Author: Penny Gay
Publisher: Cambridge University Press
ISBN: 1139469770
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.
The Cambridge Introduction to Shakespeare's Comedies
Author: Penny Gay
Publisher: Cambridge University Press
ISBN: 1139469770
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.
Publisher: Cambridge University Press
ISBN: 1139469770
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.
Shakespeare's Comedies: A Very Short Introduction
Author: Bart van Es
Publisher: Oxford University Press
ISBN: 0191034967
Category : Performing Arts
Languages : en
Pages : 154
Book Description
From The Two Gentlemen of Verona in the early 1590s to The Two Noble Kinsmen at the end of his career around 1614, Shakespeare wrote at least eighteen plays that can be called 'comedies': a far higher number than that for any other genre in which he wrote. So what is a Shakespearean comedy? We associate these plays with such themes as mistaken identities, happy marriages, and exuberant cross dressing, but how representative are these of the oeuvre as a whole? In this Very Short Introduction, Bart van Es explores the full range of the playwright's comic writing, from the neat classical plotting of early works like The Comedy of Errors to the corrupt world of the so-called problem plays, written in the middle years of Shakespeare's life. Examining Shakespeare's influences and sources, van Es compares his plays to those of his rivals, and looks at the history of the plays in performance, from the biographies of Shakespeare's original actors to the plays' endless reinvention in modern stage productions and in films. Identifying the key qualities that make Shakespearean comedy distinctive, van Es traces the changing nature of Shakespeare's comic writing over the course of a career that spanned nearly a quarter century of theatrical change. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Publisher: Oxford University Press
ISBN: 0191034967
Category : Performing Arts
Languages : en
Pages : 154
Book Description
From The Two Gentlemen of Verona in the early 1590s to The Two Noble Kinsmen at the end of his career around 1614, Shakespeare wrote at least eighteen plays that can be called 'comedies': a far higher number than that for any other genre in which he wrote. So what is a Shakespearean comedy? We associate these plays with such themes as mistaken identities, happy marriages, and exuberant cross dressing, but how representative are these of the oeuvre as a whole? In this Very Short Introduction, Bart van Es explores the full range of the playwright's comic writing, from the neat classical plotting of early works like The Comedy of Errors to the corrupt world of the so-called problem plays, written in the middle years of Shakespeare's life. Examining Shakespeare's influences and sources, van Es compares his plays to those of his rivals, and looks at the history of the plays in performance, from the biographies of Shakespeare's original actors to the plays' endless reinvention in modern stage productions and in films. Identifying the key qualities that make Shakespearean comedy distinctive, van Es traces the changing nature of Shakespeare's comic writing over the course of a career that spanned nearly a quarter century of theatrical change. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The Cambridge Companion to Shakespearean Comedy
Author: Alexander Leggatt
Publisher: Cambridge University Press
ISBN: 9780521779425
Category : Drama
Languages : en
Pages : 260
Book Description
An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
Publisher: Cambridge University Press
ISBN: 9780521779425
Category : Drama
Languages : en
Pages : 260
Book Description
An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
Four Comedies
Author: William Shakespeare
Publisher: Bantam Classics
ISBN: 0307420590
Category : Drama
Languages : en
Pages : 738
Book Description
The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography
Publisher: Bantam Classics
ISBN: 0307420590
Category : Drama
Languages : en
Pages : 738
Book Description
The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography
Names as Metaphors in Shakespeare’s Comedies
Author: Grant W. Smith
Publisher: Vernon Press
ISBN: 1648892701
Category : Literary Criticism
Languages : en
Pages : 371
Book Description
'Names as Metaphors in Shakespeare’s Comedies' presents a comprehensive study of names in Shakespeare’s comedies. Although names are used in daily speech as simple designators, often with minimal regard for semantic or phonological suggestiveness, their coinage is always based on analogy. They are words (i.e., signs) borrowed from previous referents and contexts, and applied to new referents. Thus, in the literary use of language, names are figurative inventions and have measurable thematic significance: they evoke an association of attributes between two or more referents, contextualize each work of literature within its time, and reflect the artistic development of the writer. In the introduction, Smith describes the literary use of names as creative choices that show the indebtedness of authors to previous literature, as well as their imaginative descriptions (etymologically and phonologically) of memorable character types, and their references to cultural phenomena that make their names meaningful to their contemporary readers and audience. This book presents fourteen essays demonstrating the analytical models explained in the introduction. These essays focus on Shakespeare’s comedies as presented in the First Folio. They do not follow the chronological order of their composition; instead, the individual essays give special attention to differences between the plays that suggest Shakespeare’s artistic development, including the varied sources of his borrowings, the differences between his etymological and phonological coinages, the frequency and types of his topical references, and his use of epithets and generics. This book will appeal to Shakespeare students and scholars at all levels, particularly those who are keen on studying his comedies. This study will also be relevant for researchers and graduate students interested in onomastics. He can be reached at [email protected].
