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Author: Daniel Bertrand Monk Publisher: Duke University Press ISBN: 0822383306 Category : Architecture Languages : en Pages : 269
Book Description
In An Aesthetic Occupation Daniel Bertrand Monk unearths the history of the unquestioned political immediacy of “sacred” architecture in the conflict between Palestinians and Israelis. Monk combines groundbreaking archival research with theoretical insights to examine in particular the Mandate era—the period in the first half of the twentieth century when Britain held sovereignty over Palestine. While examining the relation between monuments and mass violence in this context, he documents Palestinian, Zionist, and British attempts to advance competing arguments concerning architecture’s utility to politics. Succumbing neither to the view that monuments are autonomous figures onto which political meaning has been projected, nor to the obverse claim that in Jerusalem shrines are immediate manifestations of the political, Monk traces the reciprocal history of both these positions as well as describes how opponents in the conflict debated and theorized their own participation in its self-representation. Analyzing controversies over the authenticity of holy sites, the restorations of the Dome of the Rock, and the discourse of accusation following the Buraq, or Wailing Wall, riots of 1929, Monk discloses for the first time that, as combatants looked to architecture and invoked the transparency of their own historical situation, they simultaneously advanced—and normalized—the conflict’s inability to account for itself. This balanced and unique study will appeal to anyone interested in Israel or Zionism, the Palestinians, the Middle East conflict, Jerusalem, or its monuments. Scholars of architecture, political theory, and religion, as well as cultural and critical studies will also be informed by its arguments.
Author: Daniel Bertrand Monk Publisher: Duke University Press ISBN: 0822383306 Category : Architecture Languages : en Pages : 269
Book Description
In An Aesthetic Occupation Daniel Bertrand Monk unearths the history of the unquestioned political immediacy of “sacred” architecture in the conflict between Palestinians and Israelis. Monk combines groundbreaking archival research with theoretical insights to examine in particular the Mandate era—the period in the first half of the twentieth century when Britain held sovereignty over Palestine. While examining the relation between monuments and mass violence in this context, he documents Palestinian, Zionist, and British attempts to advance competing arguments concerning architecture’s utility to politics. Succumbing neither to the view that monuments are autonomous figures onto which political meaning has been projected, nor to the obverse claim that in Jerusalem shrines are immediate manifestations of the political, Monk traces the reciprocal history of both these positions as well as describes how opponents in the conflict debated and theorized their own participation in its self-representation. Analyzing controversies over the authenticity of holy sites, the restorations of the Dome of the Rock, and the discourse of accusation following the Buraq, or Wailing Wall, riots of 1929, Monk discloses for the first time that, as combatants looked to architecture and invoked the transparency of their own historical situation, they simultaneously advanced—and normalized—the conflict’s inability to account for itself. This balanced and unique study will appeal to anyone interested in Israel or Zionism, the Palestinians, the Middle East conflict, Jerusalem, or its monuments. Scholars of architecture, political theory, and religion, as well as cultural and critical studies will also be informed by its arguments.
Author: William J. O’Keeffe Publisher: Rodopi ISBN: 9401210195 Category : Literary Criticism Languages : en Pages : 232
Book Description
Pax in Bello, peace in the midst of war, was the motto one writer chose to signify the private dilemma: how could the humanist, clad in the uniform of the occupier, write of liberal values, see with a liberal eye – and publish, or hope to? From the armistice peace of occupied France, from the partisan war and incipient civil war of Greece, from the all-out warfare in southern Russia, came writing that revealed not just the everyday split consciousness resulting from the overlay of Nazi ideology, but writing also that circumvented and in places subverted the propaganda imperative which then governed everything in print. For a European community that now sees itself as exemplar and upholder of liberal democratic values, the study of that first great test of modern liberal conscience is instructive. Some essayed the test in the craft of writing, and came away with some honour. Their works are examined in this book.
