Author: August Friedrich Christoph KollmannPublisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 196
Book Description
An Essay on Practical Musical Composition, according to the Nature of that Science and the Principles of the greatest Musical Authors
Author: August Friedrich Christoph KollmannPublisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 196
Book Description
“An” Essay On Pratical Musical Composition
Author: Augustus Frederic Christopher KollmannPublisher:
ISBN:
Category :
Languages : en
Pages : 206
Book Description
An Essay On Practical Musical Composition
Author: Augustus Frederic Christopher KollmanPublisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 240
Book Description
The Monthly Review, Or, Literary Journal
Author: The Monthly Review
Author: Ralph GriffithsPublisher:
ISBN:
Category : Books
Languages : en
Pages : 572
Book Description
The American Monthly Magazine and Critical Review
Author: Monthly Review; Or, New Literary Journal
Author: Ralph GriffithsThe American Monthly Magazine and Critical Review
Author: H. BiglowPublisher:
ISBN:
Category : American literature
Languages : en
Pages : 496
Book Description
Monthly Review; Or Literary Journal Enlarged
Author: Ralph GriffithsPublisher:
ISBN:
Category :
Languages : en
Pages : 570
Book Description
Editors: May 1749-Sept. 1803, Ralph Griffiths; Oct. 1803-Apr. 1825, G. E. Griffiths.
Music Entries at Stationers' Hall, 1710–1818
Author: Michael KasslerPublisher: Routledge
ISBN: 1317092058
Category : Music
Languages : en
Pages : 764
Book Description
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.