Author: Martin Eldon LeBeau
Publisher:
ISBN:
Category : Viola
Languages : en
Pages : 318
Book Description
An Analysis of Technical Problems in Twentieth-century Literature for Unaccompanied Viola
Author: Martin Eldon LeBeau
Publisher:
ISBN:
Category : Viola
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category : Viola
Languages : en
Pages : 318
Book Description
An Analysis of Technical Problems in Twentieth-century Literature for Unaccompanied Viola
Author: Martin Eldon LeBeau
Publisher:
ISBN:
Category : Viola
Languages : en
Pages : 188
Book Description
Publisher:
ISBN:
Category : Viola
Languages : en
Pages : 188
Book Description
Dissertation Abstracts International
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 532
Book Description
Comprehensive Dissertation Index
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 768
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 768
Book Description
Diverse Cultural Voices and Improvisation in Music of the Late Twentieth Century
Author: Karen Elaine
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages : 266
Book Description
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages : 266
Book Description
Approved Doctoral Dissertations in Progress in Music Education
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 142
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 142
Book Description
American Doctoral Dissertations
Author:
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 776
Book Description
Viola Transcriptions
Author: Rachel White Galvin
Publisher:
ISBN: 9781303731136
Category :
Languages : en
Pages : 216
Book Description
Since the viola attained soloist status in the early to mid 20th Century, violists have been faced with the never-ending task of matching the performance standards of their more agile violin brethren. Much of the violinist's technical facility comes from their study of pre-twentieth century musical offerings; yet, the development of the viola student is handicapped by the lack of original viola repertoire from that time. More repertoire of this ilk needs to be made available as transcriptions to violists. Moreover, violists should be the ones creating these transcriptions because they know best the intricacies of the instrument. This may seem a daunting task since not all violists are experienced in composing or transcribing. Further, no standard transcribing process exists in print. The aim of this document is to purpose a set of general guidelines for transcribing music from the violin to the viola, while isolating the various problems that can occur during that process. The Two Sonatas for Violin and Piano, as well as the Three Solo Sonatas for Violin of German composer, August Halm (1869-1929), will serve as the case study from which to build this method. While Halm is admittedly a Modern era composer, his compositional style leans more heavily on Bach, Beethoven, and Bruckner than his contemporaries. A secondary aim of this document is to inform the reader of Halm's pedagogical and theoretical opinions, and to demonstrate how they remain relevant for today's performers and students.
Publisher:
ISBN: 9781303731136
Category :
Languages : en
Pages : 216
Book Description
Since the viola attained soloist status in the early to mid 20th Century, violists have been faced with the never-ending task of matching the performance standards of their more agile violin brethren. Much of the violinist's technical facility comes from their study of pre-twentieth century musical offerings; yet, the development of the viola student is handicapped by the lack of original viola repertoire from that time. More repertoire of this ilk needs to be made available as transcriptions to violists. Moreover, violists should be the ones creating these transcriptions because they know best the intricacies of the instrument. This may seem a daunting task since not all violists are experienced in composing or transcribing. Further, no standard transcribing process exists in print. The aim of this document is to purpose a set of general guidelines for transcribing music from the violin to the viola, while isolating the various problems that can occur during that process. The Two Sonatas for Violin and Piano, as well as the Three Solo Sonatas for Violin of German composer, August Halm (1869-1929), will serve as the case study from which to build this method. While Halm is admittedly a Modern era composer, his compositional style leans more heavily on Bach, Beethoven, and Bruckner than his contemporaries. A secondary aim of this document is to inform the reader of Halm's pedagogical and theoretical opinions, and to demonstrate how they remain relevant for today's performers and students.
Four pieces for unaccompanied viola da gamba
Author: Jason Paras
Publisher:
ISBN:
Category : Viola da gamba music
Languages : en
Pages : 34
Book Description
Publisher:
ISBN:
Category : Viola da gamba music
Languages : en
Pages : 34
Book Description