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Author: Walter Santucci Publisher: Bloomsbury Academic ISBN: 9781441181138 Category : Social Science Languages : en Pages : 0
Book Description
While cartoons are generally regarded as harmless and fun cinematic diversions, they, like all art forms, have generated controversy. The authors discuss history of controversy over racist content in animation, and the social and political climates that foster such depictions. They also consider the impact of anti-racist political resistance on racial/ethnic stereotyping in animation, and the evolution of images over time. Though many films are discussed, the authors focus on the 1940s and 1970s, as both periods produced cartoons that were noteworthy in the political struggle over racist imagery. For example, 1943's “Coal Black and de Sebben Dwarves” is a film significant not only for the extreme controversy stirred by its content, but also for the fact that its director had set out to make a film celebrating African American culture. Conversely, the 1970s saw Bill Cosby's Fat Albert television series become the first major American animated entity where content was created and controlled by an African American. The book concludes with a dialogue on whether banning purportedly racist animations was a good or bad idea, whether the portrayal of “non-whites” in animated films has improved over the years, and whether racist images persist in new forms.
Author: Walter Santucci Publisher: Bloomsbury Academic ISBN: 9781441181138 Category : Social Science Languages : en Pages : 0
Book Description
While cartoons are generally regarded as harmless and fun cinematic diversions, they, like all art forms, have generated controversy. The authors discuss history of controversy over racist content in animation, and the social and political climates that foster such depictions. They also consider the impact of anti-racist political resistance on racial/ethnic stereotyping in animation, and the evolution of images over time. Though many films are discussed, the authors focus on the 1940s and 1970s, as both periods produced cartoons that were noteworthy in the political struggle over racist imagery. For example, 1943's “Coal Black and de Sebben Dwarves” is a film significant not only for the extreme controversy stirred by its content, but also for the fact that its director had set out to make a film celebrating African American culture. Conversely, the 1970s saw Bill Cosby's Fat Albert television series become the first major American animated entity where content was created and controlled by an African American. The book concludes with a dialogue on whether banning purportedly racist animations was a good or bad idea, whether the portrayal of “non-whites” in animated films has improved over the years, and whether racist images persist in new forms.
Author: Eric Loren Smoodin Publisher: Rutgers University Press ISBN: 9780813519494 Category : Performing Arts Languages : en Pages : 242
Book Description
Long considered "children's entertainment" by audiences and popular media, Hollywood animation has received little serious attention. Eric Smoodin's Animating Culture is the first and only book to thoroughly analyze the animated short film. Usually running about seven or eight minutes, cartoons were made by major Hollywood studios--such as MGM, Warner Bros., and Disney--and shown at movie theaters along with a newsreel and a feature-length film. Smoodin explores animated shorta and the system that mass-produced them. How were cartoons exhibited in theaters? How did they tell their stories? Who did they tell them to? What did they say about race, class, and gender? How were cartoons related to the feature films they accompanied on the evening's bill of fare? What were the social functions of cartoon stars like Donald Duck and Minnie Mouse? Smoodin argues that cartoons appealed to a wide audience--not just children--and did indeed contribute to public debate about political matters. He examines issues often ignored in discussions of animated film--issues such as social control in the U.S. army's "Private Snafu" cartoons, and sexuality and race in the "sites" of Betty Boop's body and the cartoon harem. Smoodin's analysis of the multiple discourses embedded in a variety of cartoons reveals the complex and sometimes contradictory ways that animation dealt with class relations, labor, imperialism, and censorship. His discussion of Disney and the Disney Studio's close ties with the U.S. government forces us to rethink the place of the cartoon in political and cultural life. Smoodin reveals the complex relationship between cartoons and the Hollywood studio system, and between cartoons and their audiences.
Author: Teri J. Silvio Publisher: University of Hawaii Press ISBN: 0824881168 Category : Social Science Languages : en Pages : 297
Book Description
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and the globalization of media markets. Rather, it points to a paradigm shift. In the last century, performance became a key term in academic and popular discourse: The idea that we construct identities through our gestures and speech proved extremely useful for thinking about many aspects of social life. The present volume proposes an anthropological concept of animation as a contrast and complement to performance: The idea that we construct social others by projecting parts of ourselves out into the world might prove useful for thinking about such topics as climate crisis, corporate branding, and social media. Like performance, animation can serve as a platform for comparisons of different cultures and historical eras. Teri Silvio presents an anthropology of animation through a detailed ethnographic account of how characters, objects, and abstract concepts are invested with lives, personalities, and powers—and how people interact with them—in contemporary Taiwan. The practices analyzed include the worship of wooden statues of Buddhist and Daoist deities and the recent craze for cute vinyl versions of these deities, as well as a wildly popular video fantasy series performed by puppets. She reveals that animation is, like performance, a concept that works differently in different contexts, and that animation practices are deeply informed by local traditions of thinking about the relationships between body and soul, spiritual power and the material world. The case of Taiwan, where Chinese traditions merge with Japanese and American popular culture, uncovers alternatives to seeing animation as either an expression of animism or as “playing God.” Looking at the contemporary world through the lens of animation will help us rethink relationships between global and local, identity and otherness, human and non-human.
