Author: Marilyn June RietzPublisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
An Analytical Study of Prokofiev's Sonata, Opus 119, for Violoncello and Piano
Author: Marilyn June RietzSonata, Op. 119, Violoncello and Piano
Author: Sergey ProkofievPublisher:
ISBN:
Category : Sonatas
Languages : en
Pages : 55
Book Description
An Analytical Study of Sergei Prokofiev's Piano Sonata Number 4
Author: William Michael ChoatPublisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
Sonata. Op. 119
Author: Sergej Sergeevič ProkofévPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Analysis of Sergei Prokofiev's Sonata in D major for Violin and Piano, Op. 94bis
Author: Liza LandersPublisher:
ISBN:
Category : Musical analysis
Languages : en
Pages : 0
Book Description
A Bibliography of Master's Theses and Doctoral Dissertations in Music Completed at Texas Colleges and Universities, 1919-1972
Author: Texas Music Educators AssociationPublisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 164
Book Description
An Analytical Study of the Sonata in C for Cello and Piano by Benjamin Britten
Author: Charles August BakerPublisher:
ISBN:
Category : Musical analysis
Languages : en
Pages : 496
Book Description
" ... true analysis works through and for the ear. The greatest analysts (like Schenker at his best) are those with the keenest ears; their insights reveal how a piece of music should be heard, which in turn implies how it should be played. An analysis is a direction for a performance." In this era of the twentieth century, an age in which technical proficiency is frequently considered the ultimate achievement of the performer, the lack of attention given to the content of the music itself is often evident. The tenor of the ensuing study was provoked by the author's reluctance to accept the performance of music on a purely technical and emotional basis. for it is the conviction of the author that a truly artistic performance is based not only on technical ability and emotion, but also on a sound understanding of the music as well. Such an understanding may begin with a knowledge of the constituent elements of style and a concept of their subsequent meaning and application to performance. The following outline, based on the premise that the chief elements of style are melody and rhythm, undertakes to show a relationship between style and performance. I. Elements of Style. A. Melody. 1. formal organization (form); 2. Tonal organization (tonality); 3. textural arrangement: (a). homophony (harmony); (b). polyphony (counterpoint). B. Rhythm--the setting of melody. 1. metric basis (meter). II. Application of the elements of melody to performance. A. Formal organization. 1. phrasing (intelligibility); 2. contour (sense of movement both towards and away from points of climax). B. Tonal organization. 1. color (varied between bright and dark by modality, polytonality, and polymodality). Ill. The control of melody in performance . A. Tempo (faster or slower). B. Dynamics (louder or softer). 1. balance of dynamics (to achieve a proper relationship of the melody with the texture). It is the desire of the author that the following study, based on the above approach to performance, may contribute to a better understanding of the Benjamin Britten Sonata in C for cello and piano.
Sonata for violoncello and piano, op. 119
Author: Sergey ProkofievAn Analytical Study of Schumann's Piano Sonata in F-sharp Minor, Op. 11
Author: Ming-Sum Winnie HoPublisher:
ISBN:
Category : Music
Languages : en
Pages :
Book Description
Prokofiev's Piano Sonata No. 6, Op. 82 [microform] : a Motivic Analysis and Performance Practice Study
![Prokofiev's Piano Sonata No. 6, Op. 82 [microform] : a Motivic Analysis and Performance Practice Study PDF](https://books.google.com/books/content/images/frontcover/bOZdNAEACAAJ?fife=w80-h100)
Author: Ungar, Garnet WilliamPublisher: Ann Arbor, Mich. : University Microfilms International
ISBN:
Category :
Languages : en
Pages : 234
Book Description