An Edition of the Ledger of Sir Francis Chantrey, R.A., at the Royal Academy, 1809-1841 PDF Download

Author: Alison Yarrington
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 412

View

Book Description

Author: Professor John Barrell
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409403180
Category : Art
Languages : en
Pages : 282

View

Book Description
Living with the Royal Academy directs attention to the textures of artists' relationships with the Royal Academy in late-eighteenth- and early-nineteenth-century Britain. This essay collection considers the Academy as a lived organism, one whose most effective role was as a reference point around which artists operated in their relationships with each other and with artistic practice itself.

Author: Sarah Monks
Publisher: Routledge
ISBN: 1351559966
Category : Art
Languages : en
Pages : 278

View

Book Description
Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848 offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art?s increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty. Thinking beyond the dichotomy of loyalism and rebellion - and complicating notions of the Academy as a monolithic ossifying institution from which progressive artists would be ?liberated? in the wake of the Pre-Raphaelite Brotherhood?s emergence in 1848 - this volume investigates the Academy?s varied impact upon the lives, experiences and ideals of its diverse artistic communities.

Author: Sarah Burnage
Publisher: Routledge
ISBN: 1351545825
Category : Art
Languages : en
Pages : 324

View

Book Description
The British School of Sculpture, c. 1760?1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.

Author:
Publisher: BRILL
ISBN: 9004458840
Category : Art
Languages : en
Pages : 358

View

Book Description
Exploring the various forms taken by sculpture collections, this volume presents new research on collectors, modes of display, and the aesthetics of viewing sculpture, making a notable addition to the literature on the history of sculpture and art collecting as a cultural phenomenon.

Author: George Thomas Noszlopy
Publisher: Liverpool University Press
ISBN: 0853239894
Category : Art
Languages : en
Pages : 371

View

Book Description
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.

Author: Morton D. Paley
Publisher: Oxford University Press, USA
ISBN: 0199233055
Category : Art
Languages : en
Pages : 291

View

Book Description
In a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the collections Coleridge saw and his thoughts about the arts and about specific works.

Author: Tomas Macsotay
Publisher: Böhlau Verlag Köln Weimar
ISBN: 3412501697
Category : Art
Languages : en
Pages : 230

View

Book Description
Im Zuge der Etablierung europèaischer Kunstakademien bildeten sich Aufnahmezeremonien aus, die von den zukèunftigen Mitgliedern ein Probestèuck zum Beweis ihrer Fèahigkeiten forderten. Erstmalig wird in diesem Band ein vergleichender Blick auf die Aufnahmeprozeduren der wichtigsten europèaischen Akademien und auf diese faszinierenden, zumeist kleinformatigen Werke geworfen, die eine eigene Gattung der Bildhauerei darstellen. An keinen konkreten Verwendungszweck gebunden und unbeeinflusst durch Auftraggeberwèunsche, ermèoglichten sie ihren Schèopfern nicht nur eine selbstbewusste Zurschaustellung ihrer Fèahigkeiten, sondern luden auch zur Gattungsreflektion ein. Die virtuosen Schaustèucke fèuhren damit vor Augen, was die Bildhauer der Zeit als Aufgaben und Ziele ihrer Kunst ansahen.

Author: Daniel Simpson
Publisher: Springer Nature
ISBN: 3030600971
Category : History
Languages : en
Pages : 316

View

Book Description
This book offers the first in-depth enquiry into the origins of 135 Indigenous Australian objects acquired by the Royal Navy between 1795 and 1855 and held now by the British Museum. In response to increasing calls for the ‘decolonisation’ of museums and the restitution of ethnographic collections, the book seeks to return knowledge of the moments, methods, and motivations whereby Indigenous Australian objects were first collected and sent to Britain. By structuring its discussion in terms of three key ‘stages’ of a typical naval voyage to Australia—departure from British shores, arrival on the continent’s coasts, and eventual return to port—the book offers a nuanced and multifaceted understanding of the pathways followed by these 135 objects into the British Museum. The book offers important new understandings of Indigenous Australian peoples’ reactions to naval visitors, and contains a wealth of original research on the provenance and meaning of some of the world’s oldest extant Indigenous Australian object collections.

Author: Jane Fejfer
Publisher: Routledge
ISBN: 1000555070
Category : Art
Languages : en
Pages : 265

View

Book Description
This book explores the multifaceted aspects of sculptor’s workshops from the Renaissance to the early nineteenth century. Contributors take a fresh look at the sculptor’s workshop as both a physical and discursive space. By studying some of the most prominent artists’ sculptural practices, the workshop appears as a multifaced, sociable and practical space. The book creates a narrative in which the sculptural workshop appears as a working laboratory where new measuring techniques, new materials and new instruments were tested and became part of the lived experience of the artist and central to the works coming into being. Artists covered include Donatello, Roubilliac, Thorvaldsen, Canova, and Christian Daniel Rauch. The book will be of interest to scholars studying art history, sculpture, artist workshops, and European studies.