Publisher: Vernon Press
ISBN: 1648892701
Category : Literary Criticism
Languages : en
Pages : 371
Book Description
'Names as Metaphors in Shakespeare’s Comedies' presents a comprehensive study of names in Shakespeare’s comedies. Although names are used in daily speech as simple designators, often with minimal regard for semantic or phonological suggestiveness, their coinage is always based on analogy. They are words (i.e., signs) borrowed from previous referents and contexts, and applied to new referents. Thus, in the literary use of language, names are figurative inventions and have measurable thematic significance: they evoke an association of attributes between two or more referents, contextualize each work of literature within its time, and reflect the artistic development of the writer. In the introduction, Smith describes the literary use of names as creative choices that show the indebtedness of authors to previous literature, as well as their imaginative descriptions (etymologically and phonologically) of memorable character types, and their references to cultural phenomena that make their names meaningful to their contemporary readers and audience. This book presents fourteen essays demonstrating the analytical models explained in the introduction. These essays focus on Shakespeare’s comedies as presented in the First Folio. They do not follow the chronological order of their composition; instead, the individual essays give special attention to differences between the plays that suggest Shakespeare’s artistic development, including the varied sources of his borrowings, the differences between his etymological and phonological coinages, the frequency and types of his topical references, and his use of epithets and generics. This book will appeal to Shakespeare students and scholars at all levels, particularly those who are keen on studying his comedies. This study will also be relevant for researchers and graduate students interested in onomastics. He can be reached at [email protected].
Shakespeare's Comedies
Author: Ralph Berry
Publisher: Routledge
ISBN: 1317310837
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
In this lucid and original study, first published in 1972, Ralph Berry discusses the ten comedies that run from The Comedy of Errors to Twelfth Night. Berry’s purpose is to identify the form of each play by relating the governing idea of the play to the action that expresses it. To this end the author employs a variety of standpoints and techniques, and taken together, these chapters present a lively and coherent view of Shakespeare’s techniques, concerns, and development. This title will be of interests to students of literature and drama.
Publisher: Routledge
ISBN: 1317310837
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
In this lucid and original study, first published in 1972, Ralph Berry discusses the ten comedies that run from The Comedy of Errors to Twelfth Night. Berry’s purpose is to identify the form of each play by relating the governing idea of the play to the action that expresses it. To this end the author employs a variety of standpoints and techniques, and taken together, these chapters present a lively and coherent view of Shakespeare’s techniques, concerns, and development. This title will be of interests to students of literature and drama.
Beyond a Common Joy
Author: Paul A. Olson
Publisher: U of Nebraska Press
ISBN: 9780803215740
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
?Soul of the age!? Ben Jonson eulogized Shakespeare, and in the next breath, ?He was not of an age but for all time.? That he was both ?of the age? and ?for all time? is, this book suggests, the key to Shakespeare?s comic genius. In this engaging introduction to the First Folio comedies, Paul A. Olson gives a persuasive and thoroughly engrossing account of the playwright?s comic transcendence, showing how Shakespeare, by taking on the great themes of his time, elevated comedy from a mere mid-level literary form to its own form of greatness?on par with epic and tragedy. Like the best tragic or epic writers, Shakespeare in his comedies goes beyond private and domestic matters in order to draw on the whole of the commonwealth. He examines how a ruler?s or a court?s community at the household and local levels shapes the politics of empire?existing or nascent empires such as England, the Holy Roman Empire, Spain, Venice, and the Ottoman Empire or part empires such as Rome and Athens?where all their suffering and silliness play into how they govern. In Olson?s work we also see how Shakespeare?s appropriation of his age?s ideas about classical myth and biblical scriptures bring to his comic action a sort of sacral profundity in keeping with notions of poetry as ?inspired? and comic endings as more than merely happy but as, in fact, uncommonly joyful.
