Author: John and Josiah Boydell
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
An alphabetical catalogue of plates, engraved by the most esteemed artists, after the finest pictures and drawings of the Italian, Flemish ... and other schools, which compose the stock of John and Josiah Boydell
Author: John and Josiah Boydell
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
An Alphabetical Catalogue of Plates, engraved ... after the finest pictures and drawings of the Italian, Flemish, German, French, English, and other schools, which compose the stock of John and Josiah Boydell, etc
Author: John BOYDELL (and BOYDELL (Josiah) Engravers and Printsellers.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
William Blake and the Art of Engraving
Author: Mei-Ying Sung
Publisher: Routledge
ISBN: 1317314255
Category : Art
Languages : en
Pages : 239
Book Description
Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.
Publisher: Routledge
ISBN: 1317314255
Category : Art
Languages : en
Pages : 239
Book Description
Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.
An Alphabetical Catalogue of Plates
Art Crossing Borders
Author: Jan Dirk Baetens
Publisher: BRILL
ISBN: 9004291997
Category : Social Science
Languages : en
Pages : 367
Book Description
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
Publisher: BRILL
ISBN: 9004291997
Category : Social Science
Languages : en
Pages : 367
Book Description
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
Anglo-Saxon England: Volume 28
Author: Michael Lapidge
Publisher: Cambridge University Press
ISBN: 9780521652032
Category : History
Languages : en
Pages : 464
Book Description
This volume is framed by articles that throw interesting light on the achievement and reputation of the greatest of Anglo-Saxon kings - Alfred.
Publisher: Cambridge University Press
ISBN: 9780521652032
Category : History
Languages : en
Pages : 464
Book Description
This volume is framed by articles that throw interesting light on the achievement and reputation of the greatest of Anglo-Saxon kings - Alfred.
Bartolozzi and His Works
Boydell's Shakespeare Gallery
Author: Winifred H. Friedman
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 496
Book Description
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 496
Book Description
Prints and Engraved Illustrations by and After Henry Fuseli
Author: David H. Weinglass
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 456
Book Description
Throughout his lifetime the name Henry Fuseli (1741-1825) was constantly invoked as the epitome of untrammelled genius and originality. In our own day he is recognised not only as a seminal figure in the rise of Romanticism but as a great artist and master illustrator in his own right. He is also the only member of the Royal Academy ever to hold the positions of Professor of Painting and Keeper in that institution concurrently. This comprehensive catalogue of the prints and engraved illustrations by and after Henry Fuseli explores the nature and extent of Fuseli's role as history painter cum illustrator. It documents the intricate financial, artistic and business practices that shaped the complex working relationships between artist, engraver, printer and publisher. Such materials also help elucidate how engraved versions of Fuseli's and other artists' paintings stimulated public interest in the arts and literature, thereby becoming an important means of cultural transmission to the middle class.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 456
Book Description
Throughout his lifetime the name Henry Fuseli (1741-1825) was constantly invoked as the epitome of untrammelled genius and originality. In our own day he is recognised not only as a seminal figure in the rise of Romanticism but as a great artist and master illustrator in his own right. He is also the only member of the Royal Academy ever to hold the positions of Professor of Painting and Keeper in that institution concurrently. This comprehensive catalogue of the prints and engraved illustrations by and after Henry Fuseli explores the nature and extent of Fuseli's role as history painter cum illustrator. It documents the intricate financial, artistic and business practices that shaped the complex working relationships between artist, engraver, printer and publisher. Such materials also help elucidate how engraved versions of Fuseli's and other artists' paintings stimulated public interest in the arts and literature, thereby becoming an important means of cultural transmission to the middle class.
Shakespeare and the Culture of Romanticism
Author: Joseph M. Ortiz
Publisher: Routledge
ISBN: 135190079X
Category : Literary Criticism
Languages : en
Pages : 476
Book Description
The idea of Shakespearean genius and sublimity is usually understood to be a product of the Romantic period, promulgated by poets such as Coleridge and Byron who promoted Shakespeare as the supreme example of literary genius and creative imagination. However, the picture looks very different when viewed from the perspective of the myriad theater directors, actors, poets, political philosophers, gallery owners, and other professionals in the nineteenth century who turned to Shakespeare to advance their own political, artistic, or commercial interests. Often, as in John Kemble’s staging of The Winter’s Tale at Drury Lane or John Boydell’s marketing of paintings in his Shakespeare Gallery, Shakespeare provided a literal platform on which both artists and entrepreneurs could strive to influence cultural tastes and points of view. At other times, Romantic writers found in Shakespeare’s works a set of rhetorical and theatrical tools through which to form their own public personae, both poetic and political. Women writers in particular often adapted Shakespeare to express their own political and social concerns. Taken together, all of these critical and aesthetic responses attest to the remarkable malleability of the Shakespearean corpus in the Romantic period. As the contributors show, Romantic writers of all persuasions”Whig and Tory, male and female, intellectual and commercial”found in Shakespeare a powerful medium through which to claim authority for their particular interests.
Publisher: Routledge
ISBN: 135190079X
Category : Literary Criticism
Languages : en
Pages : 476
Book Description
The idea of Shakespearean genius and sublimity is usually understood to be a product of the Romantic period, promulgated by poets such as Coleridge and Byron who promoted Shakespeare as the supreme example of literary genius and creative imagination. However, the picture looks very different when viewed from the perspective of the myriad theater directors, actors, poets, political philosophers, gallery owners, and other professionals in the nineteenth century who turned to Shakespeare to advance their own political, artistic, or commercial interests. Often, as in John Kemble’s staging of The Winter’s Tale at Drury Lane or John Boydell’s marketing of paintings in his Shakespeare Gallery, Shakespeare provided a literal platform on which both artists and entrepreneurs could strive to influence cultural tastes and points of view. At other times, Romantic writers found in Shakespeare’s works a set of rhetorical and theatrical tools through which to form their own public personae, both poetic and political. Women writers in particular often adapted Shakespeare to express their own political and social concerns. Taken together, all of these critical and aesthetic responses attest to the remarkable malleability of the Shakespearean corpus in the Romantic period. As the contributors show, Romantic writers of all persuasions”Whig and Tory, male and female, intellectual and commercial”found in Shakespeare a powerful medium through which to claim authority for their particular interests.