Perfect Documents PDF Download

Author: Virginia-Lee Webb
Publisher: Metropolitan Museum of Art
ISBN: 0870999397
Category : Photography of sculpture
Languages : en
Pages : 116

View

Book Description

Author: Hans-Joachim Koloss
Publisher: Metropolitan Museum of Art
ISBN: 0870995901
Category : Art
Languages : en
Pages : 89

View

Book Description

Author: Cheikh Anta Diop
Publisher:
ISBN: 9781938803611
Category : Black race
Languages : en
Pages : 317

View

Book Description
From the Publisher: Edited and translated by Mercer Cook. Laymen and scholars alike will welcome the publication of this one-volume translation of the major sections of C.A. Diop's two books, Nations negres et culture and Anteriorite des civilizations negres, which have profoundly influenced thinking about Africa around the world. It was largely because of these works that, at the World Festival of the Arts held in Dakar in 1966, Dr. Diop shared with the late W.E.B. DuBois an award as the writer who had exerted the greatest influence on Negro thought in the 20th century.

Author: André Magnin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232

View

Book Description
Published to accompany the exhibition at the Museum of Fine Arts, Houston, 29 January - 8 May 2005.

Author: Peabody Museum of Archaeology and Ethnology
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 28

View

Book Description

Author: Susan Mullin Vogel
Publisher: Metropolitan Museum of Art
ISBN: 0870992678
Category : Art, African
Languages : en
Pages : 258

View

Book Description

Author: Susan Susan Cooksey
Publisher:
ISBN: 9781734323504
Category :
Languages : en
Pages : 288

View

Book Description

Author: Robert Goldwater Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 866

View

Book Description

Author: Bennetta Jules-Rosette
Publisher: University of Illinois Press
ISBN: 0252052153
Category : Art
Languages : en
Pages : 386

View

Book Description
Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results. Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.

Author: Adrienne L. Childs
Publisher: Rizzoli Publications
ISBN: 0847866645
Category : Art
Languages : en
Pages : 210

View

Book Description
A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History. Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.