Author: Elizabeth Bishop
Publisher: Wesleyan University Press
ISBN: 9780819560230
Category : Literary Criticism
Languages : pt
Pages : 208
Book Description
In Portuguese and English.
An Anthology of Twentieth-Century Brazilian Poetry
Author: Elizabeth Bishop
Publisher: Wesleyan University Press
ISBN: 9780819560230
Category : Literary Criticism
Languages : pt
Pages : 208
Book Description
In Portuguese and English.
Publisher: Wesleyan University Press
ISBN: 9780819560230
Category : Literary Criticism
Languages : pt
Pages : 208
Book Description
In Portuguese and English.
An Anthology of Brazilian Modernist Poetry
Author: Giovanni Pontiero
Publisher: Pergamon
ISBN:
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Publisher: Pergamon
ISBN:
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Oxford Anthology of the Brazilian Short Story
Author: K. David Jackson
Publisher: Oxford University Press
ISBN: 0199724342
Category : Literary Collections
Languages : en
Pages : 540
Book Description
The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by João Guimarães Rosa. The remaining 34 authors include Mário de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry. The anthology is divided into four major periods, "Tropical Belle-Époque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mário de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubião), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nélida Piñón), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.
Publisher: Oxford University Press
ISBN: 0199724342
Category : Literary Collections
Languages : en
Pages : 540
Book Description
The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by João Guimarães Rosa. The remaining 34 authors include Mário de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry. The anthology is divided into four major periods, "Tropical Belle-Époque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mário de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubião), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nélida Piñón), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.
Modern Brazilian Short Stories
Author: William L. Grossman
Publisher: Univ of California Press
ISBN: 9780520027664
Category : Fiction
Languages : en
Pages : 184
Book Description
Publisher: Univ of California Press
ISBN: 9780520027664
Category : Fiction
Languages : en
Pages : 184
Book Description
Seven Faces
Author: Charles A. Perrone
Publisher: Duke University Press
ISBN: 9780822318149
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
"Study of Brazilian poetry from 1950-90 examines its 'seven faces' (a pun on Drummond's poem of the same name), phases, and trends. Introductory chapter reviews movement's initial phases and sets the stage for what follows: the legacy of the Modernist movement. Chapters 2-6 cover Concrete poetry and other vanguard groups, the lyricism of popular music, and different types of 1970s youth poetry. Also examines social and esthetic tensions in contemporary Brazilian poetry"--Handbook of Latin American Studies, v. 58.
Publisher: Duke University Press
ISBN: 9780822318149
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
"Study of Brazilian poetry from 1950-90 examines its 'seven faces' (a pun on Drummond's poem of the same name), phases, and trends. Introductory chapter reviews movement's initial phases and sets the stage for what follows: the legacy of the Modernist movement. Chapters 2-6 cover Concrete poetry and other vanguard groups, the lyricism of popular music, and different types of 1970s youth poetry. Also examines social and esthetic tensions in contemporary Brazilian poetry"--Handbook of Latin American Studies, v. 58.
This Earth, That Sky
Author: Manuel Bandeira
Publisher: Univ of California Press
ISBN: 0520415418
Category : Literary Collections
Languages : en
Pages : 266
Book Description
This is a generous, long-overdue presentation of the major Brazilian poet Manuel Bandeira (1886–1968) to the English-speaking reader. Well over a hundred poems appear here in both Portuguese and English, together with a critical overview that introduces the poet and Brazilian poetry to the nonspecialist and contributes significantly to the existing body of Bandeira scholarship. Bandeira’s poetry not only stands among the most important in twentieth-century Brazil but also embodies the experience of transition from one literary movement to another. The poems span a half century of writing, from the publication of Bandeira’s first book in 1917 to the definitive edition of his collected work in 1966. Because critics agree that the poet’s most influential creative efforts began in 1930 with the publication of Libertinagem (Libertinism), the collection concentrates on the later period. A smaller number of poems drawn from the three books published before this date provide a useful basis for comparison. Candace Slater’s fine versions of the poems are augmented by a translator’s note that considers Bandeira’s poetic language in terms of the particular challenges it offers the translator into English. Her introduction offers a fresh and comprehensive look at the poet whose artistic transformation from nineteenth-century modes of expression to experimental twentieth-century Modernism paralleled the transformation of his country. It focuses on the poet’s continuing alternation between an acceptance of, if not allegiance to, the material world and a desire for something more. This fundamental though often subtle opposition is reflected in the title, This Earth, That Sky. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
Publisher: Univ of California Press
ISBN: 0520415418
Category : Literary Collections
Languages : en
Pages : 266
Book Description