Author: John Quay Publisher: Routledge ISBN: 1135969906 Category : Education Languages : en Pages : 249
Book Description
Education, Experience and Existence proposes a new way of understanding education that delves beneath the conflict, confusion and compromise that characterize its long history. At the heart of this new understanding is what John Dewey strove to expound: a coherent theory of experience. Dewey’s reputation as a pragmatist is well known, but where experience is concerned pragmatism is only half the story. The other half is phenomenological, as crafted by Martin Heidegger. Encompassing both is Charles Sanders Peirce, whose philosophy draws pragmatism and phenomenology together in an embrace which enables a truly experiential philosophy to emerge. The book approaches the problem of confusion in education and philosophy by beginning with our most basic understandings of existence. Existence as an interaction is the starting point of modern science, and existence as individuality offers an aesthetic origin, attending to existence as a simple unity. In our contemporary world where scientific ways of thinking are privileged, the aesthetic whole is often overlooked, especially in education. Yet both are connected. A coherent theory of experience is therefore a marriage between phenomenology and pragmatism, enabling each to maintain its position by acknowledging how both are required. The book is divided into three main parts: - confusion in philosophy and education - a coherent theory of experience - a coherent theory of education. Quay suggests that education benefits from such a coherent theory of experience by better comprehending its connection to life. More than just knowing, more than just doing, education is about being. This book will be of interest to philosophers, educators and educational philosophers.
Author: Adam Broinowski Publisher: Bloomsbury Publishing ISBN: 1780935978 Category : History Languages : en Pages : 279
Book Description
Cultural Responses to Occupation in Japan examines how the performing arts, and the performing body specifically, have shaped and been shaped by the political and historical conditions experienced in Japan during the Cold War and post-Cold War periods. This study of original and secondary materials from the fields of theatre, dance, performance art, film and poetry, probes the interrelationship that exists between the body and the nation-state. Important artistic works, such as Ankoku Butoh (dance of darkness) and its subsequent re-interpretation by a leading political performance company Gekidan Kaitaisha (theatre of deconstruction), are analysed using ethnographic, historical and theoretical modes. This approach reveals the nuanced and prolonged effects of military, cultural and political occupation in Japan over a duration of dramatic change. Cultural Responses to Occupation in Japan explores issues of discrimination, marginality, trauma, memory and the mediation of history in a ground-breaking work that will be of great significance to anyone interested in the symbiosis of culture and conflict.
Author: Lynn Churchill Publisher: Routledge ISBN: 1317086295 Category : Architecture Languages : en Pages : 214
Book Description
Bringing together an international range of contributors from the fields of practice, theory and history, this book takes a fresh look at occupation. It argues that occupation is a prospect that begins with ruin--a residue from the past, an implied or even a resounding presence of something previous that holds the potential for transformation. This prospect invites us to repudiate, re-imagine and re-define lived space, thereby asserting occupation as an act of revolution. Authors drawn from the fields of architecture, urbanism, interior architecture, dance dramaturgy, art history, design and visual arts, cultural studies and media studies provide a unique, holistic view of occupation, examining topics such as: the authority of architecture; architecture as an act of revolution; women in hypersexual space; occupation as a serialized act of ruin; and the definition of space as repudiation. They discuss how acts that re-invent territory and/or shift boundaries--psychological, social and physical--affect identity and demonstrate possession. This theme of occupation is significant and topical at a time of radical flux, generated by the proliferation of hypermedia, and also by the dramatically shifting environmental, political and economic context of this era. The book concludes by asserting that it is through occupation (private and public: real, virtual, remembered, re-invented) that we appear or disappear as the individual or collective self, because the spaces we construct assert particular agendas which we may either contest or live in accord with.
