Waiting for Another War PDF Download

Author: Trevor Ristow
Publisher:
ISBN: 9781734479324
Category :
Languages : en
Pages :

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Book Description
The thrash of Motörhead. The mechanized anxiety of Suicide. The poignancy of Leonard Cohen. The arrogance of Bowie. The Sisters Of Mercy combined it all to create an unforgettable noise. From 1980 to 1985 lead singer and master strategist Andrew Eldritch maneuvered The Sisters Of Mercy from the grimy pubs and student unions of Northern England to London's storied Royal Albert Hall. Then the whole thing fell apart.Based on original research and a thorough reading and synthesis of hundreds of interviews, articles and reviews, Waiting For Another War is a chronicle of The Sisters Of Mercy's brilliant and tumultuous years from 'The Damage Done' to First And Last And Always.

Author: Karl Spracklen
Publisher: Emerald Group Publishing
ISBN: 1787146774
Category : Social Science
Languages : en
Pages : 214

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In this book, Spracklen and Spracklen use the idea of collective memory to explore the controversies and boundary-making surrounding the genesis and progression of the modern gothic alternative culture. They suggest that the only way for goth culture to survive is if it becomes transgressive and radical again.

Author: Philip K. Dick
Publisher: Houghton Mifflin Harcourt
ISBN: 0547572557
Category : Fiction
Languages : en
Pages : 243

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Book Description
Palmer Eldritch returns from the edge of the universe with a drug called Chew-D for the colonists of Mars who are under threat of god-like or satanic psychics that threaten to wage war against the human soul.

Author: Andrew Mueller
Publisher: Picador Australia
ISBN: 1743289235
Category : Biography & Autobiography
Languages : en
Pages : 266

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Book Description
It's Too Late to Die Young Now answers the question: what became of the rock writer the day the music died? There is no field of journalism more mythologised or more derided than rock journalism - with good reason, according to Andrew Mueller. And he'd know. Starting out writing for the Sydney music street press in his teens, by his early twenties, Mueller was working for the legendary UK music weekly Melody Maker, earning a living by listening to records, going to gigs, hanging out in seedy pubs and travelling the world with his favourite rock groups. In barely two years, he went from a childhood bedroom with a poster of Robert Smith to The Cure's tour bus. Though it didn't seem like it at the time, the years Mueller was living the dream - the late-eighties to the mid-nineties - were actually the last hurrah for the music scene as we knew it. The era of flourishing live pub venues and record stores, and rock journalists as cultural arbiters and agitators, is now long gone. Featuring cameo appearances from luminaries of the Seattle grunge boom and the Britpop response to it, and encounters with the likes of U2, The Cure, Pearl Jam, The Fall and Elvis Costello, It's Too Late to Die Young Now is an Almost Famous for Generation X, and a hilarious and heartfelt eulogy to a life that seems even less probable now than it did at the time.

Author: Cathi Unsworth
Publisher: Nine Eight Books
ISBN: 1788706250
Category : Music
Languages : en
Pages : 458

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A Times Book of the Year A Mojo Book of the Year A Louder Than War Book of the Year A Waterstones Book of the Year A Resident Book of the Year 'A beautifully written, meticulously researched account. 4/5.' - CLASSIC POP 1979. Months of industrial action throughout the winter have left the dead unburied and mountains of rubbish piling up in the streets. Punk has reached its bleak climax with the fatal heroin overdose of Sid Vicious while awaiting trial for the murder of his girlfriend. Unlikely alliances of outsiders prepare to seize power, set the political agenda and write the soundtrack for the years to come. Their figureheads are two very different kinds of dominatrices... As Margaret Thatcher enters 10 Downing Street, a handful of bands born of punk - Siouxsie and the Banshees, Joy Division and the Cure - find a way to distil the dissonance and darkness of the shifting decade into a new form of music. Pushing at the taboos the Sex Pistols had unlocked and dancing with the fetishistic, all will become global stars of goth. By the time Thatcher is cast out of office in 1990, the arrival of goth will have imprinted on the cultural landscape as much as the Iron Lady herself. Forty years on, author Cathi Unsworth provides the first comprehensive overview of the music, context and lasting legacy of goth. This is the story of how goth was shaped by the politics of the era - from the miners' strikes and privatisation to the Troubles and AIDS - as well as how its rock 'n' roll outlaw imagery and music cross-pollinated throughout Britain and internationally, speaking to a generation of alienated youths. A fascinating social history, Season of the Witch tells the tale of an enduring counter-culture, one that steadfastly refuses to give up the ghost.

Author: Gavin Baddeley
Publisher: Plexus Publishing
ISBN: 0859657086
Category : Social Science
Languages : en
Pages : 583

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Book Description
Goth Chic is the first book to properly explore Gothic culture in the modern world. Gavin Baddeley unearths hidden gems from the underground alongside better-known manifestations, including horror comics, fetish clubs, Goth-rock superstars and vampire cultists. The result is a book that provides a peerless primer for Gothic culture novices and an incisive analysis to challenge and compel even the most seasoned veteran of this dark underworld.

Author: Catherine Spooner
Publisher: Manchester University Press
ISBN: 1526125595
Category : Literary Criticism
Languages : en
Pages : 233

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Book Description
This innovative book is the first to make an explicit link between constructions of the body in Gothic literature and film and historically specific fashion discourse, from the 1790s to the 1990s.

