Author: Publisher:
ISBN:
Category : Art
Languages : en
Pages : 720
Book Description
Catalogues of the Berenson Library of the Harvard University Center for Italian Renaissance Studies at Villa I Tatti, Florence, Italy
Author: Bibliotheca Heberiana ; Catalogue Of The Library Of The Late Richard Heber, Esq
Author: Richard HeberWatching Vesuvius
Author: Sean CoccoPublisher: University of Chicago Press
ISBN: 0226923711
Category : History
Languages : en
Pages : 335
Book Description
This work explores the question of Vesuvius as an object of study in the early modern science of volcanism from the investigations and opinions of humanists and naturalists in the late Renaissance to the early 18th-century philosophizing on volcanoes and the development of geology later in the century.
Crossword Solver
Author: Anne StibbsPublisher: Bloomsbury Pub Limited
ISBN: 9780747550754
Category : Games
Languages : en
Pages : 423
Book Description
An aid to solving crosswords. It contains over 100,000 potential solutions, including plurals, comparative and superlative adjectives, and inflections of verbs. The list extends to first names, place names and technical terms, euphemisms and compound expressions, as well as abbreviations.
Important Information Inside
Author: John WilmerdingPublisher:
ISBN:
Category : Art
Languages : en
Pages : 278
Book Description
Leven en werk van de Amerikaanse schilder John Frederick Peto (1854-1907)
Yvain
Author: Chretien de TroyesPublisher: Yale University Press
ISBN: 0300187580
Category : Poetry
Languages : en
Pages : 242
Book Description
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
Bellows, the Boxing Pictures
Author: E. A. CarmeanItalian Renaissance Festivals and Their European Influence
Author: J. R. MulrynePublisher:
ISBN:
Category : Drama
Languages : en
Pages : 454
Book Description
Essays from a specialist seminar held at University of Warwick, April 1990, under the auspices of the Graduate school of Renaissance Studies. The essays examine festival occasions taking place between 1560 and 1660, and draw attention to some of the more vigorous developments of the form of political theatre, not only in Italy but also Denmark, France, England, and the German-speaking states.
Canaletto
Author: William George ConstablePublisher:
ISBN:
Category :
Languages : en
Pages : 746
Book Description
The Art of Commedia
Author: M. A. KatritzkyPublisher: Rodopi
ISBN: 9042017988
Category : Art
Languages : en
Pages : 626
Book Description
Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia-related aspects of visual, dramatic and festival culture, in and beyond Italy.