This is a generous, long-overdue presentation of the major Brazilian poet Manuel Bandeira (1886–1968) to the English-speaking reader. Well over a hundred poems appear here in both Portuguese and English, together with a critical overview that introduces the poet and Brazilian poetry to the nonspecialist and contributes significantly to the existing body of Bandeira scholarship. Bandeira’s poetry not only stands among the most important in twentieth-century Brazil but also embodies the experience of transition from one literary movement to another. The poems span a half century of writing, from the publication of Bandeira’s first book in 1917 to the definitive edition of his collected work in 1966. Because critics agree that the poet’s most influential creative efforts began in 1930 with the publication of Libertinagem (Libertinism), the collection concentrates on the later period. A smaller number of poems drawn from the three books published before this date provide a useful basis for comparison. Candace Slater’s fine versions of the poems are augmented by a translator’s note that considers Bandeira’s poetic language in terms of the particular challenges it offers the translator into English. Her introduction offers a fresh and comprehensive look at the poet whose artistic transformation from nineteenth-century modes of expression to experimental twentieth-century Modernism paralleled the transformation of his country. It focuses on the poet’s continuing alternation between an acceptance of, if not allegiance to, the material world and a desire for something more. This fundamental though often subtle opposition is reflected in the title, This Earth, That Sky. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
The Oxford Guide to Literature in English Translation
Author: Peter France
Publisher: Oxford University Press, USA
ISBN: 9780199247844
Category : Language Arts & Disciplines
Languages : en
Pages : 692
Book Description
This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).
Publisher: Oxford University Press, USA
ISBN: 9780199247844
Category : Language Arts & Disciplines
Languages : en
Pages : 692
Book Description
This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).
Form and Feeling
Author: Antonio Sergio Bessa
Publisher: Fordham University Press
ISBN: 0823289133
Category : Art
Languages : en
Pages : 256
Book Description
A significant contribution on the development and aftermath of post–World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country’s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today—namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil. Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
Publisher: Fordham University Press
ISBN: 0823289133
Category : Art
Languages : en
Pages : 256
Book Description
A significant contribution on the development and aftermath of post–World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country’s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today—namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil. Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
Haroldo de Campos
Author: Haroldo de Campos
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
This book is based on a series of papers that were presented at conferences at Oxford and Yale universities in honour of Haroldo de Campos as a poet, critic and translator. It is important for its critical focus on the concrete aesthetic in prose and poetry as well as the close-up of Haroldo de Campos by major names in international literary studies. A founder of the movement of concrete poetry in Brazil in the 1950s, Haroldo de Campos (1929-2003) was a distinguished essayist, translator, and theorist. Nicknamed by German semiotician Max Bense the locomotive of Sao Paulo, Campos's influence has been profound. He changed the course of Brazilian literature and Portuguese language poetry in over fifty years of devotion to their international and comparative dimensions. Caetano Veloso alludes to Campos in his songs, the Tropicalia movement made him known to an entire new generation, and the writing of poetry in Brazil came to reflect concrete techniques and materials."
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
This book is based on a series of papers that were presented at conferences at Oxford and Yale universities in honour of Haroldo de Campos as a poet, critic and translator. It is important for its critical focus on the concrete aesthetic in prose and poetry as well as the close-up of Haroldo de Campos by major names in international literary studies. A founder of the movement of concrete poetry in Brazil in the 1950s, Haroldo de Campos (1929-2003) was a distinguished essayist, translator, and theorist. Nicknamed by German semiotician Max Bense the locomotive of Sao Paulo, Campos's influence has been profound. He changed the course of Brazilian literature and Portuguese language poetry in over fifty years of devotion to their international and comparative dimensions. Caetano Veloso alludes to Campos in his songs, the Tropicalia movement made him known to an entire new generation, and the writing of poetry in Brazil came to reflect concrete techniques and materials."
Modern Armenian Drama
Author: Nishan Parlakian
Publisher: Columbia University Press
ISBN: 9780231502665
Category : Literary Criticism
Languages : en
Pages : 498
Book Description
Available in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (1871–1992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time. Like the plays of Ibsen and O'Neill, the plays presented in this anthology are considered modern classics. They have an enduring quality and appeal to audiences who see them today. The editors have collected translations of the best examples of Armenian theater from its renaissance in the mid-nineteenth century to the present.
Publisher: Columbia University Press
ISBN: 9780231502665
Category : Literary Criticism
Languages : en
Pages : 498
Book Description
Available in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (1871–1992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time. Like the plays of Ibsen and O'Neill, the plays presented in this anthology are considered modern classics. They have an enduring quality and appeal to audiences who see them today. The editors have collected translations of the best examples of Armenian theater from its renaissance in the mid-nineteenth century to the present.