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Author: Claudia T. Kairoff Publisher: JHU Press ISBN: 1421403285 Category : Literary Criticism Languages : en Pages : 325
Book Description
Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff's excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward's writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward's work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward's writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward's writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward's remarkable literary achievements among the most important of the late eighteenth century. -- Paula R. Feldman, editor of British Women Poets of the Romantic Era
Author: Claudia T. Kairoff Publisher: JHU Press ISBN: 1421403285 Category : Literary Criticism Languages : en Pages : 325
Book Description
Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff's excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward's writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward's work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward's writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward's writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward's remarkable literary achievements among the most important of the late eighteenth century. -- Paula R. Feldman, editor of British Women Poets of the Romantic Era
Author: Claudia T. Kairoff Publisher: ISBN: 9781421428277 Category : Languages : en Pages : 0
Book Description
Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff's excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward's writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward's work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward's writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward's writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward's remarkable literary achievements among the most important of the late eighteenth century.
Author: Claudia T. Kairoff Publisher: JHU Press ISBN: 1421406632 Category : Literary Criticism Languages : en Pages : 502
Book Description
A critical study of the prominent British poet’s work. Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward’s remarkable literary achievements among the most important of the late eighteenth century. “Professor Kairoff achieves her goal of providing “fresh readings, in a richer context,” which will go a long way toward reestablishing Seward’s importance. The book is a significant contribution to literary scholarship and will be widely read, cited, and admired.” —Paula R. Feldman “This lucid, stimulating study will challenge traditional notions not only of Seward but also of the interstice of Romanticism and late-century women authors.” —Choice “Kairoff effectively demonstrates the quality of Seward’s work, and articulates some of the ways in which a reappraisal of Seward might enrich our understanding of both eighteenth-century and Romantic-era literary cultures, and our conception of the writing practices of both male and female authors.” —Years Work in English Studies
Author: Teresa Barnard Publisher: Cambridge Scholars Publishing ISBN: 1527500519 Category : Literary Criticism Languages : en Pages : 245
Book Description
Anna Seward, eighteenth-century poet, biographer, and letter-writer, wrote her juvenile journal in the form of a series of letters to an imaginary friend, “Emma”. Seward intended the letters as an autobiographical account of the period of her youth before she achieved fame as a published poet. Towards the end of her life, she collated her works for posthumous publication, bequeathing the manuscripts to Walter Scott. However, as Scott disliked much of the anecdotal substance of the juvenile letters, he censored them, removing over half of the contents before publication. This volume restores the journal to its original format, making the case for Seward’s importance as a social and cultural commentator. The letters discuss topical events and private concerns, illuminating not only Seward’s life, but also giving fascinating insights into the manners and mores of mid-eighteenth-century provincial life in England. Also included in this volume is a portfolio of four Anglican sermons written by Seward and delivered by unsuspecting clergymen. These were also excised by Scott who agreed with Seward’s family that they were too controversial to publish as their author was a woman. The sermons provide retrospective evidence of Seward’s efforts to contribute to feminist Enlightenment debate. Introducing them into the public domain now gives us an understanding of women’s unacknowledged achievements and also of their silencing.
Author: Teresa Barnard Publisher: Routledge ISBN: 1317180674 Category : Literary Criticism Languages : en Pages : 208
Book Description
In her critical biography of Anna Seward (1742-1809), Teresa Barnard examines the poet's unpublished letters and manuscripts, providing a fresh perspective on Seward's life and historical milieu that restores and problematizes Seward's carefully constructed narrative of her life. Of the poet Anna Seward, it may be said with some veracity that hers was an epistolary life. What is known of Seward comes from six volumes of her letters and from juvenile letters that prefaced her books of poetry, all published posthumously. That Seward intended her correspondence to serve as her autobiography is clear, but she could not have anticipated that the letters she intended for publication would be drastically edited and censored by her literary editor, Walter Scott, and by her publisher, Archibald Constable. Stripped of their vitality and much of their significance, the published letters omit telling tales of the intricacies of the marriage market and Seward's own battles against gender inequality in the educational and workplace spheres. Seward's correspondents included Erasmus Darwin, William Hayley, Helen Maria Williams, and Robert Southey, and her letters are packed with stories and anecdotes about her friends' lives and characters, what they looked like, and how they lived. Particularly compelling is Barnard's discussion of Seward's astonishing last will and testament, a twenty-page document that summarizes her life, achievements, and self-definition as a writing woman. Barnard's biography not only challenges what is known about Seward, but provides new information about the lives and times of eighteenth-century writers.
Author: Amanda Hiner Publisher: Cambridge University Press ISBN: 1108945090 Category : Literary Criticism Languages : en Pages : 319
Book Description
This collection of innovative essays by leading scholars on eighteenth-century British women satirists showcases women's contributions to the satiric tradition and challenges the assumption that women were largely targets, rather than practitioners, of satire during the long eighteenth century. The essays examine women's satires across diverse genres, from the fable to the periodical, and attend to women writers' appropriation of a literary style and form often viewed as exclusively masculine. The introduction features a new theory of women's satire and proposes a framework for analyzing satiric techniques employed by women writers. Organized chronologically, the contributors' essays address a wide range of authors and explore the ways in which satiric writings by women engaged in contemporary cultural conversations, influencing assumptions about gender, sociability, politics, and literary practices. This inclusive yet tightly-focused collection formulates an innovative and provocative new feminist theory of satire.
Author: Amy Prendergast Publisher: Springer ISBN: 1137512717 Category : Literary Criticism Languages : en Pages : 238
Book Description
The eighteenth-century salon played an important role in shaping literary culture, while both creating and sustaining transnational intellectual networks. Focusing on archival materials, this book is the first detailed examination of the literary salon in Ireland, considered in the wider contexts of contemporary salon culture in Britain and France.
Author: Lisa L. Moore Publisher: Routledge ISBN: 1317283120 Category : Literary Collections Languages : en Pages : 688
Book Description
This critical edition of the poems of Anna Seward (1742-1809) re-establishes one of the most popular and prolific poets of the early Romantic period. Her work influenced Charllotte Smith and Mary Robinson and later both Wordsworth and Coleridge. Her reputation was so high that Sir Walter Scott edited the posthumous edition of her poems in 1810. Unlike Scott's, this edition reproduces the poems as they were first published in periodicals and collections during Seward's lifetime, allowing scholars to experience them as eighteenth century readers did. It also includes mire than 200 poems that were excluded from the Scott edition.
Author: Lisa L. Moore Publisher: Routledge ISBN: 1317283066 Category : Literary Collections Languages : en Pages : 312
Book Description
This critical edition of the poems of Anna Seward (1742-1809) re-establishes one of the most popular and prolific poets of the early Romantic period. Her work influenced Charllotte Smith and Mary Robinson and later both Wordsworth and Coleridge. Her reputation was so high that Sir Walter Scott edited the posthumous edition of her poems in 1810. Unlike Scott's, this edition reproduces the poems as they were first published in periodicals and collections during Seward's lifetime, allowing scholars to experience them as eighteenth century readers did. It also includes mire than 200 poems that were excluded from the Scott edition.
Author: Claudia T. Kairoff
Author: Claudia T. Kairoff
Author: Claudia T. Kairoff
Author: Claudia T. Kairoff
Author: Teresa Barnard
Author: Teresa Barnard
Author: Robert Manson Myers
Author: Amanda Hiner
Author: Amy Prendergast
Author: Lisa L. Moore
Author: Lisa L. Moore