Author: Andrew David Publisher: Wipf and Stock Publishers ISBN: 1532634919 Category : Religion Languages : en Pages : 153
Book Description
FEATURING: Judith Butler Lia Chavez Katherine James D. S. Martin Thomas Nail PLUS: What Does Where You’re From Matter? * Ta-Nehisi Coates and the Power of Lament * Sing More Like a Girl * Jesus Doesn’t Want Me for a Sunbeam * Occupied Identity * What’s So Holy about Matrimony? AND MORE . . . “We the people . . .” So begins the familiar first line to the Preamble of the United States Constitution. But even in its initial context, in a document intended to be a manifesto of hope and freedom, the matter of who exactly was to be included in this “we” was unclear and contested. First-person pronouns (i.e., I and we) roll off the tongue–or onto parchment paper–with ease, but their common use often belies an underlying complexity. Who am I? Who are we? Who does my theology say that I am? Identity is at the same time essential to life and yet also deeply contested, problematic, and enigmatic. The world may be becoming more one and, yet, it seems also to be becoming more different, fragmented, agonistic, and isolated. In this issue of The Other Journal, we explore the valences of identity, both individual and communal, personal and public. We take up the theme of identity in multiple ways, examining its interconnections with gender and race, the dissolution and reconstitution of borders, and, yes, even the 2016 presidential campaign. The issue features essays by Derek Brown, Zach Czaia, Ryan Dueck, Julie M. Hamilton, Peter Herman, Zen Hess, Kimberly Humphrey, Katherine James, Russell Johnson, Sus Long, Willow Mindich, Angela Parker, Taylor Ross, and Erick Sierra; interviews by Stephanie Berbec and Zachary Thomas Settle with Judith Butler and Thomas Nail, respectively; poetry by T. M. Lawson, D. S. Martin, Oluwatomisin Oredein, and Erin Steinke; performance art by Lia Chavez; and photography by Jennifer Jane Simonton, Pilar Timpane, and Mark Wyatt.
Author: Gary Alan Fine Publisher: Univ of California Press ISBN: 9780520257924 Category : Business & Economics Languages : en Pages : 332
Book Description
'Kitchens' takes the reader into the robust, overheated, backstage world of the contemporary restaurant. In this portrait of the real lives of kitchen workers, the author brings their experiences, challenges, and satisfactions to life.
Author: James Elkins Publisher: Penn State Press ISBN: 0271063173 Category : Art Languages : en Pages : 247
Book Description
Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fourth volume in the series, Beyond the Aesthetic and the Anti-Aesthetic, focuses on questions revolving around the concepts of the aesthetic, the anti-aesthetic, and the political. The book is about the fact that now, almost thirty years after Hal Foster defined the anti-aesthetic, there is still no viable alternative to the dichotomy between aesthetics and anti- or nonaesthetic art. The impasse is made more difficult by the proliferation of identity politics, and it is made less negotiable by the hegemony of anti-aesthetics in academic discourse on art. The central question of this book is whether artists and academicians are free of this choice in practice, in pedagogy, and in theory. The contributors are Stéphanie Benzaquen, J. M. Bernstein, Karen Busk-Jepsen, Luis Camnitzer, Diarmuid Costello, Joana Cunha Leal, Angela Dimitrakaki, Alexander Dumbadze, T. Brandon Evans, Geng Youzhuang, Boris Groys, Beáta Hock, Gordon Hughes, Michael Kelly, Grant Kester, Meredith Kooi, Cary Levine, Sunil Manghani, William Mazzarella, Justin McKeown, Andrew McNamara, Eve Meltzer, Nadja Millner-Larsen, Maria Filomena Molder, Carrie Noland, Gary Peters, Aaron Richmond, Lauren Ross, Toni Ross, Eva Schürmann, Gregory Sholette, Noah Simblist, Jon Simons, Robert Storr, Martin Sundberg, Timotheus Vermeulen, and Rebecca Zorach.
Author: Thomas Fillitz Publisher: Routledge ISBN: 100018112X Category : Social Science Languages : en Pages : 229
Book Description
Drawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.
Author: Alberto Corsin Jimenez Publisher: Routledge ISBN: 1351894854 Category : Social Science Languages : en Pages : 712
Book Description
The Anthropology of Organisations offers a critical overview of the work that for over sixty years anthropologists have been carrying out in and on organisations and of the contribution that this work has made to social theory at large. Moving beyond earlier preoccupations with ’culture’ and ’relationality’, the volume brings together a selection of classic and contemporary articles that cast new light on the relevance of ethnography for organisational and social theory. It offers an indispensable resource for students and scholars interested in the politics behind the institutionalisation of social life.
Author: Daniel Bertrand Monk
Author: Daniel Bertrand Monk
Author: William J. O’Keeffe
Author: John Quay
Author: Adam Broinowski
Author: Lynn Churchill
Author: Andrew David
Author: Gary Alan Fine
Author: James Elkins
Author: Thomas Fillitz
Author: Alberto Corsin Jimenez