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Author: Johannes Brahms Publisher: Alfred Music ISBN: 9781457472831 Category : Music Languages : en Pages : 36
Book Description
In 1868, Johannes Brahms decided to compose a romantic song cycle, the 18 "Liebeslieder Wälzer" or "Love Song Waltzes," Opus 52. When published in 1870, they were an instant success, popular with all musicians and singers. This choral score will include choir and soloist parts, in German and in English, with piano accompaniment.
Author: Johannes Brahms Publisher: Alfred Music ISBN: 9781457472831 Category : Music Languages : en Pages : 36
Book Description
In 1868, Johannes Brahms decided to compose a romantic song cycle, the 18 "Liebeslieder Wälzer" or "Love Song Waltzes," Opus 52. When published in 1870, they were an instant success, popular with all musicians and singers. This choral score will include choir and soloist parts, in German and in English, with piano accompaniment.
Author: Johannes Brahms Publisher: Alfred Music ISBN: 9781457472848 Category : Music Languages : en Pages : 52
Book Description
In spite of being well-known as a great composer of large, complex musical works, some of Brahms' most successful works were smaller, more intimate pieces, such as the eighteen "Liebeslieder," or "Love Song Waltzes," Opus 52, for Soli, Chorus and Piano Four-Hand Accompaniment. Choral score with piano duet accompaniment.
Author: Publisher: Eighth Note Publications ISBN: 9781554738342 Category : Music Languages : en Pages : 0
Book Description
Hector Berlioz has written some of the most electrifying music of all time for brass players. Whose hair hasn't stood on end after the last chord of Roman Carnival? The "Hungarian March" from the Damnation of Faust has all the components of a rip-roaring good time for audience and performer alike, complete with that effective (loud) ending. Distilled to it's essence (without those superfluous string and woodwind parts) this piece is scored for double brass quintet with bass drum.
Author: Melvin P. Unger Publisher: Scarecrow Press ISBN: 0810873923 Category : Music Languages : en Pages : 585
Book Description
The human voice an incredibly beautiful and expressive instrument, and when multiple voices are unified in tone and purpose a powerful statement is realized. No wonder people have always wanted to sing in a communal context-a desire apparently stemming from a deeply rooted human instinct. Consequently, choral performance has often been related historically to human rituals and ceremonies, especially rites of a religious nature. This Historical Dictionary of Choral Music examines choral music and practice in the Western world from the Medieval era to the 21st century, focusing mostly on familiar figures like Bach, Beethoven, Brahms, and Britten. But its scope is considerably broader, and it includes all sorts of music-religious, secular, and popular-from sources throughout the world. It contains a chronology, an introduction, a bibliography, and more than 1,000 cross-referenced dictionary entries on important composers, genres, conductors, institutions, styles, and technical terms of choral music.
Author: Christopher Dyment Publisher: Boydell Press ISBN: 1843837897 Category : Biography & Autobiography Languages : en Pages : 401
Book Description
This is the first book to describe Arturo Toscanini's activities - the life he led, his concerts and recording sessions - during his visits to London and elsewhere in Britain in the years 1900-1952. During the 1930s Arturo Toscanini conducted many concerts broadcast by the BBC from London's Queen's Hall, where he also made some unsurpassed recordings. Drawing on newly researched material in British and American archives, Christopher Dyment reveals how the most renowned and influential conductor of the twentieth century, notoriously microphone-shy though he was, came to conduct so frequently in London, a tale replete with unexpected twists, turns and ingenious stratagems. Toscanini's dominating influence on London critics and audiences in the period covered by the narrative, extending through to his final appearances at the Royal Festival Hall in 1952, is copiously documented from contemporary sources. Dyment also presents fresh evidence showing how the remarkable combination of passionate conviction and architectural mastery that characterised Toscanini's conducting was grounded not only in his obsessive study of the score but also in his awareness of performing traditions dating back to the mid-nineteenth century. This book will fascinate those with a particular interest in Toscanini's career and recorded legacy. It is also essential reading for anyone with an interest in the history of conducting and recording in the first half of the twentieth century, set against the vividly evoked backdrop of London's concert scene of the period. This comprehensive study includes both an annotated table of all Toscanini's London concerts and his EMI discography. CHRISTOPHER DYMENT has written extensively about historic conductors since the 1970s, particularly Felix Weingartner and Arturo Toscanini. His first book, on Weingartner, was published in 1976.
Author: Johannes Brahms
Author: Johannes Brahms
Author: Johannes Brahms
Author: Johannes Brahms
Author: 
Author: Hector Berlioz
Author: Hector Berlioz
Author: Hector Berlioz
Author: Melvin P. Unger
Author: Spike Hughes
Author: Christopher Dyment