Author: Jessica Wiley
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
An Annotated Bibliography of Bassoon Solo and Chamber Music for Up to Seven Players by African American Composers
Music for Unaccompanied Solo Bassoon
Author: Jon P. Beebe
Publisher:
ISBN:
Category : Bassoon music
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Bassoon music
Languages : en
Pages : 120
Book Description
An Annotated Bibliography of Music for Unaccompanied Solo Bassoon
Author: Jon P. Beebe
Publisher:
ISBN:
Category : Bassoon music
Languages : en
Pages : 580
Book Description
Publisher:
ISBN:
Category : Bassoon music
Languages : en
Pages : 580
Book Description
Annotated Bibliography of Music for Bassoon and String Quartet
Author: Jose Arsenio Rueda Ocaña
Publisher:
ISBN: 9783944605142
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9783944605142
Category :
Languages : en
Pages :
Book Description
Bassoon Bibliography
Author: Bodo Koenigsbeck
Publisher:
ISBN:
Category : Bassoon
Languages : en
Pages : 642
Book Description
Publisher:
ISBN:
Category : Bassoon
Languages : en
Pages : 642
Book Description
Contest Pieces for Bassoon and Piano
Author: James R. Briscoe
Publisher: A-R Editions, Inc.
ISBN: 0895798107
Category : Music
Languages : en
Pages : 73
Book Description
The Paris Conservatoire's rigorous curriculum for training both singers and instrumentalists led to a wealth of musical treasures in the form of pieces composed specifically for the end-of-year examinations, which culminated in a public prize competition, the Concours du Conservatoire. The solos composed for these examinations, both the sight-reading works and the longer contest pieces (morceaux de concours), constitute the first extended series of compositions for woodwinds, brass, and harp in music history, being composed nearly annually for each instrument beginning in the 1830s. The wealth of musical treasures resulting from this systematic accumulation of works represents the historical core of these instrumental repertories today. The present volume contains a selection of morceaux de concours and other pieces written in a similar style, representing some of the most influential oboists and composers associated with the Conservatoire.
Publisher: A-R Editions, Inc.
ISBN: 0895798107
Category : Music
Languages : en
Pages : 73
Book Description
The Paris Conservatoire's rigorous curriculum for training both singers and instrumentalists led to a wealth of musical treasures in the form of pieces composed specifically for the end-of-year examinations, which culminated in a public prize competition, the Concours du Conservatoire. The solos composed for these examinations, both the sight-reading works and the longer contest pieces (morceaux de concours), constitute the first extended series of compositions for woodwinds, brass, and harp in music history, being composed nearly annually for each instrument beginning in the 1830s. The wealth of musical treasures resulting from this systematic accumulation of works represents the historical core of these instrumental repertories today. The present volume contains a selection of morceaux de concours and other pieces written in a similar style, representing some of the most influential oboists and composers associated with the Conservatoire.
Concertino, Op. 12
Author: Ferdinand David
Publisher: Alfred Music
ISBN: 9781457486029
Category : Music
Languages : en
Pages : 20
Book Description
A Basson solo with Piano Accompaniment composed by Ferdinand David.
Publisher: Alfred Music
ISBN: 9781457486029
Category : Music
Languages : en
Pages : 20
Book Description
A Basson solo with Piano Accompaniment composed by Ferdinand David.
The Bassoon Sonatas of Victor Bruns
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Sonata repertoire for bassoon and piano is rather narrow in scope and quantity when compared to sonata repertoire of other woodwind instruments. Outside of the sonatas for bassoon and piano of Etler, Hindemith, Hurlstone, Saint-Sẽns, and Wilder, works are relatively few and rarely played. Representative works from the mid-to-late twentieth century are often difficult even to locate. Fortunately, a substantial body of sonata repertoire lies in the three sonatas for bassoon and piano by Victor Bruns (1904-96). Bruns was one of many bassoonist-composers, most of whom were professors at the Paris Conservatory, who added to the relatively small amount of repertoire for the instrument, yet his works are relatively unknown. In addition to these three sonatas, Bruns composed music for bassoon including: four bassoon concerti, a contrabassoon concerto, three additional works for bassoon and piano, two pieces for contrabassoon and piano, numerous pedagogical etudes and studies, and chamber music in various genres. Bruns was a prolific composer of symphonic music, instrumental concerti, chamber music, and music for the stage. Unfortunately, the majority of his works are relatively unknown outside Germany and Eastern Europe, and many are out of print, sold in manuscript only or difficult to obtain. The purpose of this thesis is to provide, through a detailed examination of his three sonatas for bassoon and piano and an annotated bibliography of works for bassoon, an analytical and performance perspective of the unique compositional style of Victor Bruns.
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Sonata repertoire for bassoon and piano is rather narrow in scope and quantity when compared to sonata repertoire of other woodwind instruments. Outside of the sonatas for bassoon and piano of Etler, Hindemith, Hurlstone, Saint-Sẽns, and Wilder, works are relatively few and rarely played. Representative works from the mid-to-late twentieth century are often difficult even to locate. Fortunately, a substantial body of sonata repertoire lies in the three sonatas for bassoon and piano by Victor Bruns (1904-96). Bruns was one of many bassoonist-composers, most of whom were professors at the Paris Conservatory, who added to the relatively small amount of repertoire for the instrument, yet his works are relatively unknown. In addition to these three sonatas, Bruns composed music for bassoon including: four bassoon concerti, a contrabassoon concerto, three additional works for bassoon and piano, two pieces for contrabassoon and piano, numerous pedagogical etudes and studies, and chamber music in various genres. Bruns was a prolific composer of symphonic music, instrumental concerti, chamber music, and music for the stage. Unfortunately, the majority of his works are relatively unknown outside Germany and Eastern Europe, and many are out of print, sold in manuscript only or difficult to obtain. The purpose of this thesis is to provide, through a detailed examination of his three sonatas for bassoon and piano and an annotated bibliography of works for bassoon, an analytical and performance perspective of the unique compositional style of Victor Bruns.
Fantasia, for Solo Bassoon and Seven Instruments
Author: Richard Donovan
Publisher:
ISBN:
Category : Octets (Bassoon, celesta, timpani, percussion, violin, viola, cello, double bass)
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Octets (Bassoon, celesta, timpani, percussion, violin, viola, cello, double bass)
Languages : en
Pages : 28
Book Description
Bassoon Technique
Author: Archie Camden
Publisher: London : Oxford University Press, [1975 printing
ISBN:
Category : Music
Languages : en
Pages : 94
Book Description
Helpful information for the beginning performer, and fairly accomplished amateur.
Publisher: London : Oxford University Press, [1975 printing
ISBN:
Category : Music
Languages : en
Pages : 94
Book Description
Helpful information for the beginning performer, and fairly accomplished amateur.