjects of study in the ancient and medieval world.

Author: Paul Perrin
Publisher: National Gallery Singapore
ISBN: 9811145156
Category : Art
Languages : en
Pages : 208

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One of the great innovations of the Impressionists was their radical use of colour: their application of strokes of complementary or contrasting hues captured the shifting effects of light and foregrounded the nature of vision. Using colour as the lens through which to magnify the movement’s intricacies, this catalogue sweeps us from Manet’s rich blacks, through green and blue landscapes of Monet and Cézanne, to the sensuous pinks of Renoir. Along this journey, scientific discoveries and emerging definitions of modernity are explored, illuminating the profound innovations of the Impressionists and the shifting preconceptions of their art.

Author: Françoise Cachin
Publisher: Metropolitan Museum of Art
ISBN: 0870993593
Category : Art
Languages : en
Pages : 550

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Author: Lynn Marsden-Atlass
Publisher: University of Pennsylvania Press
ISBN: 1734733853
Category : Architecture
Languages : en
Pages : 141

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In 2016, a landscape painting of the source of the Lison river in France was discovered at the University of Pennsylvania and was immediately suspected of being the work of Gustave Courbet. A lengthy authentication process began in 2018 and the landscape has since been confirmed as his. This new discovery sparked an exhibition showcasing the infamous painter's modern landscape practice. Titled At the Source: A Courbet Landscape Rediscovered, the exhibition is presented at the University of Pennsylvania's Arthur Ross Gallery from February 4 to May 28, 2023. Focusing on the motifs of grottos and waterfalls in his art of the 1850s and 1860s, it highlights the rediscovered Courbet painting, not shown in public for close to 100 years, and emphasizes the process of authenticating and conserving this historic work. Gustave Courbet (1819-1877) was a French painter who led the Realism movement of the mid nineteenth-century. Committed to painting only what he could see, he rejected academic conventions and the Romanticism of the previous generation of artists. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged tradition by depicting unidealized peasants and workers, often on a grand scale previously reserved for paintings of religious or historical subjects. Courbet's subsequent paintings offer a wide range of genres and broadened the political character of his art: landscapes, seascapes, hunting scenes, nudes, and still lifes. This heavily illustrated catalog brings together essays by leading Courbet scholars, including Petra ten-Doesschate Chu, Aruna D'Souza, Paul Galvez, and Mary Morton, and situates Courbet's modern landscapes within the genre of nineteenth-century plein-air painting. Contextualizing the newly discovered work in relation to other visual depictions of the site, the catalog reproduces postcards and maps as well as the few other versions of the Source of the Lison that Courbet painted, including other related subjects. The essays draw connections between Courbet's paintings and his political activism, his interests in geology and environmentalism, and his engagement with issues of gender.