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Author: Joel C. Relihan Publisher: ISBN: Category : History Languages : en Pages : 336
Book Description
In Ancient Menippean Satire, Joel C. Relihan charts the history and development of this ancient genre. He demonstrates its unity as a Greco-Roman phenomenon, describes its different branches, and shows the continuity of the genre into late classical and early Christian times. He also discusses the theories of the genre set forth by Northrop Frye and Mikhail Bakhtin and presents a new and detailed definition that respects the particularities of classical texts. In chapters on the fragments and testimonia relevant to Menippus and Varro, Relihan shows the specific Greek origins of the genre and its transformation in Roman hands.
Author: Joel C. Relihan Publisher: ISBN: Category : History Languages : en Pages : 336
Book Description
In Ancient Menippean Satire, Joel C. Relihan charts the history and development of this ancient genre. He demonstrates its unity as a Greco-Roman phenomenon, describes its different branches, and shows the continuity of the genre into late classical and early Christian times. He also discusses the theories of the genre set forth by Northrop Frye and Mikhail Bakhtin and presents a new and detailed definition that respects the particularities of classical texts. In chapters on the fragments and testimonia relevant to Menippus and Varro, Relihan shows the specific Greek origins of the genre and its transformation in Roman hands.
Author: Amy L. Friedman Publisher: Rowman & Littlefield ISBN: 1498571972 Category : Literary Criticism Languages : en Pages : 223
Book Description
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
Author: Jonathan Greenberg Publisher: Cambridge University Press ISBN: 1107030188 Category : Humor Languages : en Pages : 335
Book Description
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
Author: Joel C. Relihan Publisher: University of Notre Dame Press ISBN: 9780268040246 Category : History Languages : en Pages : 244
Book Description
The Roman philosopher Boethius (c. 480-524) is best known for the Consolation of Philosophy, one of the most frequently cited texts in medieval literature. In the Consolation, an unnamed Boethius sits in prison awaiting execution when his muse Philosophy appears to him. Her offer to teach him who he truly is and to lead him to his heavenly home becomes a debate about how to come to terms with evil, freedom, and providence. The conventional reading of the Consolation is that it is a defense of pagan philosophy; nevertheless, many readers who accept this basic argument find that the ending is ambiguous and that Philosophy has not, finally, given the prisoner the comfort she had promised. In The Prisoner's Philosophy, Joel C. Relihan delivers a genuinely new reading of the Consolation. He argues that it is a Christian work dramatizing not the truths of philosophy as a whole, but the limits of pagan philosophy in particular. He views it as one of a number of literary experiments of late antiquity, taking its place alongside Augustine's Confessions and Soliloquies as a spiritual meditation, as an attempt by Boethius to speak objectively about the life of the mind and its relation to God. Relihan discerns three fundamental stories intertwined in the Consolation an ironic retelling of Plato's Crito, an adaptation of Lucian's Jupiter Confutatus, and a sober reduction of Job to a quiet dialogue in which the wounded innocent ultimately learns wisdom in silence. Relihan's claim that Boethius's text was written as a Menippean satire does not rest merely on identifying a mixture of disparate literary influences on the text, or on the combination of verse and prose or of fantasy and morality. More important, Relihan argues, Boethius deliberately dramatizes the act of writing about systematic knowledge in a way that calls into question the value of that knowledge. Philosophy's attempt to lead an exile to God's heaven is rejected; the exile comes to accept the value of the phenomenal world, and theology replaces philosophy to explain the place of human beings in the order of the world. Boethius Christianizes the genre of Menippean satire, and his Consolation is a work about humility and prayer. "Acknowledging that the Consolation of Philosophy is 'over-familiar and under-read, ' Joel Relihan puts to the side old bromides about the work and instead pays careful attention to the narrative(s) Boethius constructs, grounding his readings in the contexts the work cultivates, especially its Menippean elements. The result is perhaps the first satisfying reading of the Consolation to be produced, a satisfaction felt also in the ways Relihan mirrors Boethius himself in the thoroughness of his scholarship and the elegance of his exposition. No one who studies Boethius will be able to ignore this book." --Joseph Pucci, Brown University "Anyone who has been fascinated, intrigued, or perhaps puzzled by the meaning, structure, or argument of Boethius's Consolation of Philosophy will find Joel Relihan's new book a welcome addition to the study of this core text of the early medieval world whose influence extends to the present time. Relihan's study is a tour de force that belongs in the library of all those who appreciate Boethius's depth and subtlety. Fortune's wheel has indeed turned in the favor of those who wish to explore with Relihan the intricacies and brilliance of the Consolation." --Fr. John Fortin, O.S.B., Saint Anselm College
