Author: William Ferguson Leggett
Publisher: Pickle Partners Publishing
ISBN: 1789128218
Category : History
Languages : en
Pages : 103
Book Description
William F. Leggett’s classic text, Ancient and Medieval Dyes, is an informative and easy-to-read introduction to the most common animal and vegetable dyes used before the introduction of synthetic chemical dyes. “Trade in dyestuffs began as soon as the sources of one district were recognized as superior to those used in another district, and, ultimately, this led to the elimination of many of the anciently used dyestuffs, so that of the many hundreds of original primitive dyes only a few survived to ancient and medieval times. The most important of these, divided into vegetable, animal, and mineral groups, are discussed in this book.”—Introduction
Ancient and Medieval Dyes
Author: William Ferguson Leggett
Publisher: Pickle Partners Publishing
ISBN: 1789128218
Category : History
Languages : en
Pages : 103
Book Description
William F. Leggett’s classic text, Ancient and Medieval Dyes, is an informative and easy-to-read introduction to the most common animal and vegetable dyes used before the introduction of synthetic chemical dyes. “Trade in dyestuffs began as soon as the sources of one district were recognized as superior to those used in another district, and, ultimately, this led to the elimination of many of the anciently used dyestuffs, so that of the many hundreds of original primitive dyes only a few survived to ancient and medieval times. The most important of these, divided into vegetable, animal, and mineral groups, are discussed in this book.”—Introduction
Publisher: Pickle Partners Publishing
ISBN: 1789128218
Category : History
Languages : en
Pages : 103
Book Description
William F. Leggett’s classic text, Ancient and Medieval Dyes, is an informative and easy-to-read introduction to the most common animal and vegetable dyes used before the introduction of synthetic chemical dyes. “Trade in dyestuffs began as soon as the sources of one district were recognized as superior to those used in another district, and, ultimately, this led to the elimination of many of the anciently used dyestuffs, so that of the many hundreds of original primitive dyes only a few survived to ancient and medieval times. The most important of these, divided into vegetable, animal, and mineral groups, are discussed in this book.”—Introduction
Heritage of Colour
Author: Jenny Dean
Publisher: Search Press Limited
ISBN: 1781267839
Category : Crafts & Hobbies
Languages : en
Pages : 83
Book Description
A Heritage of Colour explores the techniques that can be used to create a wealth of colours from 50 plants, including many that have been in constant use as dyes for over 2000 years. Inspired by the colours on textile fragments from the Iron Age and by the achievements of early dyers, the author describes some of the dyes and methods of the past and considers how they can be adapted for use by today's dyers. The book covers all the basics of natural dyeing and explains in detail how to experiment with local plants, wherever you may live, to produce a wide range of beautiful, rich colours on textile fibres. A Heritage of Colour also includes sections on dyeing with fungi, contact printing on cloth and dyeing multi-coloured fibres and fabrics. The emphasis throughout is on environmentally-friendly methods and on the thrill of personal discovery through practical experience. Follow Jenny's blog on http://www.jennydean.co.uk/
Publisher: Search Press Limited
ISBN: 1781267839
Category : Crafts & Hobbies
Languages : en
Pages : 83
Book Description
A Heritage of Colour explores the techniques that can be used to create a wealth of colours from 50 plants, including many that have been in constant use as dyes for over 2000 years. Inspired by the colours on textile fragments from the Iron Age and by the achievements of early dyers, the author describes some of the dyes and methods of the past and considers how they can be adapted for use by today's dyers. The book covers all the basics of natural dyeing and explains in detail how to experiment with local plants, wherever you may live, to produce a wide range of beautiful, rich colours on textile fibres. A Heritage of Colour also includes sections on dyeing with fungi, contact printing on cloth and dyeing multi-coloured fibres and fabrics. The emphasis throughout is on environmentally-friendly methods and on the thrill of personal discovery through practical experience. Follow Jenny's blog on http://www.jennydean.co.uk/
Discoveries: Colors
Author: François Delamare
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
Chronicles the history of dyes and pigments and their related industries, discussing colors in the Middle Ages; the explosion of supply and demand in the sixteenth, seventeenth, and eighteenth centuries; and advances in industrial chemistry.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
Chronicles the history of dyes and pigments and their related industries, discussing colors in the Middle Ages; the explosion of supply and demand in the sixteenth, seventeenth, and eighteenth centuries; and advances in industrial chemistry.
Color in Ancient and Medieval East Asia
Author: Monica Bethe
Publisher: Spencer Museum of Art
ISBN: 9780300212990
Category : Art, East Asian
Languages : en
Pages : 0
Book Description
With essays by Monica Bethe, Mary M Dusenbury, Shih-shan Susan Huang, Ikumi Kaminishi, Guolong Lai, Richard Laursen, Liu Jian and Zhao Feng, Chika Mouri, Park Ah-rim, Hillary Pedersen, Lisa Shekede and Su Bomin, Sim Yeon-ok and Lee Seonyong, Tanaka Yoko, and Zhao Feng and Long Bo Color was a critical element in East Asian life and thought, but its importance has been largely overlooked in Western scholarship. This interdisciplinary volume explores the fascinating roles that color played in the society, politics, thought, art, and ritual practices of ancient and medieval East Asia (ca. 1600 B.C.E.-ca. 1400 C.E.). While the Western world has always linked color with the spectrum of light, in East Asian civilizations colors were associated with the specific plant or mineral substances from which they were derived. Many of these substances served as potent medicines and elixirs, and their transformative powers were extended to the dyes and pigments they produced. Generously illustrated, this groundbreaking publication constitutes the first inclusive study of color in East Asia. It is the outcome of years of collaboration between chemists, conservators, archaeologists, historians of art and literature, and scholars of Buddhism and Daoism from the United States, East Asia, and Europe.
