An Historical Account of Corsham House, in Wiltshire PDF Download

Author: John Britton
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 122

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Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 456

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Book Description
Includes proceedings of the annual general meetings of the Wiltshire Archaeological and Natural History Society.

Author: Morton D. Paley
Publisher: OUP Oxford
ISBN: 0191552720
Category : Literary Criticism
Languages : en
Pages : 292

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Book Description
Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from Beaumont, to study Beaumont's small but elegant collection and to visit private collections. Before leaving for Malta in April 1804, Coleridge wrote 'I have learnt as much fr[om] Sir George Beaumont respecting Pictures & Painting and Paint[ers as] I ever learnt on any subject from any man in the same Space of Time.' In Italy in 1806, Coleridge's experience of art deepened, thanks to the American artist Washington Allston, who taught him to see the artistic sights of Rome with a painter's eye. Coleridge also visited Florence and Pisa, and later said of the frescoes in Pisa's Camp Santo: 'The impression was greater, I may say, than that any poem ever made upon me.' Back in England, Coleridge visited London exhibitions, country house collections, and even artists' studios. In 1814, both Coleridge and Allston were in Bristol - Coleridge lecturing, Allston exhibiting. Coleridge's 'On the Principles of Genial Criticism' began as a defense of Allston's paintings but became a statement about all the arts. This book, an important contribution to Coleridge's intellectual biography, will make readers aware of a dimension of his thinking that has been largely ignored until now.

Author: Cynthia Saltzman
Publisher: Penguin
ISBN: 1440633959
Category : Art
Languages : en
Pages : 364

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Book Description
A spellbinding account of the rapacious pursuit of the most exquisite paintings in the world In the Gilded Age, newly wealthy and culturally ambitious Americans began to compete for Europe's extraordinary Old Master pictures, causing a major migration of art across the Atlantic. Old Masters, New World is a backstage look at the cutthroat competition, financial maneuvering, intrigue, and double-dealing often involved in these purchases, not to mention the seductive power of the ravishing paintings that drove these collectors-including financier J. Pierpont Morgan, sugar king H. O. Havemeyer, Boston aesthete Isabella Stewart Gardner, and industrialist Henry Clay Frick. Packed with stunning reproductions, this is an ideal gift book for art lovers and history buffs alike.

Author: Edward Hungerford Goddard
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 894

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Author: Michael Holmes
Publisher: Graphic Arts Center Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 348

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Book Description
"The aim of this index is to provide a quick reference to the literature on individual country houses in England, Wales, Scotland and Ireland, held in the National Art Library at the Victoria and Albert Museum. Over 4,000 country houses are included. The contents of 135 general books on architecture, architectural details and county histories have been indexed, as well as guides to individual country houses, catalogues of collections and sales catalogues. Only a few periodicals, apart from Country Life up to 1982, have been included."--Introduction.

Author:
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 450

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Author: Frederick Moore Simpson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 520

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Author: Edward Hungerford Goddard
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 838

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Book Description

Author: Richard Offner
Publisher: Giunti Editore
ISBN:
Category : Art
Languages : en
Pages : 646

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Book Description
This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.