Publisher: U of Nebraska Press
ISBN: 9780803215740
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
?Soul of the age!? Ben Jonson eulogized Shakespeare, and in the next breath, ?He was not of an age but for all time.? That he was both ?of the age? and ?for all time? is, this book suggests, the key to Shakespeare?s comic genius. In this engaging introduction to the First Folio comedies, Paul A. Olson gives a persuasive and thoroughly engrossing account of the playwright?s comic transcendence, showing how Shakespeare, by taking on the great themes of his time, elevated comedy from a mere mid-level literary form to its own form of greatness?on par with epic and tragedy. Like the best tragic or epic writers, Shakespeare in his comedies goes beyond private and domestic matters in order to draw on the whole of the commonwealth. He examines how a ruler?s or a court?s community at the household and local levels shapes the politics of empire?existing or nascent empires such as England, the Holy Roman Empire, Spain, Venice, and the Ottoman Empire or part empires such as Rome and Athens?where all their suffering and silliness play into how they govern. In Olson?s work we also see how Shakespeare?s appropriation of his age?s ideas about classical myth and biblical scriptures bring to his comic action a sort of sacral profundity in keeping with notions of poetry as ?inspired? and comic endings as more than merely happy but as, in fact, uncommonly joyful.
One-Hour Shakespeare
Author: Julie Fain Lawrence-Edsell
Publisher: Routledge
ISBN: 1000475190
Category : Performing Arts
Languages : en
Pages : 324
Book Description
The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare’s plays, designed specifically to accommodate both small and large casts. This volume, More Comedies and Tragedies, includes the following plays: The Comedy of Errors The Taming of the Shrew Antony and Cleopatra King Lear These accessible and versatile scripts are supported by: an introduction with emphasis on the evolution of the series and the creative process of editing; the One-Hour projects in performance, a chapter on implementing money-saving ideas and suggestions for production whether in or outside of a classroom setting; specific lesson plans to incorporate these projects successfully into an academic course; suggested casting assignments for small to large casts; the how-tos of producing a radio play; and cross-gender casting suggestions. These supplementary materials make the plays valuable not only for actors, but for any environment, cast or purpose. Ideal for both academics and professionals, One-Hour Shakespeare is the perfect companion to teaching and staging the most universally read and performed playwright in history.
Publisher: Routledge
ISBN: 1000475190
Category : Performing Arts
Languages : en
Pages : 324
Book Description
The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare’s plays, designed specifically to accommodate both small and large casts. This volume, More Comedies and Tragedies, includes the following plays: The Comedy of Errors The Taming of the Shrew Antony and Cleopatra King Lear These accessible and versatile scripts are supported by: an introduction with emphasis on the evolution of the series and the creative process of editing; the One-Hour projects in performance, a chapter on implementing money-saving ideas and suggestions for production whether in or outside of a classroom setting; specific lesson plans to incorporate these projects successfully into an academic course; suggested casting assignments for small to large casts; the how-tos of producing a radio play; and cross-gender casting suggestions. These supplementary materials make the plays valuable not only for actors, but for any environment, cast or purpose. Ideal for both academics and professionals, One-Hour Shakespeare is the perfect companion to teaching and staging the most universally read and performed playwright in history.
The Great Comedies and Tragedies
Author: William Shakespeare
Publisher: Wordsworth Editions
ISBN: 9781840221459
Category : Drama
Languages : en
Pages : 900
Book Description
The collection of the finest of Shakespeare's plays presents Shakespeare's comedies with introductions by Judith Buchanan and tragedies with introductions by Emma Smith
Publisher: Wordsworth Editions
ISBN: 9781840221459
Category : Drama
Languages : en
Pages : 900
Book Description
The collection of the finest of Shakespeare's plays presents Shakespeare's comedies with introductions by Judith Buchanan and tragedies with introductions by Emma Smith
William Shakespeare
Author: Harold Bloom
Publisher: Facts On File
ISBN:
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Spine title: Shakespeare histories. Contains critical essays written by scholars about Shakespeare's histories and poetry.
Publisher: Facts On File
ISBN:
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Spine title: Shakespeare histories. Contains critical essays written by scholars about Shakespeare's histories and poetry.