Andy Warhol's Films Blow Job, Couch and The Chelsea Girls PDF Download

Author: Mary Agnes Richards
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 118

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Author: Roy Grundmann
Publisher: Temple University Press
ISBN: 9781566399722
Category : Art
Languages : en
Pages : 244

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In this ground-breaking and provocative book, Roy Grundmann contends that Andy Warhol's notorious 1964 underground film, Blow Job, serves as rich allegory as well as suggestive metaphor for post-war American society's relation to homosexuality. Arguing that Blow Job epitomizes the highly complex position of gay invisibility and visibility, Grundmann uses the film to explore the mechanisms that constructed pre-Stonewall white gay male identity in popular culture, high art, science, and ethnography. Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema. His close textual analysis of the film probes into its ambiguities and the ways in which viewers respond to what is and what is not on screen. Presenting rarely reproduced Warhol art and previously unpublished Ed Wallowitch photographs along with now iconic publicity shots of James Dean, Grundmann establishes Blow Job as a consummate example of Warhol's highly insightful engagement with a broad range of representational codes of gender and sexuality. Roy Grundmann is Assistant Professor of Film Studies at Boston University and a contributing editor of Cineaste.

Author: Geralyn Huxley
Publisher: Thames & Hudson
ISBN: 9781942884187
Category : Art
Languages : en
Pages : 328

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Andy Warhol's The Chelsea Girls had its premiere at the Film-Maker's Cinémathèque on 15 September 1966. It sold out a 200-seat theatre and went on to become the first film to move from the underground to commercial cinema. Since 1972, when Warhol pulled all of his films out of distribution, the public has had extremely limited access to The Chelsea Girls , outside of museum screenings. In honour of the 20th Anniversary of The Andy Warhol Museum and what would have been Warhol's 85th birthday, hundreds of Warhol's films - some never seen before - have been converted to a digital format with the partnership of The Andy Warhol Museum, The Museum of Modern Art, New York, and the Moving Picture Company (MPC), a Technicolor Company. This book is an in-depth look at Warhol's most famous film. It includes all newly digitized film stills, never-before-published transcripts, unpublished archival materials, and expanded information about each of the individual films that comprise the three- plus hour film. As the film alternates sound between the left and right screens, the book reproduces the transcript in complete form as one hears it, with imagery from the corresponding reels. There is also a full transcription of the unheard reels in the back of the book. This is a substantial contribution to the scholarship on Warhol's complex and most commercial film.

Author: Douglas Crimp
Publisher: MIT Press
ISBN: 0262017296
Category : Art
Languages : en
Pages : 197

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Examines Warhol films, including "Blow Job," "Screen Test, No. 2," and "The Chelsea Girls," arguing that new forms of sociality are made visible and exemplify the filmmaker's inventive techniques.

Author: Gary Needham
Publisher: Bloomsbury Publishing
ISBN: 1839021128
Category : Performing Arts
Languages : en
Pages : 521

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Book Description
Andy Warhol remains one of the world's most influential artists, and his reputation has only grown since his death in 1987. He first picked up a film camera in 1963. Within the space of five years, he made around 650 films. These are now recognised as a hugely significant part of Warhol's oeuvre, vital for understanding his output as a whole. Warhol in Ten Takes provides a comprehensive introduction to Warhol's film-making alongside ten essays on individual films (from canonical classics such as The Chelsea Girls, to sorely neglected titles such as Bufferin) from leading scholars of cinema, art and culture. Drawing on research from the Warhol archives, newly-unearthed images, and original interviews with denizens of the Factory, this book explores the richness and variety of Warhol's films and interrogates accepted perspectives on them – while acknowledging the challenge of ever fully coming to terms with the life and career of this extraordinary artist.

Author: Peter Gidal
Publisher: MIT Press
ISBN: 1846380413
Category : Art
Languages : en
Pages : 0

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A critical close-up of Warhol's famous film and its cultural impact In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. Sometimes the young actor looks bored, sometimes as if he is thinking, sometimes as if he is aware of the camera, sometimes as if he is not. Like the protagonists of other Warhol films, he is apparently left to his own devices. Warhol's 16mm films (including Blow Job, Sleep, Empire, and Henry Geldzahler), with their take on boredom, voyeurism, and the supposedly unmoving camera, continue to be influential today. In their own era of the early 1960s, they forced avant-garde film away from various forms of romantic illusionism and onto the reality of the specific film-as-projected. The film process itself became inseparable from the act of the viewer's viewing. In this extended examination of Blow Job, Peter Gidal deciphers the structures, abstract and concrete, of Warhol's crucial film. Warhol's techniques—the use of the close-up, the general use of camera movement, and the complete theatrical mis-en-scène—(especially when compared to the Godardian cinema verité of the time) make the materiality of the film process, its making and viewing, ineluctably present. Peter Gidal has written books on the works of Samuel Beckett, Andy Warhol, and Gerhard Richter, as well as on avant-garde materialist film. An experimental filmmaker himself, Gidal has had retrospectives at the London Film Co-op, LUX, the National Film Theatre, Centre Pompidou, and the Institute of Contemporary Arts, London. Andy Warhol (1928-1987) was one of the twentieth century's most important artists and cultural icons.

