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Author: Christina Haupt Publisher: GRIN Verlag ISBN: 3668488762 Category : Art Languages : en Pages : 17
Book Description
Essay from the year 2016 in the subject Art - History of Art, grade: 1,0, University College Cork, language: English, abstract: The essay scrutinises the individuality of Amrita Sher-Gil paintings by examining various stylistic and personal influences as well as discuss the artist’s progress by analysing three paintings from 1930 to1935. While "Self-Portrait with Easel" (1930) is clearly influenced by Western style, "Self-Portrait as Tahitian" (1934) is already challenging the traditional representation of the female nude. The climax of Sher-Gil’s artistic transition will be discussed in "Hill Women" (1935). Moreover, the paintings are being discussed with the artist’s personal situation and the historical and cultural context in which they were created. Amrita Sher-Gil’s poems get to the heart of the conflict in the discussion of the artist’s life and work. Although being constantly anguished by her hybrid identity, Sher-Gil desired to represent a new subject matter and a pioneer in modern Indian art with unconventional representations of Non-Western female bodies. Work completed under the supervision of Dr Mary Kelly (née Healy) in fulfilment of the requirements of the Module HA3016 Intentions in Art: Women’s Art and Gender Theories, University College Cork, 2016.
Author: Christina Haupt Publisher: GRIN Verlag ISBN: 3668488762 Category : Art Languages : en Pages : 17
Book Description
Essay from the year 2016 in the subject Art - History of Art, grade: 1,0, University College Cork, language: English, abstract: The essay scrutinises the individuality of Amrita Sher-Gil paintings by examining various stylistic and personal influences as well as discuss the artist’s progress by analysing three paintings from 1930 to1935. While "Self-Portrait with Easel" (1930) is clearly influenced by Western style, "Self-Portrait as Tahitian" (1934) is already challenging the traditional representation of the female nude. The climax of Sher-Gil’s artistic transition will be discussed in "Hill Women" (1935). Moreover, the paintings are being discussed with the artist’s personal situation and the historical and cultural context in which they were created. Amrita Sher-Gil’s poems get to the heart of the conflict in the discussion of the artist’s life and work. Although being constantly anguished by her hybrid identity, Sher-Gil desired to represent a new subject matter and a pioneer in modern Indian art with unconventional representations of Non-Western female bodies. Work completed under the supervision of Dr Mary Kelly (née Healy) in fulfilment of the requirements of the Module HA3016 Intentions in Art: Women’s Art and Gender Theories, University College Cork, 2016.
Author: Anita Vachharajani Publisher: Harper Collins ISBN: 9352774744 Category : Biography & Autobiography Languages : en Pages : 289
Book Description
An artist? A dreamer? A rebel? Who exactly was Amrita Sher-Gil? She was a little bit of all these things, really. Amrita grew up with a great sense of mischief and adventure in two very different worlds, in a village near Budapest, Hungary, and among the cool, green hills of colonial Simla. She defied headmistresses, teachers, art critics and royalty to make her own determined way in the world of grown-ups and art.Join her on a journey through her life, a journey that takes her family through World Wars and political turmoil as they travel in pursuit of love, a home and a modern, artistic education for Amrita!
Author: Jennifer Higgie Publisher: Simon and Schuster ISBN: 1643138049 Category : Art Languages : en Pages : 336
Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Author: Amrita Sher-Gil Publisher: ISBN: 9788189487591 Category : Painters Languages : en Pages : 0
Book Description
This self-portrait of the iconic Indian painter Amrita Sher-Gil (1913-1941) represents more than a life. For this book in two volumes, Amrita's extant letters and writings are translated and reproduced from the originals in their entirety. The book draws on the primary text of these letters to open up a visual narrative around the artist's oeuvre, complemented by a parallel text of notes that not only annotate but also entangle the personal in the web of contemporaneity. The editorial intervention expands the setting to include the artist's voice, photographs from the Sher-Gil family album, a collation of reviews from contemporary art critics, and excerpts from autobiographies and testimonies that touched Amrita's life. There are full-colour reproductions of 147 paintings by the artist, representing the largest such collection in print, as well as of her early sketches and watercolors. This archival effort makes for a definitive volume on the life, art and writings of Amrita Sher-Gil. The book includes a foreword by Salman Rushdie; a prologue and an epilogue by Vivan Sundaram; a complete list of Amrita Sher-Gil's 172 known oil paintings with thumbnail sketches and detailed captions; and a select bibliography of writings by and on Amrita Sher-Gil.
Author: Yashodhara Dalmia Publisher: Penguin UK ISBN: 8184759215 Category : Languages : en Pages : 365
Book Description
Beautiful and brilliant, Amrita Sher-Gil lived life on her own terms, scandalizing the staid society of her times with her love affairs and unconventional ways. In this fascinating biography, art historian Yashodhara Dalmia paints a compelling portrait of the artist who, when she died in 1941 at the age of twenty-eight, left behind a body of work that establishes her as one of the foremost artists of the century and an eloquent symbol of the fusion between the East and the West
Author: Christina Haupt
Author: Christina Haupt
Author: Anita Vachharajani
Author: Jennifer Higgie
Author: Vidya Dehejia
Author: Amrita Sher-Gil
Author: Yashodhara Dalmia
Author: Mulk Raj Anand
Author: Amrita Sher-Gil
Author: Deepak Ananth
Author: Amrita Sher-Gil