Author: Mark Andrews
Publisher: Unbound Publishing
ISBN: 180018039X
Category : Music
Languages : en
Pages : 374

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Book Description
Leeds, 1980. Amid the violence and decay, the city was home to an extraordinarily vibrant post-punk scene. Out of that swamp crawled the Sisters of Mercy. Over the next five years, they would rise from local heroes to leading alternative band, before blowing apart on the verge of major rock stardom. Their path was strewn with brilliant singles, astonishing EPs, exceptional album tracks and legendary live shows. Two classic line-ups were created and destroyed: Andrew Eldritch on vocals, Craig Adams on bass, Gary Marx and Ben Gunn – later replaced by Wayne Hussey – on guitars, and a drum machine called Doktor Avalanche. Hussey and Adams styled themselves as the Evil Children and played hard both on and off the stage; neither Gunn nor Marx were natural rock 'n' roll animals, but the latter performed with such abandon that it was hard to believe he also wrote the Sisters' most delicate and beautiful music. Eldritch was the most peculiar and compelling of them all, a singular and mesmerising amalgam of T. S. Eliot and David Bowie who staked a powerful claim to be the greatest rock star of his generation. Drawing on dozens of interviews with band members and key figures in the Sisters' journey, Paint My Name in Black and Gold is the most complete account yet of how – against the odds and all reasonable expectation – these young men came to make transcendent and life-changing music.

Author: S. Alexander Reed
Publisher: Oxford University Press
ISBN: 0199339627
Category : Music
Languages : en
Pages : 376

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Book Description
"Industrial" is a descriptor that fans and critics have applied to a remarkable variety of music: the oildrum pounding of Einstürzende Neubauten, the processed electronic groans of Throbbing Gristle, the drumloop clatter of Skinny Puppy, and the synthpop songcraft of VNV Nation, to name just a few. But the stylistic breadth and subcultural longevity of industrial music suggests that the common ground here might not be any one particular sound, but instead a network of ideologies. This book traces industrial music's attitudes and practices from their earliest articulations--a hundred years ago--through the genre's mid-1970s formation and its development up to the present and beyond. Taking cues from radical intellectuals like Antonin Artaud, William S. Burroughs, and Guy Debord, industrial musicians sought to dismantle deep cultural assumptions so thoroughly normalized by media, government, and religion as to seem invisible. More extreme than punk, industrial music revolted against the very ideas of order and reason: it sought to strip away the brainwashing that was identity itself. It aspired to provoke, bewilder, and roar with independence. Of course, whether this revolution succeeded is another question... Assimilate is the first serious study published on industrial music. Through incisive discussions of musicians, audiences, marketers, cities, and songs, this book traces industrial values, methods, and goals across forty years of technological, political, and artistic change. A scholarly musicologist and a longtime industrial musician, S. Alexander Reed provides deep insight not only into the genre's history but also into its ambiguous relationship with symbols of totalitarianism and evil. Voicing frank criticism and affection alike, this book reveals the challenging and sometimes inspiring ways that industrial music both responds to and shapes the world. Assimilate is essential reading for anyone who has ever imagined limitless freedom, danced alone in the dark, or longed for more noise.

Author: Nick Duerden
Publisher: Headline
ISBN: 1472277791
Category : Music
Languages : en
Pages : 349

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**INDEPENDENT BOOK OF THE MONTH** **GUARDIAN BOOK OF THE DAY** **FINANCIAL TIMES 'BEST SUMMER BOOKS 2022' PICK** 'Incredibly moving.' - Guardian 'Entertaining.' - Telegraph 'Most books about pop stars focus on the way we turn average human beings into demi-gods. In writing a book about how they have to turn back into humans Nick Duerden has done both us and them a service.' - David Hepworth 'Funny, poignant and often inspirational.' - Mat Osman The desire for adulation is a light that never goes out. We live in a culture obsessed by the notion of fame - the heedless pursuit of it; the almost obligatory subsequent fallout. But what's it like to actually achieve it, and what happens when fame abruptly passes, and shifts, as it does, onto someone else? This is the point at which pop stars are at their most heroic, because they don't give up. They keep on striving, keep making music, and refuse simply to ebb away. Some sustain themselves on the nostalgia circuit, others continue to beaver away in the studio, no longer Abbey Road, perhaps, so much as the garden shed. But all of them, in their own individual ways, still dare to dream. Exit Stage Left features tales of drug addiction, bankruptcy, depression and divorce, but also of optimism, a genuine love of the craft, humility and hope. This is a candid, laugh-out-loud and occasionally shocking look at what happens when the brightest stars fall back down to earth. 'Exit Stage Left is the book I've long wanted to read about the PTSD-like after-effects of pop stardom - and Nick Duerden is the perfect writer for the job. The pop star's bittersweet lot is represented with flair and empathy.' - Pete Paphides, author of Broken Greek 'Exit Stage Left is a funny and poignant book, drawing on Duerden's considerable experience as a journalist and interviewer . . . he understands what motivates this strange bunch of people.' - Andy Miller, Spectator 'Fame is the brightest candle, but in this brilliant collection of interviews, Nick Duerden answers the question: what does a candle do after it's burned out?' - David Quantick 'Duerden finds fascinating layers of humanity, pathos, humour and wisdom in equal measure. A brilliant book, for artists and fans alike.' - Frank Turner Featuring brand new interviews with the likes of: Bob Geldof, Shaun Ryder, Robbie Williams, Roisin Murphy, Stewart Copeland, Billy Bragg, Wendy James, Alex Kapranos, Joan Armatrading, Leo Sayer, Gary Lightbody, Lisa Maffia, Tim Booth, Bill Drummond, Rufus Wainwright, David Gray, and Justin Hawkins.