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Author: WALTER GRASSKAMP Publisher: Getty Publications ISBN: 1606065017 Category : Art Languages : en Pages : 244
Book Description
In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Author: WALTER GRASSKAMP Publisher: Getty Publications ISBN: 1606065017 Category : Art Languages : en Pages : 244
Book Description
In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Author: Curtis Cate Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 488
Book Description
At the age of seventeen he shocked his parents by abandoning his high-school studies, going on in just three years to become a prosperous rare-book publisher, a keen literary critic, and an author of fantastic fiction. He then turned himself into a self-taught archaeologist and staged a bold statue-lifting raid on an abandoned Cambodian temple - an exploit which catapulted him to notoriety when he was only twenty-three.
Author: Derek Allan Publisher: Rodopi ISBN: 9042027509 Category : Literary Criticism Languages : en Pages : 341
Book Description
Derek Allan has published widely on aspects of Malraux's works and the theory of art and literature. He holds a PhD in Philosophy and a Masters degree in French Language and Literature. and is currently a Visiting Scholar in the School of Humanities at the Australian National University. --Book Jacket.
Author: Jean Lacouture Publisher: New York : Pantheon Books ISBN: Category : Literary Criticism Languages : en Pages : 528
Book Description
Few men have lived the twentieth century as André Malraux. From Angkor Wat to China in the 1920s, from the Spanish Civil War to the French Resistance against the Germans, from being an intellectual viewing the world from the outside to being the cabinet minister -- working for de Gaulle and others to rule it -- such is Malraux's life as it has been known to the world. But is this really Malraux's life? What is appearance and what reality? Jean Lacouture turns now to trace the life of this most ambiguous and complex person. Based on vast research and a great many interviews, some with Malraux himself, Lacouture has written a biography that is both a marvel of scholarly investigation and an exceptionally subtle description of those shadow areas that exist between a man's life and his work, his memory and his imagination. -- From publisher's description.
Author: André Malraux Publisher: University of Chicago Press ISBN: 0226502902 Category : Fiction Languages : en Pages : 213
Book Description
The Conquerors describes the struggle between the Kuomintang and the Communists in the Cantonese revolution of the 1920s. It is both an exciting war story and a gallery of intellectual portraits: a ruthless Bolshevik revolutionary, a disillusioned master of propaganda, a powerful Chinese pacifist, and a young anarchist. Each of these "conquerors" will be crushed by the revolution they try to control. In a new Foreword, Herbert R. Lottman discusses the political background of the book, and the extent to which Malraux invented the history he wrote about. "[The Conquerors] is a valuable introduction to Malraux himself, who would, like his fictional counterpart, become an analgam of talents as novelist, essayist, Leftist and Gaullist, Resistance hero and art critic. He was among the most 'universal' of French men of letters."—Choice "The novel can be enjoyed as a remarkable work of modernism. With images derived from the silent cinema and prose from the telegraph, it moves at a tremendous pace. Canton all comes to violent life, seen as though from a speeding car."—Kirkus "No other writer of the 20th century had the same capacity to translate his personal adventure into a meeting with history and a dialogue of civilization."—Carlos Fuentes, New York Times Book Review
Author: Claude Tannery Publisher: University of Chicago Press ISBN: 9780226789620 Category : Biography & Autobiography Languages : en Pages : 348
Book Description
Moving beyond merely biographical or textual interpretation, Claude Tannery traces the philosophy of life and art developed by André Malraux. With both sensitivity and expert interpretation he defines the issues—personal and artistic as well as political—that underlie Malraux's writings—including early as well as late works, novels, speeches, and essays. The result is a new and subtle portrait of Malraux.
Author: Herman Lebovics Publisher: Cornell University Press ISBN: 9780801435652 Category : Art Languages : en Pages : 284
Book Description
Traveling in a First-Class Cabin on the luxury liner France early in 1963, the Western world's most famous painting sailed across the Atlantic on its maiden voyage to the United States. The goodwill generated by the loan eased U.S.-French relations, which had soured over tensions stemming from the cold war. The mastermind behind the Mona Lisa's triumphant tour was France's newly appointed minister of cultural affairs, Andre Malraux. In this book, Herman Lebovics recounts how Malraux's brilliant foray into the realm of diplomacy was but one example of his efforts to employ France's cultural heritage in the service of a renewed national grandeur.
Author: André Malraux Publisher: ISBN: 9780691099415 Category : Art Languages : en Pages : 661
Book Description
Annotation: This is a comprehensive and psychological history of art from a variety of cultures by one of the eminent thinkers of the twentieth century.
Author: David Bevan Publisher: McGill-Queen's Press - MQUP ISBN: 9780773505520 Category : Electronic books Languages : en Pages : 136
Book Description
More attention has been paid up to now to Malraux's life and thought than to his creativity. To respond to this neglect, David Bevan explores facets as diffuse as Tibetan symbolism, free indirect style, humour, film, death, and oratory in a series of interconnecting essays which, offering a certain unity of discourse in place of any monolithic intelligibility, seek thereby to reflect Malraux's very considerable complexity.
Author: WALTER GRASSKAMP
Author: WALTER GRASSKAMP
Author: Curtis Cate
Author: Derek Allan
Author: Jean Lacouture
Author: André Malraux
Author: Claude Tannery
Author: André Malraux
Author: Herman Lebovics
Author: André Malraux
Author: David Bevan