Author: Eric McLuhan Publisher: Cambridge Scholars Publishing ISBN: 1443882992 Category : Mythology Languages : en Pages : 250
Book Description
A Menippean – Cynic – satire is a device for producing a specific kind of effect on the reader. Menippean satire is an active form, not a passive one: any work that produces the effect of a Menippean satire is a Menippean satire. It is the embodiment of a Cynic – of a Diogenes or a Menippus or a Lucian or a Rabelais. For centuries, it has frustrated the best efforts of critics to define it. Descriptive criteria (such as “a mixture of verse and prose”) invariably fail because the form is determinedly fluid and polymorphous, and playful: it shifts its mode of attack with every change in culture or perception. Menippists plagiarize with abandon, from anyone and any period and culture. McLuhan has found a new and potent method of coming to grips with the satires by examining their interaction with the audience: the satire does what a Cynic would, were he or she physically present. This approach accounts for every shift in technique, from the most ancient (Homer composed one, the Margites) to tomorrow afternoon, and also opens the discussion of Menippism in any and all media other than literature – TV, digital, film, radio, et al. The book ends with a litmus test for detecting Menippean satires. It is also lavishly illustrated with title pages of some of the most notorious examples in the tradition, and is ideal as a textbook for undergraduates.
Author: Gilbert Highet Publisher: Princeton University Press ISBN: 1400849772 Category : Humor Languages : en Pages : 337
Book Description
Literary satire assumes three main forms: monologue, parody, and narrative (some fictional, some dramatic). This book by Gilbert Highet is a study of these forms, their meaning, their variation, their powers. Its scope is the range of satirical literature—from ancient Greece to modern America, from Aristophanes to Ionesco, from the parodists of Homer to the parodists of Eisenhower. It shows how satire originated in Greece and Rome, what its initial purposes and methods were, and how it revived in the Renaissance, to continue into our own era. Contents: Preface. I. Introduction. II. Diatribe. III. Parody. IV. The Distorting Mirror. V. Conclusion. Notes. Brief Bibliography. Index. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Kirk Freudenburg Publisher: Princeton University Press ISBN: 1400852935 Category : History Languages : en Pages : 279
Book Description
In laying the groundwork for a fresh and challenging reading of Roman satire, Kirk Freudenburg explores the literary precedents behind the situations and characters created by Horace, one of Rome's earliest and most influential satirists. Critics tend to think that his two books of Satires are but trite sermons of moral reform--which the poems superficially claim to be--and that the reformer speaking to us is the young Horace, a naive Roman imitator of the rustic, self-made Greek philosopher Bion. By examining Horace's debt to popular comedy and to the conventions of Hellenistic moral literature, however, Freudenburg reveals the sophisticated mask through which the writer distances himself from the speaker in these earthy diatribes--a mask that enables the lofty muse of poetry to walk in satire's mundane world of adulterous lovers and quarrelsome neighbors. After presenting the speaker of the diatribes as a stage character, a version of the haranguing cynic of comedy and mime, Freudenburg explains the theoretical importance of such conventions in satire at large. His analysis includes a reinterpretation of Horace's criticisms of Lucilius, and ends with a theory of satire based on the several images of the satirist presented in Book One, which reveals the true depth of Horace's ethical and philosophical concerns. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Joel C. Relihan
Author: Joel C. Relihan
Author: Howard D. Weinbrot
Author: Amy L. Friedman
Author: Jonathan Greenberg
Author: Joel C. Relihan
Author: Ingrid A. R. De Smet
Author: Eric McLuhan
Author: Gilbert Highet
Author: Decio Junio Juvenal
Author: Kirk Freudenburg