Author: Thomas Herbert NoyesPublisher:
ISBN:
Category : English poetry
Languages : en
Pages : 312
Book Description
An Idyll of the Weald
Author: Thomas Herbert NoyesPublisher:
ISBN:
Category : English poetry
Languages : en
Pages : 312
Book Description
Sielanka: An Idyll
Author: Henryk SienkiewiczPublisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 47
Book Description
"Sielanka: An Idyll" by Henryk Sienkiewicz (translated by Thomas H. Bullick, Vatslaf A. Hlasko). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
American Idyll
Author: Catherine LiuPublisher: University of Iowa Press
ISBN: 1609380517
Category : Education
Languages : en
Pages : 273
Book Description
A trenchant critique of failure and opportunism across the political spectrum, American Idyll argues that social mobility, once a revered hallmark of American society, has ebbed, as higher education has become a mechanistic process for efficient sorting that has more to do with class formation than anything else. Academic freedom and aesthetic education are reserved for high-scoring, privileged students and vocational education is the only option for economically marginal ones. Throughout most of American history, antielitist sentiment was reserved for attacks against an entrenched aristocracy or rapacious plutocracy, but it has now become a revolt against meritocracy itself, directed against what insurgents see as a ruling class of credentialed elites with degrees from exclusive academic institutions. Catherine Liu reveals that, within the academy and stemming from the relatively new discipline of cultural studies, animosity against expertise has animated much of the Left’s cultural criticism. By unpacking the disciplinary formation and academic ambitions of American cultural studies, Liu uncovers the genealogy of the current antielitism, placing the populism that dominates headlines within a broad historical context. In the process, she emphasizes the relevance of the historical origins of populist revolt against finance capital and its political influence. American Idyll reveals the unlikely alliance between American pragmatism and proponents of the Frankfurt School and argues for the importance of broad frames of historical thinking in encouraging robust academic debate within democratic institutions. In a bold thought experiment that revives and defends Richard Hofstadter’s theories of anti-intellectualism in American life, Liu asks, What if cultural populism had been the consensus politics of the past three decades? American Idyll shows that recent antielitism does nothing to redress the source of its discontent—namely, growing economic inequality and diminishing social mobility. Instead, pseudopopulist rage, in conservative and countercultural forms alike, has been transformed into resentment, content merely to take down allegedly elitist cultural forms without questioning the real political and economic consolidation of powers that has taken place in America during the past thirty years.
Sielanka: An Idyll
Author: Генрик СенкевичPublisher: Litres
ISBN: 5040829841
Category : Fiction
Languages : en
Pages : 55
Book Description
Sielanka: An Idyll and In Vain
Author: Henryk SienkiewiczPublisher: Library of Alexandria
ISBN: 1465521879
Category : Fiction
Languages : en
Pages : 275
Book Description
In the woods, in the deep woods, was an open glade in which stood the house of the forester Stephan. The house was built of logs packed with moss, and the roof was thatched with straw; hard by the house stood two outbuildings; in front of it was a piece of fenced-in ground, and an old well with a long, crooked sweep; the water in the well was covered with a green vegetation at the edges. Opposite the windows grew sunflowers and wild hollyhocks, high, stately, and covered with blossoms as if with a swarm of gorgeous butterflies; between the sunflowers there peeped the red heads of the poppy; around the hollyhocks entwined sweet peas with pink blossoms and morning-glories; close to the ground grew nasturtiums, marigolds, primroses, and asters, pale because they were shaded from the sunlight by the leaves of the hollyhocks and sunflowers. The fenced ground on either side of the pathway leading to the house was planted with vegetables—carrots, beets, and cabbage; further off in a separate fenced-in lot there waved with each breath of wind the tender blue flower of the flax; still beyond could be seen the dark green of the potato patch; the rest of the clearing was checkered with the variegated shades of the different cereals that ran to the edge of the lake which touched the glade on one side. Near to the house a few trees were growing. Some were cherry trees, and one was a birch, with long, slender branches which swayed in the wind, and with every breeze its leaves touched the dilapidated moss-covered straw thatch of the roof; when the stronger gusts of wind bent its boughs to the wall, and pressed its