Author: Andy Warhol
Publisher: 24 Ore Cultura
ISBN:
Category : Art
Languages : en
Pages : 326

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Book Description
Le Timeboxes o Time Capsules sono scatole di cartone, tutte di identico formato, in cui Andy Warhol, nel corso degli anni, letteralmente stipò qualunque cosa gli passasse per le mani e di cui, pur non avendone apparentemente necessità, intendeva conservare la memoria: un archivio gigantesco (più di seicento scatole, conservate nell&'Andy Warhol Museum di Pittsburgh), fatto non solo di corrispondenza e di pagine di giornale, ma degli oggetti più svariati. Tuttavia, &"inscatolare&" non significava per Warhol soltanto archiviare: molto spesso da questi stralci, da questi &"appunti di lavoro&" nascevano poi idee che, rielaborate, conducevano alla creazione di una nuova opera d&'arte. La mostra triestina, della quale già l&'allestimento scaturisce dall&'interpretazione delle Time Capsules come &"icone&" del processo creativo di Warhol, intende dunque proporre un&'ampia selezione della produzione dell&'artista (dai ritratti alle fotografie alle maquettes fino agli stessi materiali contenuti nelle scatole) suggerendo il concetto di una fondamentale &"continuità&" nel rapporto tra arte e vita. Il catalogo rispecchia l&'&"horror vacui&" dell&'esistenza creativa di Andy Warhol, ne riproduce la ricchezza e l&'intensità, ed è esso stesso, a suo modo, un &"oggetto d&'arte&".

Author: J.J. Murphy
Publisher: Univ of California Press
ISBN: 0520271874
Category : Art
Languages : en
Pages : 320

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“One acclaimed filmmaker takes the measure of another! Murphy’s candid and richly personal account of Andy Warhol’s filmmaking is a brilliant contribution to our understanding of one of cinema’s most original and prolific masters, exploring the artist's multiple forms of psychodrama with a filmmaker’s insight and attention to detail. As more and more of the restored Warhol films become available, this book will remain an indispensable handbook for film historians and general moviegoers alike—especially because it is such a genuine pleasure to read."—David E. James, author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. “Those of us who care about independent cinema have always struggled with Andy Warhol’s massive oeuvre. At long last J.J. Murphy, who has spent a lifetime making contributions to independent cinema, has undertaken the Herculean task of helping us understand Warhol’s development as a filmmaker. Murphy’s precision, stamina, and passion are evident in this examination of an immense body of work—as is his ability to report what he has discovered in a readable and informative manner. The Black Hole of the Camera helps us to re-conceptualize Warhol’s films not simply as mythic pranks, but as the diverse creations of a prolific and inventive film artist.”—Scott MacDonald, author of A Critical Cinema: Interviews with Independent Filmmakers (5 vols.). "In his careful firsthand study of Andy Warhol’s films, J. J. Murphy contributes to the ongoing revision of the enduring but misplaced perceptions of Warhol as a passive, remote, and one-dimensional artist. Murphy's discussions of authorship, the relation of content to form, the role of "dramatic conflict,” and the complexity of Warhol’s camera work show these perceptions to be stubborn myths. The Black Hole of the Camera offers a clear sense of the nuances of Warhol’s fascinating, prolific, and influential activities in filmmaking."—Reva Wolf, author of Andy Warhol, Poetry, and Gossip in the 1960s.

Author: Wayne Koestenbaum
Publisher: Open Road Media
ISBN: 1497699851
Category : Biography & Autobiography
Languages : en
Pages : 166

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An intimate depiction of the visionary who revolutionized the art world A man who created portraits of the rich and powerful, Andy Warhol was one of the most incendiary figures in American culture, a celebrity whose star shone as brightly as those of the Marilyns and Jackies whose likenesses brought him renown. Images of his silvery wig and glasses are as famous as his renderings of soup cans and Brillo boxes—controversial works that elevated commerce to high art. Warhol was an enigma: a partygoer who lived with his mother, an inarticulate man who was a great aphorist, an artist whose body of work sizzles with sexuality but who considered his own body to be a source of shame. In critic and poet Wayne Koestenbaum’s dazzling look at Warhol’s life, the author inspects the roots of Warhol’s aesthetic vision, including the pain that informs his greatness, and reveals the hidden sublimity of Warhol’s provocative films. By looking at many facets of the artist’s oeuvre—films, paintings, books, “Happenings”—Koestenbaum delivers a thought-provoking picture of pop art’s greatest icon.

Author: Gary Needham
Publisher: Bloomsbury Publishing
ISBN: 1839021136
Category : Performing Arts
Languages : en
Pages : 208

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Book Description
Andy Warhol remains one of the world's most influential artists, and his reputation has only grown since his death in 1987. He first picked up a film camera in 1963. Within the space of five years, he made around 650 films. These are now recognised as a hugely significant part of Warhol's oeuvre, vital for understanding his output as a whole. Warhol in Ten Takes provides a comprehensive introduction to Warhol's film-making alongside ten essays on individual films (from canonical classics such as The Chelsea Girls, to sorely neglected titles such as Bufferin) from leading scholars of cinema, art and culture. Drawing on research from the Warhol archives, newly-unearthed images, and original interviews with denizens of the Factory, this book explores the richness and variety of Warhol's films and interrogates accepted perspectives on them – while acknowledging the challenge of ever fully coming to terms with the life and career of this extraordinary artist.