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Author: Lynd Ward Publisher: Library of America ISBN: 1598533967 Category : Comics & Graphic Novels Languages : en Pages : 455
Book Description
Edited by Art Spiegelman, author of the Pulitzer Prize-winning graphic novel Maus A wordless novel in woodcuts from Lynd Ward, a pioneering artist/novelist who was “an unmistakable soul-companion to . . . Frank Capra and John Steinbeck, but also Fritz Lang and Franz Kafka” (Jonathan Lethem) From the Great Depression to WII, America’s first great graphic novelist bore witness to the roiling, dizzying national scene as both a master printmaker and a socially committed storyteller. In this, the first of two volumes collecting all his woodcut novels, The Library of America brings together Lynd Ward’s earliest books, published when the artist was still in his twenties. Gods’ Man (1929), the audaciously ambitious work that made Ward’s reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman’s Drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock in trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by five essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms.
Author: Lynd Ward Publisher: Library of America ISBN: 1598533967 Category : Comics & Graphic Novels Languages : en Pages : 455
Book Description
Edited by Art Spiegelman, author of the Pulitzer Prize-winning graphic novel Maus A wordless novel in woodcuts from Lynd Ward, a pioneering artist/novelist who was “an unmistakable soul-companion to . . . Frank Capra and John Steinbeck, but also Fritz Lang and Franz Kafka” (Jonathan Lethem) From the Great Depression to WII, America’s first great graphic novelist bore witness to the roiling, dizzying national scene as both a master printmaker and a socially committed storyteller. In this, the first of two volumes collecting all his woodcut novels, The Library of America brings together Lynd Ward’s earliest books, published when the artist was still in his twenties. Gods’ Man (1929), the audaciously ambitious work that made Ward’s reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman’s Drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock in trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by five essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms.
Author: Lynd Ward Publisher: Library of America ISBN: 1598533991 Category : Comics & Graphic Novels Languages : en Pages : 690
Book Description
In this, the second of two volumes collecting all his woodcut novels, The Library of America brings together Lynd Ward’s three later books, two of them brief, the visual equivalent of chamber music, the other his longest, a symphony in three movements. Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward’s undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.
Author: Allen Ahearn Publisher: eBookIt.com ISBN: 1883060141 Category : Antiques & Collectibles Languages : en Pages : 517
Book Description
An introduction to and advice on book collecting with a glossary of terms and tips on how to identify first editions and estimated values for over 20,000 collectible books published in English (including translations) over the last three centuries-about half are literary titles in the broadest sense (novels, poetry, plays, mysteries, science fiction, and children's books); and the other half are non-fiction (Americana, travel and exploration, finance, cookbooks, color plate, medicine, science, photography, Mormonism, sports, et al).
Author: Library of Congress. Copyright Office Publisher: Copyright Office, Library of Congress ISBN: Category : American literature Languages : en Pages : 2620
Author: Donald Culross Peattie Publisher: Trinity University Press ISBN: 1595341579 Category : Nature Languages : en Pages : 422
Book Description
An Almanac for Moderns contains a short essay for each day of the year that contemplates a unique but factual aspect of unbridled nature. According to a review in Nation, this collection of essays manages to “appeal to the ordinary lover of nature . . . but the turn of Peattie’s mind is poetic and speculative.” The New York Times calls this book “a fine and subtle perception . . . rising at times to an intense lyric beauty . . . a book which the reader will deeply treasure, and to which he will repeatedly return.”
Author: Roger Thompson Publisher: ISBN: Category : American prose literature Languages : en Pages : 490
Book Description
Essays on distinctly American nature writers from the earliest to the most recent that have consistently sought to convey both their wonder at the natural world and their individual, personal experiences, within it.
Author: Lynd Ward
Author: Lynd Ward
Author: Lynd Ward
Author: Allen Ahearn
Author: Library of Congress. Copyright Office
Author: 
Author: 
Author: Donald Culross Peattie
Author: Roger Thompson
Author: Garden Club of America
Author: