Author: Michael Jacob Zigler
Publisher:
ISBN:
Category : Vision
Languages : en
Pages : 44
Book Description
An Experimental Study of Visual Form
Author: Michael Jacob Zigler
Publisher:
ISBN:
Category : Vision
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Vision
Languages : en
Pages : 44
Book Description
The American Journal of Psychology
Author: Granville Stanley Hall
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 236
Book Description
An Experimental Study of Visual Fixation
Author: Raymond Dodge
Publisher:
ISBN:
Category : Vision
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Vision
Languages : en
Pages : 116
Book Description
Science
Author: John Michels (Journalist)
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 674
Book Description
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 674
Book Description
The Journal of Philosophy
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1136
Book Description
Covers topics in philosophy, psychology, and scientific methods. Vols. 31- include "A Bibliography of philosophy," 1933-
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1136
Book Description
Covers topics in philosophy, psychology, and scientific methods. Vols. 31- include "A Bibliography of philosophy," 1933-
Cornell University Announcements
Annual Report of the President and Treasurer
Nature’s Experiments and the Search for Symbolist Form
Author: Allison Morehead
Publisher: Penn State Press
ISBN: 027107938X
Category : Art
Languages : en
Pages : 467
Book Description
This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices. Looking at avant-garde figures such as Maurice Denis, Édouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of “nature’s experiments”—the belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and body—extended from the scientific realm into the world of art, underpinned artists’ solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siècle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange. Focusing on the scientific, psychological, and experimental tactics of symbolism, Nature’s Experiments and the Search for Symbolist Form demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism.
Publisher: Penn State Press
ISBN: 027107938X
Category : Art
Languages : en
Pages : 467
Book Description
This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices. Looking at avant-garde figures such as Maurice Denis, Édouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of “nature’s experiments”—the belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and body—extended from the scientific realm into the world of art, underpinned artists’ solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siècle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange. Focusing on the scientific, psychological, and experimental tactics of symbolism, Nature’s Experiments and the Search for Symbolist Form demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism.
Visual Perception of Form
Author: Leonard Zusne
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 572
Book Description
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 572
Book Description