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Author: Charlotte Perkins Gilman Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 163
Book Description
This work presents a feminist treatise by Charlotte Perkins Gilman, first published in 1911. It argues that traditional Western culture is male-dominated and has led to various social and cultural problems, including the marginalization of women and the perpetuation of harmful gender stereotypes. Gilman calls for a new, more inclusive culture that values the contributions of both men and women and creates a more equitable and just society. The book remains an essential text in the history of feminist thought.
Author: Charlotte Perkins Gilman Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 163
Book Description
This work presents a feminist treatise by Charlotte Perkins Gilman, first published in 1911. It argues that traditional Western culture is male-dominated and has led to various social and cultural problems, including the marginalization of women and the perpetuation of harmful gender stereotypes. Gilman calls for a new, more inclusive culture that values the contributions of both men and women and creates a more equitable and just society. The book remains an essential text in the history of feminist thought.
Author: Sandra Lipsitz Bem Publisher: Yale University Press ISBN: 0300154259 Category : Social Science Languages : en Pages : 256
Book Description
Annotation A leading theorist on sex and gender discusses how hidden assumptions embedded in our culture, social institutions, and individual psyches perpetuate male power and oppress women and sexual minorities. Illustrated.
Author: Charlotte Perkins Gilman Publisher: ISBN: Category : Languages : en Pages : 168
Book Description
During this period we have had almost universally what is here called an Androcentric Culture. The history, such as it was, was made and written by men. The mental, the mechanical, the social development, was almost wholly theirs. We have, so far, lived and suffered and died in a man-made world
Author: John Storey Publisher: University of Georgia Press ISBN: 9780820328492 Category : Social Science Languages : en Pages : 684
Book Description
Whether used on its own or in conjunction with Cultural Theory and Popular Culture: An Introduction, this reader is a theoretical, analytical, and historical introduction to the study of popular culture within cultural studies. The readings cover the culture and civilization tradition, culturalism, structuralism and poststructuralism, Marxism, feminism, and postmodernism, as well as current debates in the study of popular culture. New to this edition: Four new readings by Stuart Hall, Ernesto Laclau and Chantal Mouffe, Judith Butler, and Savoj Žižek Fully revised general and section introductions that contextualize and link the readings with key issues in Cultural Theory and Popular Culture: An Introduction Fully updated bibliography Ideal for courses in: cultural studies media studies communication studies sociology of culture popular culture visual studies cultural criticism
Author: Suzanne Scott Publisher: NYU Press ISBN: 1479838608 Category : Social Science Languages : en Pages : 302
Book Description
Reveals the systematic marginalization of women within pop culture fan communities When Ghostbusters returned to the screen in 2016, some male fans of the original film boycotted the all-female adaptation of the cult classic, turning to Twitter to express their disapproval and making it clear that they considered the film’s “real” fans to be white, straight men. While extreme, these responses are far from unusual, with similar uproars around the female protagonists of the new Star Wars films to full-fledged geek culture wars and harassment campaigns, as exemplified by the #GamerGate controversy that began in 2014. Over the past decade, fan and geek culture has moved from the margins to the mainstream as fans have become tastemakers and promotional partners, with fan art transformed into official merchandise and fan fiction launching new franchises. But this shift has left some people behind. Suzanne Scott points to the ways in which the “men’s rights” movement and antifeminist pushback against “social justice warriors” connect to new mainstream fandom, where female casting in geek-nostalgia reboots is vilified and historically feminized forms of fan engagement—like cosplay and fan fiction—are treated as less worthy than male-dominant expressions of fandom like collection, possession, and cataloguing. While this gender bias harkens back to the origins of fandom itself, Fake Geek Girls contends that the current view of women in fandom as either inauthentic masqueraders or unwelcome interlopers has been tacitly endorsed by Hollywood franchises and the viewer demographics they selectively champion. It offers a view into the inner workings of how digital fan culture converges with old media and its biases in new and novel ways.
Author: Charlotte Perkins Gilman Publisher: Lindhardt og Ringhof ISBN: 8728103718 Category : Poetry Languages : en Pages : 1076
Book Description
"Should we not laugh to see a horse in corsets? The time is coming when we shall so laugh to see a woman." - The Forerunner Volume 1 (1909-1910) by Charlotte Perkins Gilman. In this anthology collection of key writings by prominent humanitarian and pro-equality writer, Charlotte Perkins Gilman, the reader is afforded a fascinating insight into the lives and societal challenges of women in the early 20th century. Through a selection of expertly written poems, essays, and fictional stories as well as non-fiction narratives, the monthly magazine excerpts include lesser-known works such as ‘Our Androcentric Culture; or, The Man-Made World’, the poem ‘Then This’, and an essay entitled ‘A Small God And a Large Goddess’. The original writing showcases a progressive thinker with a strong female voice, who was ahead of her time in terms of feminism and women’s rights, in this selection of politically-inspired pieces from 1909. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After working as a tutor and painter, Perkins – a self-declared humanist and tomboy – began to work as a writer of short stories, novels, non-fiction pieces, and poetry. Her best-known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’, which was published in 1892 and made into a film in 2011. Charlotte Perkins Gilman was a member of the American National Women's Hall of Fame and strongly believed that "the domestic environment oppressed women through the patriarchal beliefs upheld by society". A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and subsequently took her own life in August 1935, writing in her suicide note that she "chose chloroform over cancer".
Author: Berina Hodzic Publisher: GRIN Verlag ISBN: 3668265151 Category : Literary Collections Languages : en Pages : 21
Book Description
Seminar paper from the year 2015 in the subject American Studies - Literature, grade: 1,7, Ruhr-University of Bochum (Englisches Seminar), course: Women’s Literature: From Anti-Slavery to Economic Independence, language: English, abstract: In my paper I would like to examine how Gilman’s 19th century short story "The Yellow Wallpaper" engages with the power politics of marriage and the medical attitudes towards women in the 19th-century U.S. society. I would like to argue that in Gilman’s autobiographical story, the female protagonist, who undergoes the rest cure, escapes from the oppression through the patriarchal institutions of marriage and medicine in search of personal and intellectual independence. The realist narrative provides peculiar imagery that depicts the idea of a power structure regulated by male authority and women’s subordinate position in society. My purpose here is to give a brief insight into medical care in the 19th century but also to portray the depression and the treatment Gilman herself underwent. In doing so I would like to reflect on Gilman’s motivation for writing “The Yellow Wallpaper” and to reconstruct the social context by calling into question her nonfictional work “The Man-Made World”. The main part of my investigation will cover the analysis of the short story with the main focus being/put on the key trope, in which I will proceed chronologically. Finally, my inquiry will close with pointing out the main achievements and effects the short story had on contemporary society and readership.
Author: Charlotte Perkins Gilman
Author: Charlotte Perkins Gilman
Author: 
Author: Sandra Lipsitz Bem
Author: Charlotte Perkins Gilman
Author: John Storey
Author: Suzanne Scott
Author: Charlotte Perkins Gilman
Author: Judith A. Allen
Author: Josephine Donovan
Author: Berina Hodzic