![An Easy Sonata for the Piano Forte with an accompaniment (ad libitum) for the violin ... Op. 13. [P. F.] PDF](https://books.google.com/books/content/images/frontcover/7oVSZNHvqYoC?fife=w150-h200)
Author: João Domingos BomtempoPublisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
An Easy Sonata for the Piano Forte with an accompaniment (ad libitum) for the violin ... Op. 13. [P. F.]
![An Easy Sonata for the Piano Forte with an accompaniment (ad libitum) for the violin ... Op. 13. [P. F.] PDF](https://books.google.com/books/content/images/frontcover/7oVSZNHvqYoC?fife=w80-h100)
Author: João Domingos BomtempoPublisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
Portuguese Piano Music
Author: Nancy Lee HarperPublisher: Scarecrow Press
ISBN: 0810883007
Category : Music
Languages : en
Pages : 362
Book Description
As the first book of its kind, Nancy Lee Harper’s Portuguese Piano Music: An Introduction and Annotated Bibliography fills the gap in the historical record of Portuguese piano music from its start in the 18th century to the present. While although Spanish piano music is well documented owing to the reputation of such composers as Isaac Albéniz, Enrique Granados, and Manuel de Falla, our knowledge of compositions in the tradition of Portuguese piano music has not fared as well, barring the work of Carlos Seixas (1704–1742). This obscurity, however, reflects poorly on the history of early piano music in light of the many compositions written for fortepiano on behalf of the Portuguese court during the first half of the 18th century. Indeed, it was in the royal halls of King John V during his reign from 1706 to 1750 where the early fortepiano was frequently heard. In Portuguese Piano Music, Harper explores this rich musical tradition, offering a brief introduction to the pianistic history of Portugal and overviews of Portugal’s contributions to solo piano music, piano in instrumental chamber music, piano concerti, piano for multiple pianists including with works with electronics, and didactic piano. While paying close attention to female composers, Harper adds an annotated and graded bibliography that presents readers with a comprehensive inventory of compositions. Appendixes include a selected discography, list of publishers, and other types of critical source information. To further illustrate its contents, Portuguese Piano Music contains a CD on which Harper performs representative repertoire, some of which are world premieres. This work is aimed at pianists, teachers, pupils, musicologists, and music lovers seeking to discover the remarkable world of Portuguese piano music.
Catalogue of Printed Music in the Library of the Royal College of Music, London
Author: Royal College of Music (Great Britain)Publisher:
ISBN:
Category : Music
Languages : en
Pages : 380
Book Description
The Musical Times
Author: The Strad
Author: Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 854
Book Description
The Musical Times and Singing-class Circular
Author: Flute Music of the 18th Century
Author: Frans VesterPublisher: Monteux, France : Musica Rara
ISBN:
Category : Flute music
Languages : en
Pages : 584
Book Description
The Captive Soul
Author: E. M. WoolleyPublisher:
ISBN:
Category : Cantatas
Languages : en
Pages : 108
Book Description
The Cambridge Companion to the Harpsichord
Author: Mark KrollPublisher: Cambridge University Press
ISBN: 1108667929
Category : Music
Languages : en
Pages : 407
Book Description
Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.
Author: