Analyzing Hong Kong's Cultural Identity Through Its Movie PDF Download

Author: Pui Shan Cheng
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Poshek Fu
Publisher: Cambridge University Press
ISBN: 9780521776028
Category : Performing Arts
Languages : en
Pages : 356

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Book Description
This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.

Author: Yingchi Chu
Publisher: Routledge
ISBN: 1135786267
Category : Business & Economics
Languages : en
Pages : 207

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Book Description
Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film products and critical traditions. Hong Kong Cinema considers the different political formations of Hong Kong's culture as seen through the cinema, and deals with the historical, political, economic and cultural relations between Hong Kong cinema and other Chinese film industries on the mainland, as well as in Taiwan and South-East Asia. Discussion covers the concept of 'national cinema' in the context of Hong Kong's status as a quasi-nation with strong links to both the 'motherland' (China) and the 'coloniser' (Britain), and also argues that Hong Kong cinema is a national cinema only in an incomplete and ambiguous sense.

Author: Law Kar
Publisher: Scarecrow Press
ISBN: 9780810849860
Category : Performing Arts
Languages : en
Pages : 400

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Starting with the first "Western shadow plays" shown in the late 1890s, motion pictures have played a significant role in China's cultural existence for more than a century. Initially centered in Shanghai, Chinese cinema boomed in Hong Kong in the 1930s, aided by the advent of talkies and the influx of talent and investment from mainland China, Southeast Asia, and America. From the late 1940s, the territory supplanted Shanghai as the "Hollywood of China." In Hong Kong Cinema: A Cross-Cultural View, authors Law Kar and Frank Bren follow the story from Hong Kong's early silent, Chuang Tsi Tests His Wife, through the martial arts craze of the 1970s, to the medium's continued appeal to contemporary international audiences. Rather than provide a sweeping history, the authors focus on the impact of individual personalities, particularly local filmmakers and movie stars. They also consider Eastern and Western influences and examine major developments, including the changing role of women. By profiling key figures and events of the 20th century, this overview is the perfect introduction for anyone interested in Hong Kong's contribution to world cinema. Illustrated with photos.

Author: Esther M. K. Cheung
Publisher: John Wiley & Sons
ISBN: 0470659289
Category : Performing Arts
Languages : en
Pages : 639

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A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film. Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian studies, Asian regional studies, Chinese language and cultural studies, global studies, and critical theory Highlights the often contentious debates that shape current thinking about film as a medium and its possible future Investigates how changing research on gender, the body, and sexual orientation alter the ways in which we analyze sexual difference in Hong Kong cinema Charts how developments in theories of colonialism, postcolonialism, globalization, neoliberalism, Orientalism, and nationalism transform our understanding of the economics and politics of the Hong Kong film industry Explores how the concepts of diaspora, nostalgia, exile, and trauma offer opportunities to rethink accepted ways of understanding Hong Kong’s popular cinematic genres and stars

Author: Yajuan Ding
Publisher:
ISBN:
Category : Hong Kong (China)
Languages : en
Pages : 408

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In the 1990s, especially the years before and after Hong Kong's return to the People's Republic of China in 1997, some celebrated and talented Hong Kong film stars, such as Jackie Chan, Yun-Fat Chow and Michelle Yeoh, sought their career success in the Western world, especially in Hollywood. By studying Jackie Chan's representative films produced in Hong Kong and in Hollywood before and after 1997, the author explores how Hong Kong's cultural identity is portrayed in his films produced in the Western world and in a city with a legacy of over a century of colonization. Moreover, the author also tries to explore whether or not the portrayal of Hong Kong's cultural identity in those films is influenced by historical and political factors, such as the handover in 1997, and other social, economic and cultural factors through analyses of the news articles published by a Hong Kong media organization, popular songs, films with other Hong Kong stars in leading roles and some relevant scholarly works produced around the year of the handover of Hong Kong from Britain to mainland China.

Author: Stephen Teo
Publisher: Bloomsbury Publishing
ISBN: 1838716262
Category : Juvenile Nonfiction
Languages : en
Pages : 319

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This is the first full-length English-language study of one of the world's most exciting and innovative cinemas. Covering a period from 1909 to 'the end of Hong Kong cinema' in the present day, this book features information about the films, the studios, the personalities and the contexts that have shaped a cinema famous for its energy and style. It includes studies of the films of King Hu, Bruce Lee and Jackie Chan, as well as those of John Woo and the directors of the various 'New Waves'. Stephen Teo explores this cinema from both Western and Chinese perspectives and encompasses genres ranging from melodrama to martial arts, 'kung fu', fantasy and horror movies, as well as the international art-house successes.

Author: Eric Kit-wai Ma
Publisher: Routledge
ISBN: 1134680228
Category : Social Science
Languages : en
Pages : 242

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Ma looks at the ways in which the identity of Hong Kong citizens has changed in the 1990s especially since the handover to China in 1997. This is the first analysis which focuses on the role, in this process, of popular media in general and television in particular. The author specifically analyses at the relationship between television ideologies and cultural identities and explores the role of television in the process of identity formation and maintenance.

Author: Meaghan Morris
Publisher: Hong Kong University Press
ISBN: 1932643192
Category : Social Science
Languages : en
Pages : 361

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Book Description
Since the 1960s, Hong Kong cinema has helped to shape one of the world's most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders? Hong Kong Connections brings leading film scholars together to explore the uptake of Hong Kong cinema in Japan, Korea, India, Australia, France and the US as well as its links with Taiwan, Singapore and the Chinese mainland. In the process, this collective study examines diverse cultural contexts for action cinema's popularity, and the problems involved in the transnational study of globally popular forms suggesting that in order to grasp the history of Hong Kong action cinema's influence we need to bring out the differences as well as the links that constitute popularity.

Author: Laikwan Pang
Publisher: Hong Kong University Press
ISBN: 9622097375
Category : Social Science
Languages : en
Pages : 357

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Book Description
This collection of exciting essays explores how the representations and the ideologies of masculinities can be productively studied in the context of Hong Kong cinema. It has two objectives: first, to investigate the multiple meanings and manifestations of masculinities in Hong Kong cinema that compliment and contradict each other. Second, to analyze the social and cultural environments that make these representations possible and problematic. Masculinities and Hong Kong Cinema presents a comprehensive picture of how Hong Kong mainstream cinematic masculinities are produced within their own socio-cultural discourses, and how these masculinities are distributed, received, and transformed within the setting of the market place. This volume is divided into three interrelated parts: the local cinematic tradition; the transnational context and reverberations; and the larger production, reception, and mediation environments. The combination of these three perspectives will reveal the dynamics and tensions between the local and the transnational, between production and reception, and between text and context, in the gendered manifestations of Hong Kong cinema.