The Craft of Old-Master Drawings PDF Download

Author: James Watrous
Publisher:
ISBN:
Category :
Languages : en
Pages : 170

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Book Description

Author: National Gallery of Art (U.S.)
Publisher: Paul Holberton Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 352

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Book Description
Catalog of an exhibition held at the National Gallery of Art, Washington, D.C., May 16-Nov. 28, 2010.

Author: James Spero
Publisher: Courier Corporation
ISBN: 0486263649
Category : Art
Languages : en
Pages : 50

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Book Description
Masterpieces of drawing from the great schools and traditions of Italy and northern Europe, spanning four centuries from Filippino Lippi, Andrea del Sarto, and Titian to Rembrandt, Van Dyck, and Ingres. 47 plates.

Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 132

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Book Description

Author: Carlo James
Publisher: Amsterdam University Press
ISBN: 9789053562437
Category : Art
Languages : en
Pages : 502

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Book Description
This long awaited English edition of Manuale per la conservazione e il restauro di disegni e stampe antichi (1991) offers a clear and complete manual for the preservation and conservation of old master prints and drawings. The authors throw light on the historical and scientific backgrounds concerning the problems of restoration techniques of arts on paper, from 1150, when paper was first introduced in Europe, until the middle of the nineteenth century. The book is indispensable for anyone occupied with the study and conservation of old prints and drawings. This richly illustrated, first English edition is revised and brought fully up to date.

Author: Karl Theodore Parker
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 474

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Book Description

Author: Evelyn Karet
Publisher: Routledge
ISBN: 1351546678
Category : Art
Languages : en
Pages : 359

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Book Description
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.

Author: Staatliche Graphische Sammlung München
Publisher: Hirmer Verlag GmbH
ISBN: 9783777451718
Category : Drawing
Languages : en
Pages : 0

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Book Description
The Staatliche Graphische Sammlung in Munich houses one of the finest and most famous collections of drawings and prints in Germany, with holdings of around 400,000 works ranging from the fifteenth century to modernity. Published to accompany an exhibition at the Morgan Library and Museum in New York, 100 Master Drawings from Munich comprises lush full-color illustrations of over one hundred of the museum's works of art. Demonstrating the impressive depth and breadth of works owned by the Staatliche Graphische Sammlung, the works in this volume range from rough preparatory sketches to meticulously executed studies and encompass a variety of media, including silverpoint, chalk, ink, and aquarelle. Among the many extraordinary pieces are Old Dutch and German prints, nineteenth-century German drawings, and works by Dürer and Rembrandt. But equally not to be missed are the many compelling works of contemporary graphic art for which the museum is best known.

Author: Catherine Whistler
Publisher: Ashmolean Museum Oxford
ISBN: 9781910807156
Category : Art, High Renaissance
Languages : en
Pages : 0

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Book Description
The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.

Author: Art Institute of Chicago
Publisher:
ISBN: 9780300166262
Category : Art
Languages : en
Pages : 0

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Book Description
Published in conjunction with an exhibition organized by and presented at The Art Institute of Chicago, Sept. 25, 2010-Jan. 2, 2011.