Author: C. Richard King Publisher: Rowman & Littlefield Publishers ISBN: 1442201959 Category : Social Science Languages : en Pages : 205
Book Description
Animating Difference studies the way race, ethnicity, sexuality, and gender are portrayed in recent animated films from 1990 through the present. Ranging from Aladdin to Toy Story to Up, these popular films are key media through which children (and adults) learn about the world and how to behave. While racial and gender stereotypes may not be as obvious as they may have been in films of decades past, they often continue to convey troubling messages and stereotypes in subtle and surprising ways.
Author: Sunny Yoon Publisher: Taylor & Francis ISBN: 1000931668 Category : Social Science Languages : en Pages : 155
Book Description
This volume examines international engagement with Korean popular culture in East Asian online spaces, and how Asian identities are formed and perceived between nations within the region. In the context of global diversification and growing public participation in global issues, it builds up a new theoretical perspective in order to explain the emerging power of Asia in the global mediascape. With a focus on Korean media, touching upon K-pop and the phenomenon of Hallyu and anti-Hallyu, the author also looks at Japan, China, and Taiwan in this regional study. Combining theory with ethnographic audience studies in East Asian countries, the book elucidates East Asian media in a larger context of the changing global structure and media technology. This book will interest academics and students working on Asian popular culture and media, new media, East Asian studies, participatory media, and digital communication.
Author: Paul Wells Publisher: Rutgers University Press ISBN: 9780813531601 Category : Computers Languages : en Pages : 196
Book Description
Discusses the distinctiveness of the cartoon form, as well as myriad other types of animation production, and examines animation's importance as a barometer of the social conditions in which it is made and which it reflects. [back cover].
Author: Jane Batkin Publisher: Routledge ISBN: 1317533240 Category : Social Science Languages : en Pages : 318
Book Description
Identity in Animation: A Journey into Self, Difference, Culture and the Body uncovers the meaning behind some of the most influential characters in the history of animation and questions their unique sense of who they are and how they are formed. Jane Batkin explores how identity politics shape the inner psychology of the character and their exterior motivation, often buoyed along by their questioning of ‘place’ and ‘belonging’ and driven by issues of self, difference, gender and the body. Through this, Identity in Animation illustrates and questions the construction of stereotypes as well as unconventional representations within American, European and Eastern animation. It does so with examples such as the strong gender tropes of Japan’s Hayao Miyazaki, the strange relationships created by Australian director Adam Elliot and Nick Park’s depiction of Britishness. In addition, this book discusses Betty Boop’s sexuality and ultimate repression, Warner Bros’ anarchic, self-aware characters and Disney’s fascinating representation of self and society. Identity in Animation is an ideal book for students and researchers of animation studies, as well as any media and film studies students taking modules on animation as part of their course.
Author: Silas Kaine Ezell Publisher: Routledge ISBN: 131711941X Category : Social Science Languages : en Pages : 178
Book Description
This book examines contemporary American animated humor, focusing on popular animated television shows in order to explore the ways in which they engage with American culture and history, employing a peculiarly American way of using humor to discuss important cultural issues. With attention to the work of American humorists, such as the Southwest humorists, Mark Twain, Dorothy Parker, and Kurt Vonnegut, and the question of the extent to which modern animated satire shares the qualities of earlier humor, particularly the use of setting, the carnivalesque, collective memory, racial humor, and irony, Humor and Satire on Contemporary Television concentrates on a particular strand of American humor: the use of satire to expose the gap between the American ideal and the American experience. Taking up the notion of ’The Great American Joke’, the author examines the discursive humor of programmes such as The Simpsons, South Park , Family Guy , King of the Hill, Daria, American Dad!, The Boondocks, The PJs and Futurama . A study of how animated television programmes offer a new discourse on a very traditional strain of American humor, this book will appeal to scholars and students of popular culture, television and media studies, American literature and visual studies, and contemporary humor and satire.
Author: Daisy Yan Du Publisher: University of Hawaii Press ISBN: 0824877519 Category : Performing Arts Languages : en Pages : 276
Book Description
China’s role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s–1970s. She introduces readers to transnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China’s ethnic minorities, at socio-historical or representational levels, in animated filmmaking in China. Du argues that Chinese animation was international almost from its inception and that such border-crossing exchanges helped make it “Chinese” and subsequently transform the history of world animation. She highlights animated encounters and entanglements to provide an alternative to current studies of the subject characterized by a preoccupation with essentialist ideas of “Chineseness” and further questions the long-held belief that the forty-year-period in question was a time of cultural isolationism for China due to constant wars and revolutions. China’s socialist era, known for the pervasiveness of its political propaganda and suppression of the arts, unexpectedly witnessed a golden age of animation. Socialist collectivism, reinforced by totalitarian politics and centralized state control, allowed Chinese animation to prosper and flourish artistically. In addition, the double marginality of animation—a minor art form for children—coupled with its disarming qualities and intrinsic malleability and mobility, granted animators and producers the double power to play with politics and transgress ideological and geographical borders while surviving censorship, both at home and abroad. A captivating and enlightening history, Animated Encounters will attract scholars and students of world film and animation studies, children’s culture, and modern Chinese history.
Author: Walter Santucci
Author: Walter Santucci
Author: Janet P. Palmer
Author: Eric Loren Smoodin
Author: Teri J. Silvio
Author: C. Richard King
Author: Sunny Yoon
Author: Paul Wells
Author: Jane Batkin
Author: Silas Kaine Ezell
Author: Daisy Yan Du