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An Eighteenth-century Musical Tour in France and Italy

An Eighteenth-century Musical Tour in France and Italy PDF Author: Charles Burney
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 382

Book Description


An Eighteenth-century Musical Tour in France and Italy

An Eighteenth-century Musical Tour in France and Italy PDF Author: Charles Burney
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 382

Book Description


The Present State of Music in France and Italy: Or the Journal of a Tour Through Those Countries (1773)

The Present State of Music in France and Italy: Or the Journal of a Tour Through Those Countries (1773) PDF Author: Charles Burney
Publisher:
ISBN: 9781104709570
Category : Literary Collections
Languages : en
Pages : 432

Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

An eighteenth-century musical tour in France and Italy : being Dr. Charles Burney's account of his musical experiences...

An eighteenth-century musical tour in France and Italy : being Dr. Charles Burney's account of his musical experiences... PDF Author: Charles Burney
Publisher:
ISBN:
Category :
Languages : en
Pages : 328

Book Description


Italy’s Eighteenth Century

Italy’s Eighteenth Century PDF Author: Paula Findlen
Publisher: Stanford University Press
ISBN: 0804787549
Category : History
Languages : en
Pages : 785

Book Description
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.

Britain and Italy in the Long Eighteenth Century

Britain and Italy in the Long Eighteenth Century PDF Author: Rosamaria Loretelli
Publisher: Cambridge Scholars Publishing
ISBN: 1443820520
Category : Art
Languages : en
Pages : 265

Book Description
The essays in this collection range across literature, aesthetics, music and art, and explore such themes as the dynamics of change in eighteenth-century aesthetics; time, modernity and the picturesque; the function of graphic ornaments in eighteenth-century texts; imaginary voyages as a literary genre; the genesis of children’s literature; the Italian opera and musical theory in Frances Burney’s novels; Italian and British art theories; and patterns of cultural transfers and of book circulation between Britain and Italy in the eighteenth century. Collectively they epitomise the concerns and approaches of scholars working on the long eighteenth century at this challenging and exciting time. In the absence of universally agreed, overarching interpretations of the cultural history of the long eighteenth century, these papers pave the way for the ultimate emergence of such explanations. Authors discussed here include Margaret Cavendish, David Russen, Francis Hutcheson, Reverend Gilpin, Samuel Richardson, Henry Fielding, Laurence Sterne, Dugald Stewart, Dorothy Kilner, Frances Burney, Anna Gordon Brown, Saverio Bettinelli, Henry Ince Blundell, Francesco Algarotti, Ugo Foscolo and Francesco Domenico Guerrazzi.

An Eighteenth

An Eighteenth PDF Author: Charles Burney
Publisher:
ISBN: 9780758172389
Category :
Languages : en
Pages : 328

Book Description


Opera and Drama in Eighteenth-Century London

Opera and Drama in Eighteenth-Century London PDF Author: Ian Woodfield
Publisher: Cambridge University Press
ISBN: 1139432222
Category : Music
Languages : en
Pages : 357

Book Description
This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.

An Eighteenth-century Musical Tour in France and Italy, Being Dr. Charles Burney's Account of His Musical Experiences as it Appears in His Published Volume with which are Incorporated His Travel Experiences According to His Original Intention. Edited by Percy A. Scholes, ...

An Eighteenth-century Musical Tour in France and Italy, Being Dr. Charles Burney's Account of His Musical Experiences as it Appears in His Published Volume with which are Incorporated His Travel Experiences According to His Original Intention. Edited by Percy A. Scholes, ... PDF Author: Charles Burney
Publisher:
ISBN:
Category :
Languages : en
Pages : 328

Book Description


Music and Culture in Eighteenth-Century Europe

Music and Culture in Eighteenth-Century Europe PDF Author: Enrico Fubini
Publisher: University of Chicago Press
ISBN: 9780226267326
Category : Music
Languages : en
Pages : 436

Book Description
This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.

Popular Opera in Eighteenth-Century France

Popular Opera in Eighteenth-Century France PDF Author: David Charlton
Publisher: Cambridge University Press
ISBN: 9781009011754
Category : Music
Languages : en
Pages : 0

Book Description
This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.