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Author: Mary Ann Render Publisher: ISBN: Category : Languages : en Pages : 144
Book Description
The sixteenth century produced some of the finest vocal music in the history of this art. While the style of the composers of the late sixteenth century, an era which found vocal polyphony at its best, has been given considerable attention, the music written in the first half of the sixteenth century is also worthy of investigation, since without the foundation which was laid early in the century, vocal music could not have attained the heights which it did in the latter part of the century. Among those whose names are connected with secular music of the early sixteenth century is Jacques Arcadelt. Unlike many of his contemporaries, he was prolific as a composer of both the Italian madrigal and the French chanson. Although he contributed little that was new or startling, he did, nonetheless, share a part in the development of the vocal polyphony of the sixteenth century and his music merits investigation. This does not pretend to be an exhaustive study of the style of Arcadelt. However, an analysis has been made, from selected madrigals and chansons, of melody, rhythm, dissonance, harmony, and formal devices in an attempt to determine something of the style of the composer. Also included is a comparison of the styles of the madrigal and the chanson as treated by Arcadelt.
Author: Mary Ann Render Publisher: ISBN: Category : Languages : en Pages : 144
Book Description
The sixteenth century produced some of the finest vocal music in the history of this art. While the style of the composers of the late sixteenth century, an era which found vocal polyphony at its best, has been given considerable attention, the music written in the first half of the sixteenth century is also worthy of investigation, since without the foundation which was laid early in the century, vocal music could not have attained the heights which it did in the latter part of the century. Among those whose names are connected with secular music of the early sixteenth century is Jacques Arcadelt. Unlike many of his contemporaries, he was prolific as a composer of both the Italian madrigal and the French chanson. Although he contributed little that was new or startling, he did, nonetheless, share a part in the development of the vocal polyphony of the sixteenth century and his music merits investigation. This does not pretend to be an exhaustive study of the style of Arcadelt. However, an analysis has been made, from selected madrigals and chansons, of melody, rhythm, dissonance, harmony, and formal devices in an attempt to determine something of the style of the composer. Also included is a comparison of the styles of the madrigal and the chanson as treated by Arcadelt.
Author: Susan Lewis Hammond Publisher: Routledge ISBN: 1135966990 Category : Music Languages : en Pages : 376
Book Description
The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.
Author: Iain Fenlon Publisher: CUP Archive ISBN: 9780521252287 Category : Music Languages : en Pages : 424
Book Description
This 1988 book examines the genesis and dissemination of the Italian madrigal in its formative stages. Iain Fenlon and James Haar have analysed this vast repertoire as it is found in manuscript and print offer information concerning the date and provenance of many fundamental sources together with a view of the subject which differs radically from previous treatments. Their study is divided into two parts. The first covers the rise and early cultivation of the madrigal, chiefly in Florence and Rome. The second contains a detailed descriptive inventory of all known manuscripts and printed editions, finishing with lists of contents and concordances in each case. This important study will serve those with an interest in Renaissance music and the changing cultural ambience of early sixteenth-century Florence and Rome.
Author: Jerome Roche Publisher: Oxford ; Toronto : Oxford University Press ISBN: Category : Language Arts & Disciplines Languages : en Pages : 200
Book Description
This introductory study traces the history of the madrigal, primarily in Italy but also in England and elsewhere in Northern Europe. Taking full account of new developments since its original publication in 1972, the book emphasizes the musical response of composers to the words of madrigal poetry and considers the literary background of the genre.
Author: H. Colin Slim Publisher: Taylor & Francis ISBN: 1040245862 Category : Music Languages : en Pages : 391
Book Description
Professor Slim deals here with the several roles that music can play in the artworks of the Renaissance, looking in particular at Italian painting of the 16th century. For understandable reasons, art historians sometimes neglect the role of music and, especially, that of musical notation when studying works of art. These studies not only identify musical compositions, wholly or partially inscribed in paintings - and tapestries, ceramics, prints as well - but also seek reasons why these particular musical compositions were included and analyse their relevance to the scene depicted. Furthermore, as many of these studies show, identifying a musical composition, especially if it has a text, leads to the formation of ideas about iconographical functions and thus augments interpretations of the visual art.
Author: Susan Lewis Hammond Publisher: Ashgate Publishing, Ltd. ISBN: 9780754655732 Category : Music Languages : en Pages : 302
Book Description
Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing.
Author: Simon Eliot Publisher: John Wiley & Sons ISBN: 1119018218 Category : Literary Criticism Languages : en Pages : 976
Book Description
The celebrated text on the history of the book, completely revised, updated and expanded The revised and updated edition of The Companion to the History of the Book offers a global survey of the book’s history, through print and electronic text. Already well established as a standard survey of the historiography of the book, this new, expanded edition draws on a decade of advanced scholarship to present current research on paper, printing, binding, scientific publishing, the history of maps, music and print, the profession of authorship and lexicography. The text explores the many approaches to the book from the early clay tablets of Sumer, Assyria and Babylonia to today’s burgeoning electronic devices. The expert contributions delve into such fascinating topics as archives and paperwork, and present new chapters on Arabic script, the Slavic, Canadian, African and Australasian book, new textual technologies, and much more. Containing a wealth of illustrative examples and case studies to dramatize the exciting history of the book, the text is designed for academics, students and anyone interested in the subject.
Author: Mary Ann Render
Author: Mary Ann Render
Author: Susan Lewis Hammond
Author: Vahé Aslanian
Author: Iain Fenlon
Author: Jerome Roche
Author: H. Colin Slim
Author: Susan Lewis Hammond
Author: Simon Eliot
Author: Alfred Einstein
Author: Victor Coelho