twigs and the waves of leaves against the roof, it would seem as if the tree loved the house and embraced it. In this tree the sparrows made their home; the rustling of the leaves and twigs commingled with the chirp and joyous noise of the birds; in the eaves of the house the doves had built their nests, and the place was filled with their speech, cooing and calling to each other, entreating and discussing as is customary between doves, these noisy and talkative people. At times it happened that they were startled by some unknown cause; then around the house was heard a loud flapping, the air was filled with the whirl of wings and a multitude of white-feathered breasts; you could hear tumult, noise and excited cries—the whole flock flew out suddenly, circled round the house, now near, now far off. Sometimes they melted in the blue, sometimes their white feathers reflected the sunlight, again they hung over the house, undulating in the air, and alighting at last like a downfall of snowflakes on the gray straw of the roof. If this occurred in the rosy morning or in the splendor of the red setting sun, then in the glory of the air these doves were not white, but tinted pink, and settled on the roof and birch tree as flames or scattered rose leaves. At twilight, when the sun had hidden itself beyond the woods, this cooing under the roof and chirping in the birch tree became gradually quiet. The sparrows and the doves shook the dew from their wings and prepared to sleep; sometimes one of them gave voice once more, but more rarely, more softly, more drowsily, and then all was silent—the dusk was falling from the heavens upon the earth. The house, cherry trees, and birch were losing their form, mingling together, melting, and veiled in a mist which rose from the lake. Around the glade, as far as the eye could reach, there stretched the wall of dark pine trees and thick undergrowth. This wall was broken in one place by a wide dividing line, which reached to the edge of the lake. The lake was a very large one, the opposite side was nearly lost to view, and in the mist could be hardly discerned the red roof and steeple of a church, and the black line of the woods closing the horizon beyond the church.
C'est vrai, an idyll of the East, by the author of 'England and Australia' &c
Author: EastAn Idyll of All Fools' Day
Author: Josephine Daskam BaconPublisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 103
Book Description
An Idyll of All Fools' Day is a story by Josephine Daskam Bacon. Bacon wrote a series of juvenile mysteries as well as works of poetry. She authored several works on "women's issues" and women's roles as well.
C'est Vrai. An Idyll of the East. By the Author of “England and Australia,” Etc
Author: A Blue Idyll
Author: Brenton HamiltonPublisher:
ISBN: 9789053309414
Category : Art
Languages : en
Pages : 0
Book Description
For over two decades visual artist and historian Brenton Hamilton has created a sustained body of work, mostly concentrated within the historic processes employing nineteenth century photography techniques, no longer commercially available. Hamilton has produced a unique body of work using methodologies like gum bichromated forms, platinum, and collodion ambrotypes on black glass, French variants of paper calotypy and of course the embellished cyanotype. Influenced by the Surrealist motifs; coaxing dream like, chance collisions of fragments from art history, Hamilton shapes a new landscape in his photographs. The present symbolism of the dark night sky and the freedom to look outside himself towards unfettered ideas and musings, learning to make a new place with paper and metal salts and light allowing him to rest and wonder. He combines human anatomy, astronomy and botanical imagery to create intriguing and provocative arrangements. His work references to ancient Greece and Rome, as well as 15th and 16th century Dutch and Italian paintings. Hamilton uses symbols and visual elements from the history of art to create a thoroughly contemporary vision.
The Victorian Idyll in Art and Literature
Author: Thomas HughesPublisher: Taylor & Francis
ISBN: 1003834124
Category : Art
Languages : en
Pages : 257
Book Description
Resonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victorian culture, reshaping thinking about artistic form in the nineteenth century, and recalibrating accepted chronologies. In the representations by a host of Victorian artists and writers engaging with other-than-human forms, and in the natures of the subjectivities animated by these encounters, we find versions of Victorian ecology providing provocative imaginative material for ecocritics, scholars, writers, and artists today. This book will be of interest to scholars working in art history, English literature, Victorian studies, British history, queer and trans* theory, musicology, and ecocriticism, and will enliven debates pertaining to the environmental across periods.