Publisher: Spencer Museum of Art
ISBN: 9780300212990
Category : Art, East Asian
Languages : en
Pages : 0
Book Description
With essays by Monica Bethe, Mary M Dusenbury, Shih-shan Susan Huang, Ikumi Kaminishi, Guolong Lai, Richard Laursen, Liu Jian and Zhao Feng, Chika Mouri, Park Ah-rim, Hillary Pedersen, Lisa Shekede and Su Bomin, Sim Yeon-ok and Lee Seonyong, Tanaka Yoko, and Zhao Feng and Long Bo Color was a critical element in East Asian life and thought, but its importance has been largely overlooked in Western scholarship. This interdisciplinary volume explores the fascinating roles that color played in the society, politics, thought, art, and ritual practices of ancient and medieval East Asia (ca. 1600 B.C.E.-ca. 1400 C.E.). While the Western world has always linked color with the spectrum of light, in East Asian civilizations colors were associated with the specific plant or mineral substances from which they were derived. Many of these substances served as potent medicines and elixirs, and their transformative powers were extended to the dyes and pigments they produced. Generously illustrated, this groundbreaking publication constitutes the first inclusive study of color in East Asia. It is the outcome of years of collaboration between chemists, conservators, archaeologists, historians of art and literature, and scholars of Buddhism and Daoism from the United States, East Asia, and Europe.
The Meaning of Color in Ancient Mesopotamia
Author: Shiyanthi Thavapalan
Publisher: BRILL
ISBN: 9004415416
Category : History
Languages : en
Pages : 523
Book Description
"In The Meaning of Color in Ancient Mesopotamia, Shiyanthi Thavapalan offers the first in-depth study of the words and expressions for colors in the Akkadian language (c. 2500-500 BCE). By combining philological analysis with the technical investigation of materials, she debunks the misconception that people in Mesopotamia had a limited sense of color and convincingly positions the development of Akkadian color language as a corollary of the history of materials and techniques in the ancient Near East"--
Publisher: BRILL
ISBN: 9004415416
Category : History
Languages : en
Pages : 523
Book Description
"In The Meaning of Color in Ancient Mesopotamia, Shiyanthi Thavapalan offers the first in-depth study of the words and expressions for colors in the Akkadian language (c. 2500-500 BCE). By combining philological analysis with the technical investigation of materials, she debunks the misconception that people in Mesopotamia had a limited sense of color and convincingly positions the development of Akkadian color language as a corollary of the history of materials and techniques in the ancient Near East"--
The Diversity of Dyes in History and Archaeology
Author: Jo Kirby Atkinson
Publisher:
ISBN: 9781909492530
Category : Art
Languages : en
Pages : 451
Book Description
A compendium of selected papers, presented at the series of conferences on Dyes in History and Archaeology, which show the great diversity of dyeing processes and techniques used over time and in different parts of the world
Publisher:
ISBN: 9781909492530
Category : Art
Languages : en
Pages : 451
Book Description
A compendium of selected papers, presented at the series of conferences on Dyes in History and Archaeology, which show the great diversity of dyeing processes and techniques used over time and in different parts of the world
The Cultivation of Flax
The Art of Dyeing in the History of Mankind
Author: Franco Brunello
Publisher: AATCC
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 594
Book Description
Publisher: AATCC
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 594
Book Description
The Mystery of Imperial Purple Dye
Author: John Edmonds
Publisher:
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 56
Book Description
The ancient industry of imperial purple dyeing was eradicated during the sack of Constantinople in 1453 and its secrets, purposefully kept mysterious, were lost with it. This booklet attempts a practical explanation of the micro-biological processes that could transform, as if by magic, the liquid from marine molluscs into an insoluble purple pigment. The methodology is accompanied by ancient and medieval references to the dye which was used to clothe Alexander the Great, Roman emperors and Christian rulers.
Publisher:
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 56
Book Description
The ancient industry of imperial purple dyeing was eradicated during the sack of Constantinople in 1453 and its secrets, purposefully kept mysterious, were lost with it. This booklet attempts a practical explanation of the micro-biological processes that could transform, as if by magic, the liquid from marine molluscs into an insoluble purple pigment. The methodology is accompanied by ancient and medieval references to the dye which was used to clothe Alexander the Great, Roman emperors and Christian rulers.
The Lost Art of the Anglo-Saxon World
Author: Alexandra Lester-Makin
Publisher: Oxbow Books
ISBN: 1789251478
Category : Social Science
Languages : en
Pages : 257
Book Description
This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.
Publisher: Oxbow Books
ISBN: 1789251478
Category : Social Science
Languages : en
Pages : 257
Book Description
This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.