Author: Matteo Maria Boiardo
Publisher: Binghamton, N.Y. : Medieval & Renaissance Texts & Studies ; Ottawa : Dovehouse Editions
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Amorum Libri
Author: Matteo Maria Boiardo
Publisher: Binghamton, N.Y. : Medieval & Renaissance Texts & Studies ; Ottawa : Dovehouse Editions
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Publisher: Binghamton, N.Y. : Medieval & Renaissance Texts & Studies ; Ottawa : Dovehouse Editions
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Encyclopedia of Italian Literary Studies: A-J
Author: Gaetana Marrone
Publisher: Taylor & Francis
ISBN: 1579583903
Category : Italian literature
Languages : en
Pages : 2258
Book Description
Publisher description
Publisher: Taylor & Francis
ISBN: 1579583903
Category : Italian literature
Languages : en
Pages : 2258
Book Description
Publisher description
Catalogue
Author: Sotheby, Wilkinson & Hodge
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
Book Catalogues
Catalogue of the Library of the Peabody Institute of the City of Baltimore ...
Author: George Peabody Library
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 634
Book Description
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 634
Book Description
Alphabetical Finding List
Author: Princeton University. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 758
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 758
Book Description
Ovid: Amores Book 3
Author: P. J. Davis
Publisher: Oxford University Press
ISBN: 0198871309
Category : Literary Criticism
Languages : en
Pages : 399
Book Description
Augustan love elegy represents one of the most important and most distinctive Roman contributions to European and world literature. This volume presents the first detailed commentary in any language on Ovid's Amores Book 3, the last collection of love poems composed in the Augustan age. Aimed at both students and scholars, the commentary has been written to be as accessible to as many readers as possible, with all quotations from ancient Greek and modern languages being translated. It includes an Introduction for the general reader which pays particular attention not only to the book's poetic design and the distinctive features of Ovid's style, but the relationship of the whole three-book collection to earlier love elegy and its handling of political and social questions. It offers an edition of the text of Book 3 based on printed editions together with a translation designed to clarify the surface meaning of the Latin. P. J. Davis's commentary focuses on topics including Ovid's engagement with the works of earlier poets, his use of rhetoric and wit, his employment of verbal and metrical patterns, textual difficulties, and, of course, the elucidation of linguistic problems. Amores Book 3 takes love elegy in new directions giving us, for example, a dream-vision poem, a dutiful husband's account of a religious pilgrimage, and the speech of a pickup artist trying to seduce a girl at the races. Perhaps its most striking feature is its shift away from obsession with a single mistress to reflection on the poet's place in the tradition of Latin love poetry, with poems explicitly devoted to issues raised by Catullus, Tibullus, and Propertius.
Publisher: Oxford University Press
ISBN: 0198871309
Category : Literary Criticism
Languages : en
Pages : 399
Book Description
Augustan love elegy represents one of the most important and most distinctive Roman contributions to European and world literature. This volume presents the first detailed commentary in any language on Ovid's Amores Book 3, the last collection of love poems composed in the Augustan age. Aimed at both students and scholars, the commentary has been written to be as accessible to as many readers as possible, with all quotations from ancient Greek and modern languages being translated. It includes an Introduction for the general reader which pays particular attention not only to the book's poetic design and the distinctive features of Ovid's style, but the relationship of the whole three-book collection to earlier love elegy and its handling of political and social questions. It offers an edition of the text of Book 3 based on printed editions together with a translation designed to clarify the surface meaning of the Latin. P. J. Davis's commentary focuses on topics including Ovid's engagement with the works of earlier poets, his use of rhetoric and wit, his employment of verbal and metrical patterns, textual difficulties, and, of course, the elucidation of linguistic problems. Amores Book 3 takes love elegy in new directions giving us, for example, a dream-vision poem, a dutiful husband's account of a religious pilgrimage, and the speech of a pickup artist trying to seduce a girl at the races. Perhaps its most striking feature is its shift away from obsession with a single mistress to reflection on the poet's place in the tradition of Latin love poetry, with poems explicitly devoted to issues raised by Catullus, Tibullus, and Propertius.
“A” View of the English Editions, Translations and Illustrations of the Ancient Greek and Latin Authors, with Remarks
Author: Lewis Wilhelm Brüggemann
Publisher:
ISBN:
Category :
Languages : en
Pages : 1014
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1014
Book Description
Catalogue of a Valuable and Interesting Collection of Books, a Large Part of which Consists of the Library of the Rev. Samuel Knight, D.D. ... which Will be Sold by Auction, by Messrs. Puttick and Simpson ... on ... June 27th, 1861, Etc
Cartographic Humanism
Author: Katharina N. Piechocki
Publisher: University of Chicago Press
ISBN: 022664121X
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Piechocki calls for an examination of the idea of Europe as a geographical concept, tracing its development in the 15th and 16th centuries. What is “Europe,” and when did it come to be? In the Renaissance, the term “Europe” circulated widely. But as Katharina N. Piechocki argues in this compelling book, the continent itself was only in the making in the fifteenth and sixteenth centuries. Cartographic Humanism sheds new light on how humanists negotiated and defined Europe’s boundaries at a momentous shift in the continent’s formation: when a new imagining of Europe was driven by the rise of cartography. As Piechocki shows, this tool of geography, philosophy, and philology was used not only to represent but, more importantly, also to shape and promote an image of Europe quite unparalleled in previous centuries. Engaging with poets, historians, and mapmakers, Piechocki resists an easy categorization of the continent, scrutinizing Europe as an unexamined category that demands a much more careful and nuanced investigation than scholars of early modernity have hitherto undertaken. Unprecedented in its geographic scope, Cartographic Humanism is the first book to chart new itineraries across Europe as it brings France, Germany, Italy, Poland, and Portugal into a lively, interdisciplinary dialogue.
Publisher: University of Chicago Press
ISBN: 022664121X
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Piechocki calls for an examination of the idea of Europe as a geographical concept, tracing its development in the 15th and 16th centuries. What is “Europe,” and when did it come to be? In the Renaissance, the term “Europe” circulated widely. But as Katharina N. Piechocki argues in this compelling book, the continent itself was only in the making in the fifteenth and sixteenth centuries. Cartographic Humanism sheds new light on how humanists negotiated and defined Europe’s boundaries at a momentous shift in the continent’s formation: when a new imagining of Europe was driven by the rise of cartography. As Piechocki shows, this tool of geography, philosophy, and philology was used not only to represent but, more importantly, also to shape and promote an image of Europe quite unparalleled in previous centuries. Engaging with poets, historians, and mapmakers, Piechocki resists an easy categorization of the continent, scrutinizing Europe as an unexamined category that demands a much more careful and nuanced investigation than scholars of early modernity have hitherto undertaken. Unprecedented in its geographic scope, Cartographic Humanism is the first book to chart new itineraries across Europe as it brings France, Germany, Italy, Poland, and Portugal into a lively, interdisciplinary dialogue.